In collaboration with Ircam-Centre Pompidou

Screening of short films by three artists who graduated from the School : Tilhenn Klapper, Cham Lavant and Mathilde Soares.
With the support Les amis des Beaux-Arts de Paris.

Tilhenn Klapper - SANS SOL, 17 min

Women and plants tell the story of a funeral garden through dance, song and words; Alexandre Lenoir's Jardin-Elysée, formerly located on the site of the Musée des Monuments Français, in Paris. In doing so, they engage in a process of mourning. This mourning is a gesture of resistance; a celebration of their power of life and death.

Hybrid spaces.

The Beaux-Arts de Paris will host the Rencontres internationales Paris/Berlin for two days of screenings, meetings and discussions dedicated to contemporary practices of the moving image.

Restitution of the masterclass directed by Julian Vogel with the students of the Beaux-Arts de Paris (Huynh and Prévieux workshops) and of the Académie Fratellini. 

The content of the masterclass is articulated around Julian Vogel's artistic approach with his China Series project. The focus is on working with objects and exploring the links between visual arts and circus. The difference lies in the temporal and spatial experience between the forms of presentation, performance and installation/exhibition.

Painting today. Round table with the painters Jean-Luc Blanc, Nicolas Chardon, Myriam Haddad, Louise Sartor and the curator Cristiano Raimondi.

Nicolas Chardon is a French painter who graduated from the Beaux-Arts de Paris in 1997. He was a resident at the Villa Medici, French Academy in Rome in 2008 - 2009. He is co-founder of the alternative school BABA and of the publishing house CONNOISSEURS. He teaches painting at the HEAD in Geneva since 2020.

For an archaeology of drones.

Round table around the last issue of the magazine Transbordeur. Photographie histoire société (Macula) with Angela Lampe (curator at MNAM), Anne-Katrin Weber (University of Basel, coordinator of the dossier), Pauline Chasseray-Peraldi (Sorbonne University), Linda Garcia d'Ornano (Paris 1 Panthéon Sorbonne), Christian Joschke (Beaux-Arts de Paris, co-editor in chief of Transbordeur)

The 3rd cycle programme, in collaboration with the Laboratoire matière / espace of the Beaux-Arts de Paris, proposes to devote an afternoon of study to the mythical figure of Ulysses, starting with Homer's Iliad and Odyssey. We will go back in time and compare the archaeological realities with the legends that have formed around the hero.

Since the beginning of March, a surprising and monumental architectural element has taken place in the Cour Bonaparte. It is a cornice, which comes from one of the most sumptuous tombs of the French Renaissance, that of the Constable Anne de Montmorency. This cornice, which is a legacy of Alexandre Lenoir's museum, has been in the School's walls for more than two centuries, feeding the curiosity of artists.

As part of the Exhibition Theater - Season 2, Act 3, come and attend an exceptional evening during your visit to the exhibition.

Come for a real ♥ Speed Dating ♥ meet art, love, and more if you like...

The exhibition Speed Dating is the result of pictorial encounters framed by a protocol imagined between the students of the Nina Childress studio at the Beaux-Arts de Paris and the Beaux-Arts de Dresden.

The event is fully booked, only those who have been able to book will be able to access the amphitheatre