Baptiste Morizot recounts the story of how modern people monospecifically confiscated the privilege of developing environments, and explores how certain contemporary environmental restoration practices, carried out by the heirs of this confiscation, now envisage sharing this monopoly with non-human, animal and ecosystem entities. What are the ...
Images surround us, dominate us, haunt us. Some impose themselves by striking our minds, while others, more insidious, creep in and surprise us in our imaginations. Should we now learn to defend ourselves against them, because they are too aggressive or too seductive?
Patrick Boucheron examines the resurgence of these hauntings, bringing bac...
To coincide with the publication of issue no. 9 of Transbordeur. Photographie histoire société, which focuses on “Algorithmic Images”, and the exhibition “Le monde selon l'AI”, which opens at Jeu de Paume in April, Christian Joschke talks to Antonio Somaini and Ada Ackerman, curators of the exhibition.
What do we mean today by “artificial in...
Dragons beneath the earth.
Art, the invisible and philosophy today
This conference explores the relationship between art and philosophy at a time of environmental change in the humanities. Philosopher Mohamed Amer Meziane will draw on his two books Au bord des mondes and Des empires sous la terre. He will highlight some of their resonances w...
Michel Poivert describes as “neo-analog” photographic practices involving creative processes that assert the role of materiality and experimentation over the production of an image. It thus opens onto the global notion of “analog culture”, defined as the counterpart to “digital culture”. Analog no longer designates a technical fact, but a cult...