Around the exhibition Chère Melpomène

2pm | Écrire en spirale
Writing workshop with Douce Dibondo

Writing as trance and ecstasy. Find the balance between exteriority (trance) and ecstasy (interiority) with exercises in side stepping, stepping back and merging with our surroundings.

The first book in a collection that celebrates the skills taught at the Beaux-Arts de Paris, Manuel de la Forge invites you to immerse yourself in the fascinating world of ancestral art. Designed as a practical and artistic guide, it offers a gradual introduction to the technique of forging, combining precision and creativity.

Les éditions des Beaux-Arts de Paris will be present at the Festival du livre de Paris 2025 to present exhibition catalogues, fine books and guides on the history and collections of the School.

An inexhaustible source of inspiration for many artists and writers, the sea is in honour of this 4th edition and will be celebrated in a «Gallery of the Sea». An invitation to immerse yourself in the universe of the abyss and their imaginaries, the gallery, framed by two exhibition venues, will include several spaces.

Beaux-Arts de Paris editions will be present at the Festival du livre de Paris 2025 to present exhibition catalogues, books and guides on the history and collections of the School.

An inexhaustible source of inspiration for many artists and writers, the sea is in honour of this 4th edition and will be celebrated in a «Gallery of the Sea». An invitation to immerse yourself in the universe of the abyss and their imaginaries, the gallery, framed by two exhibition venues, will include several spaces.

« Non nova, sed nove »

During this meeting, Phia Menard talks about her practice, the founding of her company “Non nova”, her precept “We don't invent anything, we just see it differently”, and her latest shows. This meeting is part of the « Troubles, alliances et esthétiques » chair coordinated by Fabrice Bourlez and Madeleine Planeix-Crocker.

Post-photography

Over the past fifteen years, the term “post-photography” has come to dominate the field of photographic creation. It refers to a radical evolution in our relationship with images, which the first and second digital turning points have only accentuated. But it seems to cover a wide range of realities: appropriationism, the multiplication of images on social networks or, more recently, augmented photography and the algorithmic image.