| Beaux-arts de Paris

Following the call for projects proposed to students and graduates 2018-2020 of the Beaux-Arts de Paris, three prizes were awarded for an artistic creation presented in the Chapelle des Beaux-Arts in place of a bas-relief of the Renaissance by François Marchand lent for 6 months to the Musée National de la Renaissance in Ecouen for the exhibition Le Renouveau de la Passion.

François Marchand - Crucifixion (the replaced work)

It is the work of Prosper Legault, a 2020 graduate of the Beaux-Arts de Paris, which is presented this year on the occasion of the festivities of
the Nativity. It was selected by the members of the jury* following a call for projects from the school's pupils.

Its installation will be visible from 1st December 2020 to 2nd February 2021 in the Saint-Eustache church, Paris.

Exhibition/performance " Art as Experiment : Body in the Kitchen" in live streaming from Japan on December 4th at 9:30 am.

Born in 1992, Alexandre Lenoir lives and works in Paris. He graduated from the Ecole Nationale Supérieure des Beaux-Arts de Paris in 2016. The same year he received the Thaddaeus Ropac Prize, awarded by the Jean-François and Marie-Laure de Clermont-Tonnerre Foundation. He participates in numerous group exhibitions, such as the exhibition of the Winners of the Friends of the Fine Arts of Paris Prize in 2016, and one year later he takes part in Paris-Photo on the theme "Photography by painting".

For Laurianne Escaffre & Yvonnick Muller's first feature film (César for best short film in 2020), Le Déhanché d'Elvis, we are looking for students at the Beaux-Arts de Paris to appear in the film. Shooting is scheduled in the school between 21 and 31 December 2020.

One or more days are possible. No need to have already worked on a film shoot.

Price based on the cinema convention 105€/8h.

Live

date

Thursday 10 December 2020

hour

6:00pm - 6:00pm

location

Live

address

Instagram Beaux-Arts de Paris

EN DIRECT

Heritage curator and art historian specializing in women artists, Camille Morineau is co-founder and director of AWARE: Archives of Women Artists, Research and Exhibitions. Founded in 2014 based on the observation that women are under-represented, if not totally absent, in art works, exhibitions and museum collections, AWARE's mission is to contribute to making them visible through the creation, indexing and dissemination of information on women artists of the 20th century.

Live

date

Tuesday 15 December 2020

hour

6:00pm - 7:00pm

location

Instagram Beaux-Arts de Paris

address

En direct

EN DIRECT

Cédric Durand is an economist at the University of Geneva and a member of the Paris-Nord Centre for Economics. His research focuses on globalisation, financialisation and changes in contemporary capitalism.

He dialogues with Alain Berland on his latest book, Technoféodalisme, Critique de l'économie numérique (Zones), which has just been published.

Technoféodalism, Critique de l'économie numérique

date

Wednesday 16 December 2020

hour

6:00pm - 7:00pm

location

Lifesize

address

Visio

VISIO

LIVE on this page

As part of the Troubles, dissidences and aesthetics Chair coordinated by Fabrice Bourlez and Ilana Eloit, a cross talk between the choreographer Bintou Dembélé and the curator Christine Eyene.

Live

date

Thursday 3 December 2020

hour

6:00pm - 7:00pm

location

Live

address

Beaux-Arts de Paris Instagram

EN DIRECT

Eva Bester made her debut on France Culture by collaborating on a dozen of programmes. She became a journalist for the 28 minutes programme on Arte, in which she summoned writers and texts from past centuries that resonated with current events. At the same time, she wrote portraits of writers for the magazine Transfuge and joined Le grand bain on France Inter to talk about cinema classics. She then brought "forgotten literature" up to date in the programme Ouvert la nuit.

This year, Togeth'Her® is giving carte blanche to 26 contemporary artists from all over the world by inviting them to imagine a portrait of a resolutely committed and inspiring woman on a blank cover of Madame Figaro, to mark the magazine's 40th anniversary.

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