From friday 18 september 2020 to saturday 14 november 2020

wed. & sat. 2pm-6pm sun. 12pm-6pm

Château de Rentilly

1 rue de l'Etang, 77600 Bussy-Saint-Martin

Masterpieces from the Beaux-Arts de Paris collection and contemporary art works.

An exhibition designed by Beaux-Arts de Paris new department "Exhibition-related careers". "Exhibition-related careers" is a new professionalization program, offered to 3rd year students of Beaux-Arts de Paris, designed in partnership with Palais de Tokyo.

Frac Île-de-france, the castle / Cultural Park of Rentilly - Michel Chartier

Jean-Michel Alberola, Ismaïl Bahri, Evgen Bavcar, Hicham Berrada, Christian Boltanski, Xavier Boussiron, Flora Bouteille, Pierre Louis Deseine, Jean Baptiste Désoria, Marcel Duchamp, Albrecht Dürer, Nina Galdino, Matthias Garcia, Jacques-Fabien Gautier d'Agoty, Théodore Géricault, Francisco de Goya, Graham Gussin, Lucien Hervé, Hans Holbein the Younger, Pierre Huyghe, Claire Isorni, Ann-Veronica Janssens, Christian Lhopital, Marc Lochner, Antoine Marquis, Bernhard Martin, Romain Moncet, Damien Moulierac, Alicia Paz, Benoît Pype, Valentin Ranger, Hugues Reip, Bettina Samson, Pierre-Alexandre Savriacouty, Alain Séchas, Valérie Sonnier, Victor Yudaev, Tereza Zelenková...

In reference to the famous theme cabaret installed at the end of the 19th century in Montmartre, which deployed its parodic and funereal atmosphere by playing with a sulphureous irony of macabre situations, Frac Île-de-France and Communauté d'Agglomération de Marne et Gondoire present, at Château de Rentilly, "Le Cabaret du Néant", an exhibition designed by Beaux-Arts de Paris new department "Exhibition-related careers", which associates contemporary artists with masterpieces of Beaux-Arts de Paris collection.

From the tragic to the parodic, depending on the evolution of society and its morals, religious convictions as well as scientific discoveries, the subject "remember that you are going to die" runs through art and literature. Since the famous macabre dances appeared in the 15th century, it has never ceased to challenge the public and creators, while undergoing profound transformations. Contemporary to the famous "Cabaret du Néant" installed in 1892 on Boulevard de Clichy (18th arrondissement), which gives the exhibition its title, the notion of nothingness has another interpretation, another vision of the same abyss, no less terrible but plastically reversed; that which, in the wake of Mallarmé, leads us to consider human life as "vain forms of matter (…) necessarily rushing into the dream that it knows not to be (…) and proclaiming, before the Nothing that is the truth, these glorious lies!". According to Mallarmé, the role of the port, and therefore the art, consists in drawing man out of this "Nothing", as it from the bottom of a shipwreck, through the supreme game of creation.

 

Frac île-de-france, the castle
Rentilly Cultural Park - Michel Chartier 
1, rue de l'Étang 
77600 Bussy-Saint-Martin 
T +33 (0)1 60 35 46 72 

fraciledefrance.com

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From wednesday 21 february 2018 to sunday 20 may 2018

Palais des Beaux-Arts

13 quai Malaquais, 75006

Curators: Philippe Artières and Éric de Chassey

Fruit of the joint perspectives of two often opposing disciplines, the history of art and history, this exhibition offers a documented reading of this particular moment in contemporary history, the years 1968-1974, when art and politics, creativity and social and political struggles were intimately entwined.

The exhibition is not a visual history of politics but a political history of visual works. It presents posters, paintings, sculptures, installations, films, photographs, leaflets, journals, books and magazines, including some 150 publications available for consultation in an open library.

Beginning with major demonstrations against the Vietnam War, dwelling on the Atelier Populaire des Beaux-Arts of May and June 1968 and, in the following years, items recovered from Parisian boulevards, factories, mines, universities, prisons and many other places throughout France, a long procession is unveiled.

Palais des Beaux-Arts
13 quai Malaquais
Paris 6e

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From monday 1 october 2018 to friday 11 january 2019

Cabinet de dessins Jean Bonna

14 rue Bonaparte, 75006

This autumn Beaux-Arts de Paris unveils part of its collection of more than 40,000 architectural drawings, exhibiting thirty-four watercolors on architectural projects designed during the training of young architects under the Second Empire.

The drawings on display, dated between 1848 and 1867, constitute a veritable visual memory of the academic teaching dispensed to students in the architecture section and provide a mirror for the architectural trends of the second half of the 19th century.

Curated by Emmanuelle Brugerolles. 

14, rue Bonaparte
75006 Paris

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Vue de l'exposition

 

 

From friday 12 october 2018 to saturday 5 january 2019

Beaux-Arts de Paris

14 rue Bonaparte, 75006

Nairy Baghramian is the guest of the 2018 Paris Festival d'Automne. Born in 1971 in Isfahan (Iran), she lives and works in Berlin. Last year her work was presented at several major international events such as Documenta in Cassel, the Skulptur Projekt in Münster and the Biennale in Lyon. Several solo exhibitions have recently been devoted to her in museums such as the Reina Sofia in Madrid (2018), the Walker Art Museum in Mineapolis (2017), SMAK in Ghent (2017) and Museo Tamayo in Mexico (2015).

Her exhibition at Beaux-Arts de Paris is her first solo exhibition in France. 

14, rue Bonaparte
75006 Paris

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From friday 12 october 2018 to saturday 5 january 2019

Palais des Beaux-Arts

13 quai Malaquais, 75006

The discovery of the work of Georges Focus from the period of his confinement at the Petites Maisons arouses an overwhelming sense of astonishment today, not to mention shock. It inspires us with a feeling of something new, something never seen before, and challenges our received ideas.

Georges Focus, member of the Royal Academy of Painting and Sculpture under Louis XIV, produced two separate streams of work: public, Academy art on the one hand, personal and intimate, on the other.

This astonishing corpus, brought together in France for the first time at the Palais des Beaux-Arts, comprising around 80 drawings as well as prints and paintings from the University of Edinburgh, private collections and public institutions including Beaux-Arts de Paris, bears witness to his unique trajectory.

The exhibition is an opportunity to explore the exceptional and unique œuvre of an artist suffering from madness at the time of Louis XIV.

Curated by Emmanuelle Brugerolles

Palais des Beaux-Arts
13, Quai Malaquais
75006 Paris

 

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From friday 12 october 2018 to saturday 5 january 2019

Palais des Beaux-Arts

13 quai Malaquais, 75006

In parallel with the exhibition Georges Focus (1644-1708), La folie d'un peintre sous Louis XIV, the exhibition Robert Walser - Grosse kleine Welt Grand petit monde presents a choice of around fifty “microgrammes” by writer Robert Walser for the first time in France.

Robert Walser composed prose texts or poems in pencil in tiny writing on fragments of paper of various origins (telegrams, calendar pages, letters from publishers). These “microgrammes” were not deciphered and transcribed until long after his death.

An exhibition designed by Marie José Burki and Richard Venlet.

In partnership with the Robert Walser-Zentrum in Bern and the Swiss National Library, part of the SACRe/ARP doctoral level studies and with the support of Swiss Cultural Foundation, Pro Helvetia. 

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From thursday 24 january 2019 to saturday 23 february 2019

Chapelle des Petits-Augustins

14 rue Bonaparte, 75006

Formes Limites is an exhibition dedicated to ceramics and brings together works of art, ceramic works, design objects and elements from the field of manufacturing. It sheds light on the sculptural potential of these materials. Each of the works presented testifies to a specific approach to ceramics and its shaping. Taught at Beaux-Arts de Paris, ceramics asserts a place in our era thanks to its technical and aesthetic qualities. The exhibition, held in the Chapelle des Petits-Augustins in a unique décor of sculpted and painted 19th century copies, testifies to a renewed interest in a technique which gives pride of place to know-how and manual production.

Featured artists: Philippe Barde, Karen Bennicke, Emmanuel Boos, Pia Camil, Tony Cragg, Ceràmica Cumella, Martine Damas, Richard Deacon, Helen Marten, Koyo Matsui, Ryo Mikami, Emilie Pedron, Bettina Pousttchi, Lucie Rie, Fumio Shimada, Ettore Sottsass, Takashi Tanaka, Makoto Toyofuku, Kato Toyohisa, Marc Uzan, Élise Vandewalle, Betty Woodman, Naoki Yamamoto.

Curator and scenographer: Jessica Boubetra.

Chapelle des Petits Augustins
14, rue Bonaparte
75006 Paris
Entrée libre

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From thursday 24 january 2019 to thursday 18 april 2019

Cabinet de dessins Jean Bonna

14 rue Bonaparte, 75006

Exhibiting thirty drawings by masters of the Italian Renaissance, testifying to the studio practices of the end of the 15th and early 16th centuries, Beaux-Arts de Paris pays homage to Leonardo da Vinci and his contemporaries.

On this occasion, Beaux-Arts de Paris is presenting a set of in situ masterpieces for the first time, including four drawings by Leonardo da Vinci received as donations in 1883 and 1908, as well as drawings by other prestigious painters, contemporaneous to the master: Raphaël with three drawings executed before his departure for Rome, in particular a study for a Madonna and Child and studies of drapery and the profile of a man, as well as Benozzo Gozzoli and Filippino Lippi whose drawings appeal through the technique of metal point on coloured paper that was very popular in Florence at the time.

Curated by Emmanuelle Brugerolles

Beaux-Arts de Paris
Cabinet des dessins Jean Bonna
14, rue Bonaparte
75006 Paris

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Vue de l'exposition

 

Vue de l'exposition

 

 

 

 

From tuesday 19 march 2019 to saturday 30 march 2019

La Villette

211 avenue Jean Jaurès, 75019

La Villette is inviting young creativity into the Grande Halle and Les Folies as part of the 4th edition of the festival 100%. Carte blanche has been given to 6 French schools with international influence. 100% L'EXPO presents a selection of recently graduated talent. Designed as a springboard for young creators, the exhibition offers a faithful and demanding panorama of the emerging artistic scene. 

From 20 to 31 March, 100% L'EXPO brings together for the first time Beaux-Arts de Paris, the École Nationale Supérieure des Arts Décoratifs (ENSAD), La Fémis, the École Nationale Supérieure d’Arts de Cergy (ENSAPC), the École Nationale Supérieure de Création Industrielle (ENSCI – Les Ateliers) and the École Nationale Supérieure d’Architecture de Paris-Malaquais.

The Grande Halle and Les Folies at La Villette have thus become the playground for more than 100 young artists, all of whom have graduated within the last four years. Fine art, installations, films, videos, design, fashion, performances... 100% L’EXPO gives visibility to the variety of artistic practices currently seen on the Parisian and national scene and offers a unique opportunity to dialogue, debate and be inspired by an unprecedented synergy.

A showcase of French savoir-faire, 100% EXPO inaugurates a new regular date in the contemporary art calendar.

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From wednesday 15 may 2019 to saturday 29 june 2019

Cabinet de dessins Jean Bonna

14 rue Bonaparte, 75006

Beaux-Arts de Paris’s reputation is very much founded in its drawing collections and teaching. In the spring, the Cabinet des Dessins inaugurates a new cycle dedicated to artists graduating from the school who are making their mark on the international scene.

Very popular with the public for his new approach in the field of drawing, Jérôme Zonder is given pride of place in 2019.

With this exhibition, Jérôme Zonder wanted to explore portraiture in relation to two works in the collection: the Portrait of Henri Regnault by Thomas Couture, and a recent acquisition, the Portrait of Pierre Gillet by Hyacinthe Rigaud. Eighteen portraits, three of which are monumental in size, will be hung on the walls of the Cabinet des Dessins, the first names of the models being taken as the titles of these works, not forgetting, of course, the artist’s first name in the case of self-portraits.

Curated by Emmanuelle Brugerolles

Beaux-Arts de Paris
Cabinet des dessins Jean Bonna
14, rue Bonaparte
75006 Paris

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Vue de l'exposition

 

 

 

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