The Cercle Chromatique, the alumni association of the Beaux-Arts de Paris, invites Béatrice Duport and Stéphane Pichard to present their performance Correspondance.
Sunday 13 November 2022
4:30pm - 6:30pm
Amphithéâtre de morphologie
14 rue Bonaparte, 75006 Paris
ENTRÉE LIBRE
Wednesday 30 November 2022
7:00pm - 8:00pm
Amphithéâtre des Loges
14 rue Bonaparte, 75006 Paris
ENTRÉE LIBRE
Marie-José Mondzain: decolonising the imaginary.
On the occasion of her latest book K comme Kolonie: Kafka et la décolonisation de l'imaginaire, published by La Fabrique, Marie-José Mondzain talks to Alain Berland and Christian Joskhe.
Marie-José Mondzain is a philosopher specialising in the study of the relationship to images. She is director of research at the Groupe de sociologie politique et morale (École des hautes études en sciences sociales, Centre national de la recherche scientifique).
Monday 28 November 2022
6:00pm - 7:00pm
Amphithéâtre des Loges
14 rue Bonaparte, 75006 Paris
ENTRÉE LIBRE
A Permanent Revolution: Contemporary Ukrainian Art - meeting with Alisa Lozhkina
Alisa Lozhkina is one of the most important historians, critics and curators of Ukrainian art. She was the director and chief curator of the Mystetskyi Arsenal Museum, the largest museum and exhibition complex in Ukraine, chief editor of Art Ukraine, curator of the exhibition Permanent Revolution. Ukrainian Art Now, which presented three generations of contemporary Ukrainian artists at the Ludwig Museum in Budapest.
Wednesday 23 November 2022
5:30pm - 7:30pm
Amphithéâtre des Loges
14 rue Bonaparte, 75006 Paris
ENTRÉE LIBRE
Meeting with visual artists Igor Gusev and Iryna Ozarynska and curator and photography researcher Kateryna Radchenko, founder and director of the Odessa International Photo Days festival. Moderated by curator Solomia Savchuk, head of the Contemporary Art Department of the Mystetskyi Arsenal National Museum Complex of Art and Culture, a leading cultural institution in Kiev.
As part of the cultural festival A Weekend in the East.
Tuesday 15 November 2022
9:30am - 5:00pm
Amphithéâtre des Loges
14 rue Bonaparte, 75006 Paris
ENTRÉE LIBRE
Post Monument Study Day: Art in situation - when the work takes place
Friday 25 November 2022
2:00pm - 4:00pm
Amphithéâtre d'Honneur
14 rue Bonaparte, 75006 Paris
ENTRÉE LIBRE
The Reg-Arts project (École des Beaux-arts de Paris, CNRS, INHA) aims to understand the history of the École des Beaux-arts from a multidisciplinary perspective, through the creation of a digital resource giving access to the registration registers of student painters and sculptors between 1813 and 1968. The accompanying seminar is intended to explore this history in a collective way.
Wednesday 16 November 2022
7:00pm - 8:00pm
Amphithéâtre des Loges
14 rue Bonaparte, 75006 Paris
ENTRÉE LIBRE
Joseph Kosuth, a major figure of conceptual art, dialogues with Jacinto Lageira, professor of aesthetics, about the relationship of art to language and philosophy.
This discussion will be followed by a signature by the artist of the Jeu du Dicible, published by Beaux-Arts de Paris éditions.
Joseph Kosuth, born in 1945 in the United States, is one of the main theorists and actors of conceptual art. He reflects on art in its relationship to language and philosophy.
Wednesday 9 November 2022
7:00pm - 8:00pm
Amphithéâtre des Loges
14 rue Bonaparte, 75006 Paris
ENTRÉE LIBRE
On the occasion of PhotoSaintGermain, the Beaux-Arts de Paris welcomes the artists Pierre-Olivier Arnaud, Elsa and Johanna and Agnès Geoffray to discuss the presence of photography in contemporary art.
Round table moderated by Alain Berland.
Friday 4 November 2022
7:00pm - 8:00pm
Amphithéâtre des Loges
14 rue Bonaparte, 75006 Paris
ENTRÉE LIBRE
Never work: the youth of Guy Debord.
Dialogue with Frank Perrin on the occasion of the publication of his essay Guy Debord, Printemps at Louison Editions.
Wednesday 12 October 2022
6:00pm - 8:00pm
Amphithéâtre d'Honneur
14 rue Bonaparte, 75006 Paris
ENTRÉE LIBRE
The REG-ARTS project is a joint project of the Beaux-Arts de Paris, the CNRS and the INHA. Its objective is to establish an essential resource for art history, enriched digital access to the registration registers of student painters and sculptors at the École des Beaux-Arts de Paris between 1813 and 1968.
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