Scribbling and the moving image. Thematic visit of Gribouillage / Scarabocchio by Philippe-Alain Michaud, one of the exhibition's associate curators, curator in charge of the film collection at the Centre Pompidou
Thursday 23 February 2023
6:30pm - 7:30pm
Palais des Beaux-Arts
13 quai Malaquais, 75006 Paris
BILLETTERIE RESPONSABLE
Thursday 9 February 2023
6:30pm - 7:30pm
Palais des Beaux-Arts
13 quai malaquais, 75006 Paris
BILLETTERIE RESPONSABLE
Guided tour of Gribouillage / Scarabocchio by the two curators of the exhibition: Francesca Alberti, Director of the Department of Art History at the French Academy in Rome - Villa Medici and Associate Professor at the University of Tours, and Diane Bodart, Professor of Art History at Columbia University.
Canceled
Wednesday 22 February 2023
7:00pm - 8:30pm
Amphithéâtre des Loges
14 rue Bonaparte, 75006 Paris
ENTRÉE LIBRE
For reasons beyond our control, we are obliged to cancel the event Penser le Présent with Achille Mbembe scheduled for this evening at 7pm.
We are sincerely sorry for this, thank you for your understanding.
Beaux-Arts de Paris
Making community.
Wednesday 15 February 2023
7:00pm - 8:30pm
Amphithéâtre des Loges
14 rue Bonaparte, 75006 Paris
ENTRÉE LIBRE
A graduate of the Beaux-Arts de Paris and the Glasgow School of Art, Thu Van Tran was born in 1979 in Ho Chi Minh City and fled with her family to France in 1981. Marked by this exile, the artist has created a body of work that includes photographs, drawings, films, sculptures and installations that she brings together in situ to form a grand narrative that raises questions about our ability to remember the history, rituals and legacies of countries and nations.
Wednesday 8 February 2023
7:00pm - 8:30pm
Amphithéâtre des Loges
14 rue Bonaparte, 75006 Paris
ENTRÉE LIBRE
Dance and visual arts
Paris-based Americans, Gerard & Kelly have been collaborating since 2003 on performance, video and installation, among other formats. Having studied visual arts, literature and gender studies, Gerard and Kelly use conceptual strategies in art and dance to address broader themes of memory, history, sexuality and identity. Their reflections are often embedded in a particular architectural space, engaging the socio-cultural and political antecedents of the site in their work.
Wednesday 1 February 2023
7:00pm - 9:00pm
Amphithéâtre des Loges
14 rue Bonaparte, 75006 Paris
ENTRÉE LIBRE
Screening of short films by six student artists or graduates of the School: Théo Audoire and Lova Karlson, Emma Boudon, Julie Coulon, Isabella Hin, Valentin Pinet.
Théo Audoire and Lova Karlson - Ovan Gruvan (13'34)
Friday 13 January 2023
2:00pm - 4:00pm
Amphithéâtre d'Honneur
14 rue Bonaparte, 75006 Paris
ENTRÉE LIBRE
The fourth session will look at the issues raised by this key moment in the life of a student, i.e. entry to the school. Alice Thomine-Berrada and Emmanuelle Quilez will trace the evolution of the entrance exam from the regulations and Lucie Lachenal will show how this evolution is manifested in the students' matriculation records. This historical perspective will be confronted with the testimony of the artist Anna Oarda, who graduated from the Beaux-Arts de Paris in 2022, concerning her entry to the School.
Première page du registre d'inscription des femmes, 1897-1956, Les Beaux-Arts de Paris
Thursday 30 March 2023
7:00pm - 8:00pm
Amphithéâtre des Loges
14 rue Bonaparte, 75006 Paris
ENTRÉE LIBRE
Meeting with the artist Gaëlle Choisne, whose work, conceived as a prism of shared ecosystems, reflects the complexities of the world we live in.
In dialogue with Fabrice Bourlez and Madeleine Planeix-Crocker, Gaëlle Choisne will reveal the materials, myths and muses that affect her work.
In the framework of the Troubles, Dissidences and Aesthetics Chair, supported by the Thom Browne House.
Crédit photo : © Antoine Fernandez
Wednesday 18 January 2023
7:00pm - 8:30pm
Amphithéâtre des Loges
14 rue Bonaparte, 75006 Paris
ENTRÉE LIBRE
White, history of a colour.
Wednesday 25 January 2023
7:00pm - 8:30pm
Amphithéâtre des Loges
14 rue Bonaparte, 75006 Paris
ENTRÉE LIBRE
Colonial framing: What equivocal relationships has modern photography had with past or contemporary 'other' cultures?
Debug Vue : ID:
