Marie Robert is chief curator at the Musée d'Orsay, in charge of photography. Author of a dozen hangings of the collection marked by social sciences, she was also co-curator of the exhibitions Misia, Reine de Paris (2011), Splendeurs et Misères. Images of Prostitution (2015) and Who is Afraid of Women Photographers? (2015). With Luce Lebart, she co-edited in 2020 Une histoire mondiale des femmes photographes, published by Textuel. Her current research focuses on the intersecting relationships between photography and other media. She is preparing, with Clara Bastid, Jazz Power!
Live
Thursday 27 May 2021
6:30pm - 7:30pm
En direct
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Live
From Monday 10 May 2021 to Wednesday 12 May 2021
4:00pm - 5:30pm
En direct
Site web des Beaux-Arts de Paris
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Inhabiting the Landscape Chair: Art meets the living
The production of works in shared territory by living humans and non-humans
Live
Friday 7 May 2021
6:30pm - 7:30pm
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Phillipe Lançon is a journalist and writer. He has been a reporter and cultural critic for Libération, where he has worked since 1994, and a columnist for Charlie Hebdo since 2003. That's where he met Georges Wolinski. He has published several books, including Les îles (Lattès, 2011), L'Élan (Gallimard, 2013) and Le Lambeau (Gallimard, 2018), which won the Prix Femina. He also writes short stories for the Nouvelle Revue Française and columns for L'Amateur de cigare, a magazine that Wolinski liked and had interviewed him several times. Cuba was one of their common passions.
Live
Thursday 29 April 2021
6:30pm - 7:30pm
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Lucie Tréguier and Corentin Schimel, co-founders of the association "Le Barreau des Arts", talk with Alain Berland about the relationship between art and law.
Le Barreau des Arts is an association that aims to promote access to the law for authors and precarious performers. The association acts under the aegis of the Paris Bar Association, and offers beneficiary artists legal advice on copyright law, as well as educational resources to promote and facilitate their access to and understanding of the law.
Live
Thursday 15 April 2021
6:30pm - 7:30pm
Live
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The male gaze
Live
Thursday 8 April 2021
4:00pm - 5:00pm
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From the guerrilla of signs
Jacques Villeglé began his studies at the Ecole des Beaux-Arts in Rennes, where he met Raymond Hains. From 1947 to 1949 he studied architecture in Nantes, then moved to Paris.
In 1949 he became a collector of torn posters, calling himself a "poster artist" and proclaiming the "guerrilla war of signs.
Live
Tuesday 6 April 2021
10:00am - 12:00pm
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Author of a prolix work since the 1970s, pioneer of "musical theater" associating musicians, actors and the public with his Atelier Théâtre et Musique (ATEM), Georges Aperghis is one of the cardinal figures of contemporary musical creation, recognized by numerous distinctions such as the Golden Lion of the Venice Music Biennale or the BBVA Frontiers of Knowledge prize.
Live
Thursday 1 April 2021
4:00pm - 5:00pm
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Neïl Beloufa (born in 1985 in Paris, France) is a French-Algerian artist/director who lives and works in Paris. Through his practice, he questions society and its issues through different mediums: films, sculptures and installations. He studied at the Beaux-Arts de Paris and the Ecole Nationale Supérieure des Arts Décoratifs in Paris; at the California Institute of the Arts, Valencia (USA); at the Cooper Union, New York and at the Fresnoy - Studio national des Arts Contemporain, Tourcoing (France).
Live
Friday 26 March 2021
2:00pm - 5:00pm
Live
Website of the Beaux-Arts de Paris
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As part of the Troubles, Dissent and Aesthetics Chair coordinated by Fabrice Bourlez and Ilana Eloit, and in collaboration with professors Patricia Ribault and Clara Schulmann, a live meeting with philosopher Rosi Braidotti.
Live
Wednesday 24 March 2021
4:00pm - 5:00pm
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Dialogue with Christian Joschke and Alain Berland around the "Noms du Présent".
Jacques Rancière is Professor Emeritus of the University of Paris VIII. It is by working on proletarian writers that he develops his reflection on the equality of citizens before power and knowledge, thus questioning, even in crisis, the dominant positions of the thinker and the intellectual who tells the truth of the world, whether in the field of politics or aesthetics.
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