ACT 3 continues the experimentation with 3 new exhibitions.

CRÛ : as sedentary hunter-gatherers, the artists absorb products gleaned from the internet or supermarkets and which sediment in the apartments.

L'eau et les rêves, draws on the literary work of Gaston Bachelard and his thinking on the "morality of water."

Orbital Orchestra, a sound score imagined with the directors of IRCAM.

 

Designed and developed by the students and curators in residence of the "Artists & Exhibition Professions" course.

 

A major figure on the contemporary art scene, SAMMY BALOJI is invited by the Festival d'Automne à Paris and Beaux-Arts de Paris, as part of the Africa 2020 season, to present his first solo exhibition in a Parisian institution. His work is organized as a vast research, through the memory of the Republic of Congo, on the effects and permanence of colonial history. A set of drawings and a series of transfers on copper plates were produced from the geometric weave of Kongo weavings in raffia fibre.

RETURN

« Je viens de trouver un sujet magnifique pour l’Ecole des Beaux-Arts. Il est digne, je vous le jure... Paul Delaroche », lettre autographe sans doute adressée à son ami, M. Le Blanc, au sujet de la fresque murale de l’amphithéâtre d’honneur des Beaux-Arts de Paris, mars 1836, in-8°, Ms 862

RETURN

Pietro Berettini, known as DA CORTONA (Rome, 1596 - 1669)
Dieu le Père entouré d’anges tenant les instruments de la Passion, pen, brown ink, brown wash, 13.6 x 24.5 cm, EBA 11273

 

Dieu le Père entouré d’anges tenant les instruments de la Passion, plume, encre brune, lavis brun, 13,6 x 24,5 cm, EBA 11273

RETURN

Georges WOLINSKI (Tunis, 1934 - Paris, 2015)

Capitaine à la dérive, black felt pen, 31 x 23.9 cm, BA 11233

Capitaine à la dérive, feutre noir, 31 x 23,9 cm, EBA 11233

RETURN

Jean-Jacques LEBEL (Paris, 1936)
Untitled, 2018, collage and acrylic on board, 120 x 80 cm, EBA 11280

Sans titre, 2018, collage et acrylique sur carton, 120 x 80 cm, EBA 11280

RETURN

Adolphe MONTICELLI (Marseille, 1824 - 1886)
La Halte des cavaliers près de la fontaine, c. 1876-1878, Oil on panel, 46 x 72 cm, MU 12688

La Halte des cavaliers près de la fontaine, c. 1876-1878, Huile sur panneau, 46 x 72 cm, MU 12688

RETURN

Gherasim LUCA (Bucharest, 1913 - Paris, 1994)

Madeleine, undated, autograph manuscript, images cut from magazines with autograph poem, ms 860

Of Romanian origin, Gherasim Luca established close ties with French artistic circles in the early 1930s, most notably with the Surrealist group, before settling permanently in France in 1953.

Madeleine, Sans date, manuscrit autographe, images découpées dans des magazines avec poème autographe, ms 860

RETURN

Unica ZÜRN (Berlin, 1916 - Paris, 1970)
Der Geist aus der Flasche, 1960, pen and black ink, 31.9 x 24.5 cm, EBA 11279

 

« Der Geist aus der Flasche » [L’esprit hors de la bouteille], 1960, plume et encre noire, 31,9 x 24,5 cm, EBA 11279

RETURN

Unica ZÜRN (Berlin, 1916 - Paris, 1970)
Oracles and spectacles, Paris, Georges Visat. 1967, n° 8/120, artist's book, 12 unbound leaves gathering fourteen anagram poems illustrated with eight etchings (1966) on vellum, eight etchings out of text on mother-of-pearl colored Japanese paper; Postscript and drypoint frontispiece signed Hans Bellmer, 4° 50082

 

Oracles et spectacles, Paris, Georges Visat. 1967, n° 8/120, livre d’artiste, 12 feuillets non reliés réunissant quatorze poèmes anagrammes illustrés de huit eaux-fortes (1966) sur vélin de rives, huit eaux-fortes hors texte sur papier nacre japon de couleur ; Postscriptum et frontispice à la pointe sèche signé Hans Bellmer, 4° 50082

Subscribe to