What will we remember about the crisis we are currently experiencing? What visual and artistic trace will we have of 2020-2021? 

Creating for the living is an invitation to rethink the way in which all living things interact with each other and the way we inhabit the world today. 

At the initiative of Kärcher, patron of both institutions, the Château de Fontainebleau and Beaux-Arts de Paris have entered into a collaboration to provide a graphic work executed by a young artist to the tarpaulin that is masking the restoration of the horseshoe staircase for a year.

 

Domitille Siergé, a student in her 5th year in Stéphane Calais' studio is the winner of the call for projects launched among the School's students.

This book offers, for the first time in French, a collection of texts by the artist Daniel Spoerri, a founding member of the New Realists. It gives an account of the richness and diversity of his practice, large parts of which remain unknown.

 

On the occasion of the donation to Beaux-Arts de Paris of 41 drawings by Georges Wolinski by his wife Maryse Wolinski, Humour ! represents the favorite themes of this renowned press cartoonist and comic book author. Introduction by Philippe Lançon, fellow traveler and friend of Georges Wolinski at Charlie Hebdo.

 

Public. Infrastructure, architecture, territoire. analyzes the defeat, persistence or defense of what linked infrastructure, public good and territorial identity. It observes what has changed or is changing about the public in terms of architectural, urban and territorial life and organization through the analysis of researchers, architects, urban planners, engineers, historians and sociologists.

 

Marie Robert is chief curator at the Musée d'Orsay, in charge of photography. Author of a dozen hangings of the collection marked by social sciences, she was also co-curator of the exhibitions Misia, Reine de Paris (2011), Splendeurs et Misères. Images of Prostitution (2015) and Who is Afraid of Women Photographers? (2015). With Luce Lebart, she co-edited in 2020 Une histoire mondiale des femmes photographes, published by Textuel. Her current research focuses on the intersecting relationships between photography and other media. She is preparing, with Clara Bastid, Jazz Power!

Quentin Dupieux, born in 1974, is a musician, screenwriter and director. He has directed numerous video clips and a dozen feature films, including his latest, Mandibules, which received much attention at the Venice Film Festival in 2020. It tells the story of two friends who discover a giant fly in a stolen car. He talks to students at the Beaux-Arts de Paris about his work as a filmmaker and musician.

 

Amphithéâtre des Loges

 

Photo credit: Ph. Lebruman 2018

Phillipe Lançon is a journalist and writer. He has been a reporter and cultural critic for Libération, where he has worked since 1994, and a columnist for Charlie Hebdo since 2003. That's where he met Georges Wolinski. He has published several books, including Les îles (Lattès, 2011), L'Élan (Gallimard, 2013) and Le Lambeau (Gallimard, 2018), which won the Prix Femina. He also writes short stories for the Nouvelle Revue Française and columns for L'Amateur de cigare, a magazine that Wolinski liked and had interviewed him several times. Cuba was one of their common passions.

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