Tracing the careers of students at the Ecole des Beaux-Arts de Paris in the 19th and 20th centuries necessarily involves consulting numerous, scattered and partial archives. By publishing the Ecole des Beaux-Arts register (1813-1968) in digital format, Alice Thomine-Berrada, Déborah Laks, Lucie Lachenal and France Nerlich have confronted themselves with the arid data of administrative archives, far removed from the contrasting, lively, singular experience of those who, at some point in their youth, wished to commit themselves to the path of art.
Friday 6 June 2025
5:30pm - 7:00pm
Château de Fontainebleau - Salon des Fleurs
77300 Fontainebleau
ENTRÉE LIBRE
Saturday 7 June 2025
11:30am - 1:00pm
Château de Fontainebleau
77300 Fontainebleau
ENTRÉE LIBRE
Three students from Beaux-Arts de Paris, Mathis Pogu, Iasha Puthanpurayl and Pierre Renucci, will discuss True and False, through the work they have produced this year.
Their teachers, Götz Arndt and Fabrice Vannier, members of the Laboratoire matière espace, will present works by young artists who have dealt with this theme in various ways during their artistic interventions in the Louvre's Greek, Etruscan and Roman Department.
Tuesday 29 April 2025
7:00pm - 8:30pm
Amphithéâtre des Loges
14 rue Bonaparte, 75006 Paris
ENTRÉE LIBRE
La Fin du Banal
On the occasion of the publication of his monograph La Fin du Banal published by the Beaux-Arts de Paris, the artist Thomas Lévy-Lasne looks back on twenty years of artistic practice.
Thursday 17 April 2025
7:00pm - 8:30pm
Amphithéâtre des Loges
14 rue Bonaparte, 75006 Paris
ENTRÉE LIBRE
« Non nova, sed nove »
During this meeting, Phia Menard talks about her practice, the founding of her company “Non nova”, her precept “We don't invent anything, we just see it differently”, and her latest shows. This meeting is part of the « Troubles, alliances et esthétiques » chair coordinated by Fabrice Bourlez and Madeleine Planeix-Crocker.
Wednesday 9 April 2025
4:00pm - 5:30pm
Amphithéâtre des Loges
14 rue Bonaparte, 75006 Paris
ENTRÉE LIBRE
Mapping AI: How to understand artificial intelligence on a global scale
Generative AI systems are at the heart of a profound transformation in the way we create, access and define knowledge. Massive data mining on the Internet, as well as in libraries and archives, raises pressing questions about who can build private AI models from public data.
Monday 7 April 2025
7:00pm - 8:30pm
Amphithéâtre des Loges
14 rue Bonaparte, 75006 Paris
ENTRÉE LIBRE
Post-photography
Over the past fifteen years, the term “post-photography” has come to dominate the field of photographic creation. It refers to a radical evolution in our relationship with images, which the first and second digital turning points have only accentuated. But it seems to cover a wide range of realities: appropriationism, the multiplication of images on social networks or, more recently, augmented photography and the algorithmic image.
Thursday 3 April 2025
7:00pm - 8:30pm
Amphithéâtre des Loges
14 rue Bonaparte, 75006 Paris
ENTRÉE LIBRE
The Royal Book Lodge adventure with Véronique Bourgoin et Juli Susin
California-based art historian John C. Welchman discusses his research into the Royal Book Lodge project, an international network of artists initiated in Montreuil by Véronique Bourgoin and Juli Susin, with the artist's book at its core.
Véronique Bourgoin © Droits réservés
Juli Susin © Droits réservés
Thursday 20 March 2025
6:30pm - 8:00pm
Amphithéâtre des Loges
14 rue Bonaparte, 75006 Paris
ENTRÉE LIBRE
To coincide with the publication of issue no. 9 of Transbordeur. Photographie histoire société, which focuses on “Algorithmic Images”, and the exhibition “Le monde selon l'AI”, which opens at Jeu de Paume in April, Christian Joschke talks to Antonio Somaini and Ada Ackerman, curators of the exhibition.
What do we mean today by “artificial intelligence”?
Wednesday 26 March 2025
7:00pm - 8:30pm
Amphithéâtre des Loges
14 rue Bonaparte, 75006 Paris
ENTRÉE LIBRE
Dragons beneath the earth.
Art, the invisible and philosophy today
This conference explores the relationship between art and philosophy at a time of environmental change in the humanities. Philosopher Mohamed Amer Meziane will draw on his two books Au bord des mondes and Des empires sous la terre. He will highlight some of their resonances with the current practices of several artists and curators in contemporary art worlds, between Europe and America, Africa and Asia.
Thursday 20 February 2025
2:00pm - 3:30pm
Amphithéâtre du Mûrier
14 rue Bonaparte, 75006 Paris
ENTRÉE LIBRE
Becoming Exhibition: Making Art PUBLIC
Paul O’Neill, Irish curator, artist, writer, educator and Artistic Director of PUBLICS, Helsinki, presents and reflects on the publicness of curatorial practice, cooperative exhibition-making and attentiveness.
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