From friday 14 november 2025 to thursday 4 december 2025

Entrée libre du lundi au samedi de 11h à 19h

Centre Wallonie-Bruxelles

127-129 rue Saint Martin, Paris 4

Beaux-Arts de Paris is delighted to participate in the sixth edition of LABO_DEMO, an initiative that aims to promote emerging and as yet unidentified artistic talents in order to highlight both the distinctive features of Belgian and French art school training programs and their interconnection at a time when artistic careers are becoming increasingly international.


The exhibition recreates, in its very scenography, the simulacrum of a corporate workspace. But this fictional coworking space is riddled with flaws, saturated with bugs, haunted by ghosts. It becomes the scene of a multitude of attempts at resistance aimed at breaking the spell of capitalist and bureaucratic logic. Some works bring back repressed emotions and muffled voices from vanished professions and deserted factories. Others invent corporate fictions or attach themselves to the administration to derail it. In this unstable landscape, populated by art-eating insects and nostalgic bots, team building turns into a dystopian tale. Slogans turn into tales of collapse. In places, dreams of escape pierce the sanitized surface of reality, like lights at the end of the tunnel.

Artists from Beaux-Arts de Paris: Joséphine Berthou, Ruoxi Jin, Raphaël Maman, Sara Noun, Clarisse Pillard, and Éditions Burn Aout.

Practical information
November 14 to December 4
Centre Wallonie-Bruxelles
Gallery, 127-129 rue Saint Martin, Paris 4
Free admission Monday to Saturday from 11 a.m. to 7 p.m.
 

From friday 7 november 2025 to sunday 16 november 2025

Tous les jours de 13h à 19h

Cour Bonaparte et Cour vitrée

14 rue Bonaparte, 75006 Paris

In partnership with PhotoSaintGermain, Beaux-Arts de Paris and École nationale supérieure de la photographie in Arles are joining forces to organize an exhibition entitled Paradis artificiels (Artificial Paradises), presented in various spaces at Beaux-Arts de Paris.


This exhibition takes the form of a journey through technology, with a particular focus on artificial intelligence and the upheavals it is causing in all strata of society. It explores the misuse of tools and technology as a field of possibilities, with prompts paving the way for new poetic and creative licenses. More broadly, the exhibition raises questions about artifice and a hallucinatory world where disasters, fake news, and seas of plastic populate social media as much as the pages of newspapers.

Artificial Paradises provides an overview of photographic approaches as practiced at the Beaux-Arts de Paris and the École Nationale Supérieure de la Photographie in Arles.

Curated by Audrey Illouz and Vincent Lambert, assisted by Geoffrey Soghomonian, with the assistance of Tatiana Rosette and Olivier Vernhes.


Beaux-Arts de Paris artists: William Basseux, Léonard Berthou, Lea Citi, Simon Deterre, Lea Farant, Eric Godin, Chia Huang, Anjeyanne Huynh, Shumeng Li, Melina Malheurty, Olivier Perusat, Ilona Plissonneau, Ingrid Portal, Colombe Thaller, Emmanuel van der Elst.

ENSP Arles artists: Ulysse Barry, Aure Baucher, Cécile Blaque, JINGDI, Mathis Clodic, Valentin Derom, Fiona Faivre, Orane Grunenwald, Eva Sustar, Morgane Ubaldi, Charlotte Van de Walle, Baptiste Vitorino, Samuel Vorms.
 

With the support of Neuflize OBC corporate foundation, patron of the Extra-Large Photography Chair at Beaux-Arts de Paris, and Dupon.photo.art.
 

Practical information
November 7 to 16
Cour Bonaparte and Cour vitrée
Free admission from 1 p.m. to 7 p.m.
14 rue Bonaparte, Paris 6
 

Photo credits: Chia Huang, Océan temporaire, 2018
Baptiste Vitorino, Sous le soleil, 2025
 

Wednesday 19 November 2025

6:00pm - 7:30pm

Amphithéâtre d'Honneur

14 rue Bonaparte, 75006 Paris

ENTRÉE LIBRE

A look back at the biography of a storyteller


On the occasion of the Un Week-End à l'Est festival, which this year honors the Romanian art scene, Cristian Mungiu, patron of this 9th edition, discusses the making of his book Une vie roumaine (A Romanian Life), in which he questions his relationship with truth and reminds us that storytelling remains an act of resistance. In conversation with Arnaud Laporte, journalist and producer at France Culture.

Thursday 13 November 2025

7:00pm - 8:30pm

Amphithéâtre des Loges

14 rue Bonaparte, 75006 Paris

ENTRÉE LIBRE

Technological wanderings
 

The quest for immortality, cryogenics, personal development, resource depletion, pyropictomania (or the pleasure derived from images of energy dissipation)... From the American West to the Atlantic coast, against a backdrop of climate catastrophe, we meet the authors of two books devoted to the technological turning point we are currently experiencing. How do these writings, connected to the visual arts and imbued with displacement, capture this turning point?

From tuesday 21 october 2025 to sunday 26 october 2025

Everyday from 10.am. to 7.pm.

Chapelle des Petits-Augustins

14 rue Bonaparte, 75006 Paris

Beaux-Arts de Paris is delighted to welcome Harry Nuriev and the Sultana Gallery (Paris) for Art Basel Paris.
 

Harry Nuriev presents Objets Trouvés (2025), a participatory installation transforming the Petits-Augustins chapel into a space for circulation and exchange. Carefully aligned supermarket boxes are filled with objects brought in by visitors. Each person leaves an object they no longer need and takes another left by someone else. Each contribution is certified as a work of art, and at the end of the exhibition, all exchanges will be compiled in a Yellow Pages-style directory, transforming this ephemeral process into a permanent archive.

Harry Nuriev describes his practice as Transformism—the reinvention of everyday materials to give them new functions and meanings. With Objets Trouvés, he extends this philosophy into a collective dimension, where the simple act of exchange becomes social interaction as much as artistic creation.

This is the fourth project in the Public Program organized by Art Basel Paris in collaboration with the Beaux-Arts de Paris. 
A mediation program will be provided every day from October 21 to 26, 2025, from 2:00 p.m. to 5:30 p.m. by students from the École du Louvre.

 

Photo credits: Harry Nuriev, Objets Trouvés, project 18 © Harry Nuriev

Thursday 30 October 2025

7:00pm - 8:30pm

Amphithéâtre des Loges

14 rue Bonaparte, 75006 Paris

ENTRÉE LIBRE

Vimala Pons talks with Clément Cogitore, studio professor at Beaux-Arts de Paris.

A multimedia and transdisciplinary artist, Vimala Pons trained in competitive sports, art history, cinema, and music. Known for her performances but also for her distinguished career as a film actress, all of her artistic work is based on emotional macro-introspection and the manifestation of imbalance in all its forms.

Tuesday 7 October 2025

7:00pm - 8:30pm

Chapelle des Petits-Augustins

14 rue Bonaparte, 75006 Paris

ENTRÉE LIBRE

To mark the publication of their monograph Monochrome by Beaux-Arts de Paris Editions, artist duo The Bells Angels are taking over the Chapelle des Petits-Augustins.

Monday 20 October 2025

6:00pm - 7:30pm

Amphithéâtre d'Honneur

14 rue Bonaparte, 75006 Paris

ENTRÉE LIBRE

For a critical reading of cartels
 

This event is organized in partnership with the research program “(D)écrire les œuvres, (re)penser les cartels” (Writing Works, (Re)thinking Labels), led by Anne Dressen (ENS Ulm – SACRe – PSL) and Yaël Kreplak (University of Paris 1 Panthéon Sorbonne, HiCSA, Delphine Lévy Chair).

Thursday 23 October 2025

7:00pm - 8:30pm

Amphithéâtre d'Honneur + Instagram

14 rue Bonaparte, 75006 Paris

ENTRÉE LIBRE

Brazilian artists Leda Catunda and Erika Verzutti are in the spotlight this fall in Paris with two solo exhibitions.
 

They have already collaborated and are familiar with each other's practices. This meeting will be an opportunity to look back on their recent exhibitions and exchange their views: organic forms, references to modernism and pop art, desire and feminism will be topics of discussion. 

From friday 3 october 2025 to sunday 30 november 2025

Monday to Thursday : 9am - 6pm / Saturday and Sunday : 9am - 7pm

Église Saint-Eustache

146 rue Rambuteau, 75001 Paris

Winner of the 2025 Rubis Mécénat Prize in partnership with the Church of Saint-Eustache and Beaux-Arts de Paris, Liselor Perez, a fifth-year student, presents a unique installation of a set of puppets scattered throughout the main nave and side chapels. Curated by Julia Marchand.

“My installation is a poetic exploration of existential tensions: the fragile body, seeking elevation, confronted with timeless, immutable architecture.” Liselor Perez

Drawing on the inner silence and materiality of the place, which the artist frequented at length during her research phase, Liselor Perez has sketched these mysterious silhouettes, which seem to emerge from the building. By imagining a “church guardian” with a body covered in Jesmonite reminiscent of the pillar against which he leans, or a puppet-like being balancing in one of the chapels, becoming the receptacle for a stained-glass face, the artist sculpts a point of connection between the work and its environment, absorbing the motifs that surround it to cover it with adornment.

Between poetry and science fiction, the works offer a sensory experience, an invitation to daydream where the puppet is no longer a simple toy, but the medium for an embodied questioning of the meaning of being and the other.
Since 2021, the Rubis Mécénat Prize, in partnership with the Beaux-Arts de Paris, has enabled a student from the school to receive production assistance and critical support for the creation of a new work at the Saint-Eustache church in Paris.


For further informations consult the press release (FR)

Photo crédit : Cent Sommeils, Liselor Perez, Beaux-Arts de Paris, courtesy Rubis Mécénat, église Saint-Eustache, 2025. © InstanT Productions

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