Originating in the performance Nós não estamos algures, imagined by the Portuguese filmmaker, art critic and curator Ernesto de Sousa in 1969 at the Primeiro Acto theater club (Algés), the event "We are (still) not somewhere" aims to be a transcultural iteration of the performative and intermedia experiments initiated by the Portuguese artist collectives in the late 1960s.
Mémoires d'atelier II - dialogue with Émilie Verger and Flore Chesnay
The Reg-Arts project (Beaux-Arts de Paris, CNRS, INHA) aims to understand the history of the Beaux-Arts de Paris in a multidisciplinary way, through the creation of a digital resource giving access to the registration registers of student painters and sculptors between 1813 and 1968. The accompanying seminar aims to explore this history in a collective and contemporary way.
Under the direction of François-René Martin, Professor of General Art History, Beaux-Arts de Paris, and coordinator of the research team, École du Louvre
Study day organised on the occasion of the publication of L'Art. Entretiens réunis par Paul Gsell, in French and English, published by the Musée Rodin (collection "Rodin: textes et recherches").
Organizers:
Violette Wood (graduate 2022)
Borgial Nienguet Roger (graduated 2022, with honors)
DAHABIYY
DAHABIYY
The exhibitions will be exceptionally closed on Thursday 10 November 2022 due to industrial action.
We will welcome you as usual on the following day.
We apologize for this inconvenience.
On 22 October 2022, the Place de l'Étape in Fontainebleau and the fountain sculpture "Les Mâts" by the artist Elías Gama, 2018 graduate, were inaugurated. This creation is the result of a partnership between the City of Fontainebleau and the Beaux-Arts de Paris.
The Pernod Ricard Foundation and the Beaux-Arts de Paris renew their collaboration for 2022-2023. Charlotte Simonnet, a 3rd year student at the Atelier Tatiana Trouvé, presents her installation Coutures as part of the "L'Avancée" programme.
Located in the heart of the café-library of the new Pernod Ricard Foundation, L'Avancée is a hanging space dedicated to emerging artists, a way of extending the exhibition space into the living space.
"My work Coutures is made of concrete iron imitating the movement of a rope. It sews the wall from which it emerges, forming loops of different sizes before falling to the ground. This concrete iron is treated to have a black colour with some violet reflections.
This installation is a gesture evoking the construction of a place, of an architecture. By coming out of the picture rail, the concrete iron makes an invisible form visible. The gesture of sewing then evokes a way of linking the underside with the top. A game of illusion is created by the contrast between the rigidity of the metal and the rounded, supple shapes of a rope."
Charlotte Simonnet
Pernod Ricard Foundation
1, cours Paul Ricard
75008 Paris
The Cercle Chromatique, the alumni association of the Beaux-Arts de Paris, invites Béatrice Duport and Stéphane Pichard to present their performance Correspondance.
On the occasion of her latest book K comme Kolonie: Kafka et la décolonisation de l'imaginaire, published by La Fabrique, Marie-José Mondzain talks to Alain Berland and Christian Joskhe.
Marie-José Mondzain is a philosopher specialising in the study of the relationship to images. She is director of research at the Groupe de sociologie politique et morale (École des hautes études en sciences sociales, Centre national de la recherche scientifique).
Congratulations to Dora Jeridi and Valentin Ranger
Dora Jeridi, 2022 graduate, Atelier Tatah is the winner of the Emerige Revelations Scholarship
And Valentin Ranger, 5th year student, Figarella workshop receives the Special Jury Prize.
The Emerige Revelations Grant is a springboard programme designed to support the young French art scene in partnership with an internationally renowned gallery.