Histories of modernologists.
Marjolaine Lévy has a doctorate in contemporary art history from the University of Paris-Sorbonne (Paris IV), is an art critic and teaches art history at EESAB (Rennes) and Ensad (Paris).
Thursday 24 March 2022
7:00pm - 8:00pm
Amphithéâtre des Loges
14 rue Bonaparte, 75006 Paris
Histories of modernologists.
Marjolaine Lévy has a doctorate in contemporary art history from the University of Paris-Sorbonne (Paris IV), is an art critic and teaches art history at EESAB (Rennes) and Ensad (Paris).
Monday 14 March 2022
7:00pm - 8:00pm
Amphithéâtre des Loges
14 rue Bonaparte, 75006 Paris
HELL NO* meeting with the artist Tarek Lakhrissi in the presence of Madeleine Planeix-Crocker and Fabrice Bourlez, coordinators of the Troubles, Dissidences and Aesthetics chair.
Tuesday 29 March 2022
6:00pm - 8:00pm
Cour Bonaparte et Amphi d'Honneur
14 rue Bonaparte, 75006 Paris
Since the beginning of March, a surprising and monumental architectural element has taken place in the Cour Bonaparte. It is a cornice, which comes from one of the most sumptuous tombs of the French Renaissance, that of the Constable Anne de Montmorency. This cornice, which is a legacy of Alexandre Lenoir's museum, has been in the School's walls for more than two centuries, feeding the curiosity of artists.
Friday 4 March 2022
5:00pm - 6:00pm
Amphithéâtre d'Honneur
14 rue Bonaparte, 75006 Paris
William Kentridge is one of today's most prominent contemporary artists. He works in a multitude of media: drawing, writing, film, performance, music, theater, and collaborative practices, to create artworks that are rooted in politics, science, literature, and history, while maintaining space for contradiction and uncertainty.
Wednesday 23 February 2022
6:00pm - 8:00pm
Palais des Beaux-Arts
13 quai Malaquais, 75006 Paris
As part of the Exhibition Theater - Season 2, Act 3, come and attend an exceptional evening during your visit to the exhibition.
The exhibition Speed Dating is the result of pictorial encounters framed by a protocol imagined between the students of the Nina Childress studio at the Beaux-Arts de Paris and the Beaux-Arts de Dresden.
Thursday 3 March 2022
7:00pm - 8:00pm
Amphithéâtre des Loges
14 rue Bonaparte, 75006 Paris
Thursday 24 February 2022
7:00pm - 8:00pm
Amphithéâtre des Loges
14 rue Bonaparte, 75006 Paris
Giuseppe Penone is one of the most important contemporary sculptors and is internationally recognized. Born in 1947 in Italy, he is part of the Arte Povera movement.
He taught for more than 20 years as a studio head at the Beaux-Arts de Paris.
He represented Italy at the Venice Biennale in 2007 and invested the park of the Château de Versailles with monumental sculptures in 2013.
He is exhibiting until January 2022 at the Bibliothèque nationale de France.
Thursday 17 February 2022
7:00pm - 8:00pm
Amphithéâtre des Loges
14 rue Bonaparte, 75006 Paris
The artist as curator. Round table with artists who founded curatorial projects around the theme "How to think of an exhibition as an artistic gesture?"
Antoine Donzeaud, artist and founder of the Exo Exo Gallery, Thomas Fougeirol, painter at the origin of numerous projects such as INTOTO and DUST: The Plates of Present, and Emma Passera and Violette Wood, artists and founders of the MOTHER collective, meet to discuss the artist as curator.
Thursday 10 February 2022
7:00pm - 8:00pm
Amphithéâtre des Loges
14 rue Bonaparte, 75006 Paris
Being a shaman. Corine Sombrun is a writer, ethnomusicist and specialist in Mongolian shamanism, trained in trance by Mongolian shamans. She is a travel writer. Her books, largely autobiographical, as well as the interviews and conferences she gives, testify to her journey into shamanism and her participation as a subject and co-author of scientific research on shamanic trance.
She dialogues with Alain Berland.
Penser le Présent is produced with the support of Société Générale.
Thursday 3 February 2022
7:00pm - 8:00pm
Amphithéâtre des Loges
14 rue Bonaparte, 75006 Paris
Philippe Descola talks with the philosopher Emmanuel Alloa on the occasion of the publication of his latest book, Les formes du visible : une anthropologie de la figuration.
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