Nuria Mokhtar
Ya Tuways
Performance
30 minutes
Ya Tuways is a series of letters, a one-way epistolary relationship between the author and a poet who lived between the eleventh and twelfth centuries in the Arabian Peninsula.
Thursday 16 May 2024
6:30pm - 7:30pm
Palais des Beaux-Arts
13 quai Malaquais, 75006 Paris
BILLETTERIE RESPONSABLE
Thursday 16 May 2024
2:00pm - 4:00pm
Palais des Beaux-Arts
13 quai Malaquais, 75006 Paris
BILLETTERIE RESPONSABLE
10am-1pm on registration (limited capacity)
Visit to Art Explora workshops at the Montmartre site.
Thursday 25 April 2024
6:30pm - 7:30pm
Palais des Beaux-Arts
13 quai Malaquais, 75006 Paris
BILLETTERIE RESPONSABLE
Paul Gonzalez-Hyper
L'utilité de mon travail
8 minutes
In this performance, Paul Gonzalez-Hyper embodies a detestable archetype of masculinity and ridicules this overbearing position: through the character of an auctioneer encountered in his daily life, the artist mocks a virile approach to knowledge, staging an authoritarian discourse on the value of works of art.
Saturday 13 April 2024
7:00pm - 8:30pm
Chapelle des Petits-Augustins
14 rue Bonaparte, 75006 Paris
GRATUIT SUR INSCRIPTION
A wide-ranging interview with Jean-Baptiste Andrea, winner of the 2023 Goncourt Prize, punctuated by readings by actor Léo Dussolier, accompanied by Lola Malique on cello.
Thursday 4 April 2024
2:00pm - 5:00pm
Amphithéâtre du mûrier
14 rue Bonaparte, 75006 Paris
ENTRÉE LIBRE
The Beaux-Arts de Paris are organising an afternoon of study on the subject of walking and the representation of the territory by artists and researchers.
Vue de l’exposition « Hamish Fulton. A Walking Artist », Frac Sud, Marseille, 2023 © Frac Sud - Cité de l’art contemporain / Laurent Lecat
Tuesday 30 April 2024
11:00am - 4:00pm
Amphithéâtre du mûrier
14 rue Bonaparte, 75006 Paris
ENTRÉE LIBRE
Cercle Chromatique has invited the French Association of Exhibition Curators (CEA) to present "POOL#1 Curatorial practices and eco-design", a day of conferences and discussions on ecological curatorial practices.
Friday 12 April 2024
3:00pm - 5:00pm
Musée du Louvre - Auditorium Michel Laclotte
75058 Paris Cedex 01
GRATUIT SUR INSCRIPTION
The Beaux-Arts de Paris and the Musée du Louvre have always maintained a close and close relationship between contemporary creation and artistic heritage, and are pursuing a joint dialogue.
To mark the International Days of Films on Art, the Musée du Louvre is inviting students from the Burki, Cogitore and Mesiti & Naccache studios to present a selection of their films.
Musée du Louvre
Auditorium Michel Laclotte
75058 Paris Cedex 01
Friday 5 April 2024
2:00pm - 4:30pm
INHA
2 Rue Vivienne, 75002 Paris
ENTRÉE LIBRE
Speakers: Isabelle Conte, independent researcher, Séverine Sofio from CNRS, and Claire Dupin de Beyssat from Université Paris 1
Studying at the Beaux-Arts de Paris is not just an academic experience, it also means forging links of various kinds at a key moment in one's life. A wide range of networks are forged: family, artistic, economic, friendly and professional. A sociological approach to the students and their associations will reveal another facet of the School.
From Thursday 21 March 2024 to Monday 25 March 2024
5:00pm - 6:00pm
Bibliothèque des Beaux-Arts de Paris
14 rue Bonaparte, 75006 Paris
ÉTUDIANTES / ÉTUDIANTS
Short film festival at the library
This year, for the first time, the library is taking part in the Short Film Festival! A selection of short films made in stop-motion or pixilation will be screened at the library during 2 sessions:
Thursday 21 and Monday 25 March at 5pm
Programme
LE DÉSHABILLAGE IMPOSSIBLE By Georges Méliès - 1900 1:54 - France - Fiction Production: Lobster Films, Star Film
Before going to bed, a man undresses, but new clothes appear on top of the old ones.
Wednesday 27 March 2024
7:00pm - 8:30pm
Amphithéâtre des Loges
14 rue Bonaparte, 75006 Paris
ENTRÉE LIBRE
To mark the publication of her latest book, La vraie histoire de l'impressionnisme. Manet, Morisot et les autres (Vrin, 2024), philosopher Fabienne Brugère and artist Agnès Thurnauer discuss the feminist legacies of the Impressionists and the erased modernities.
As part of the "Troubles, alliances and aesthetics" chair, coordinated by Fabrice Bourlez and Madeleine Planeix-Crocker.
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