Vincent Cardoso, 2018 graduate
Leonore Destres, 5th year student
Savana Elahcene, 2018 graduate
Theo Krief, 2020 graduate
Fanny Magnabal, 2020 graduate
Darta Sidere, 2019 graduate
Vincent Cardoso, 2018 graduate
Leonore Destres, 5th year student
Savana Elahcene, 2018 graduate
Theo Krief, 2020 graduate
Fanny Magnabal, 2020 graduate
Darta Sidere, 2019 graduate
Exhibition design, design exhibition
Matali Crasset is an internationally renowned French designer.
Since her training at the Ateliers-ENSCI in the 1990s, she has defended a design at the crossroads of artistic, anthropological and social practice.
She works for a design of creation, of the living and the everyday: how can design contribute to living together and accompany us in the contemporary world? It is from this simple yet committed premise that she thinks and works "in motion".
On the occasion of the exhibition "Inhabiting the interstices, Beirut, the artists and the city" at the Michel Journiac gallery of the University Paris 1 Panthéon Sorbonne, round table with the two curators of the exhibition, Françoise Docquiert and Nayla Tamraz, and some of the artists of the exhibition: Nadim Asfar, Sirine Fattouh, Mireille Kassar, Marwan Moujaes and Maha Yammine
Nicolas Bourriaud is a curator and art critic. He directs Radicants, a "curatorial cooperative" that will begin in 2022. He founded and co-directed the Palais de Tokyo from 1999 to 2006, before becoming Gulbenkian Curator for Contemporary Art at the Tate Britain in 2007, and leading the creation of the Pinchuk Art Center in Kiev. In 2010, he was called upon to head the Ministry of Culture's Department of Inspection for Artistic Creation and then directed several cultural institutions until 2021.
The taste of the ugly
French-British fashion journalist Alice Pfeiffer talks with Alain Berland on the occasion of the publication of her essay Le goût du moche (The taste of the ugly) published by Flammarion.
This essay, in the form of a personal account, touches on what is foreign about loving what does not fit into the norms of good taste.
Is ugly a new trend? Is it a simple pleasure to displease that to display the ugly on oneself? Could the ugly be a political, radical gesture, an act of resistance in an ultra-filtered virtual world?
Les Amis des Beaux-Arts have awarded three grants of 5,000 euros each to 3 young artists:
Pascal Rousseau, a specialist in the historical avant-gardes and professor of art history at Beaux-Arts de Paris, is the winner of the Pierre Daix Prize for Hypnosis. Art et hypnotisme de Messmer à nos jours published by Beaux-Arts de Paris éditions in co-publication with the Musée d'arts de Nantes.
Pascal Rousseau presents in this book how hypnosis has always fascinated artists and intellectuals. In it he exposes the surrealists but also contemporaries from Freud to Lacan. The book also received the 2021 art book award.
The Rome of the 17th century is presented through thirty-four sheets selected from the masterpieces of the collection of the Beaux-Arts de Paris. These drawings allow us to measure the importance of the Baroque spirit, around the most important personalities of the century: Bernini, Peter of Cortona, Salvator Rosa or Carlo Maratti.
It's not a threat, it's a promise by Lou Ferrand and Lila Torquéo
The Modern Hero's Skin by Alice Thomine-Berrada, Anna Oarda, and Daniel Galicia and Nadine Murgida
Points. by Paul-Emile Bertonèche and Andreas Février with the help of Daniel Galicia, on an original idea by Alexandre Leducq
Replications Japonisme 2021 by Clélia Zernik, Anne-Marie Garcia and Alice Narcy
4 new projects from Act 2 of the second season of Le Théâtre des Expositions
Books, posters, prints, postcards, gift items at exceptional prices.
Among the latest publications: Memoirs of John Giorno, Baalbek, Le grand voyage au Liban, Félicités 2022 - Pour en finir encore, Les Louanges de Raban Maur, Eva Jospin, dessins pour un jardin, Respirer l'ombre de Giuseppe Penone, 1081 Peintures de Nina Childress...