Gold occupies a singular place in the work of Daniel Schlier, a painter based in Strasbourg and professor at ENSBA in Paris. This “masterclass” gives him the opportunity to look back at certain uses of this metal in his creations and in contemporary practices. In dialogue with the room, it will also consider how the discovery of gold, its use on a variety of supports (wood, dibond, labradorite, marble, parchment) and its reception can be part of a long-term history of art, echoing the works of 16th-century German painters as well as those of Jacques Stella.
Thursday 26 June 2025
9:30am - 11:00am
INHA, galerie Colbert, salle Giorgio Vasari
2 rue Vivienne, Paris 2
ENTRÉE LIBRE
From Friday 27 June 2025 to Saturday 28 June 2025
12:00pm - 7:00pm
Saint-Germain-des-Prés et Saint-Ouen
14 rue Bonaparte, 75006 Paris - 126 rue des Rosiers, Saint-Ouen
ENTRÉE LIBRE
For 2 days, The Ateliers Ouverts are a unique opportunity for the general public and professionals to discover the young creativity and artistic diversity produced by students at Beaux-Arts de Paris.
The studios are transformed into exhibition spaces, offering a panorama of work produced from the Via Ferrata preparatory class to the fifth year: paintings, photos, sculptures, drawings, videos, etc. Studio training is the hallmark of the Beaux-Arts de Paris, and each studio bears the name of the renowned artist in charge.
Push open the doors of the studios of :
Friday 6 June 2025
5:30pm - 7:00pm
Château de Fontainebleau - Salon des Fleurs
77300 Fontainebleau
ENTRÉE LIBRE
Tracing the careers of students at the Ecole des Beaux-Arts de Paris in the 19th and 20th centuries necessarily involves consulting numerous, scattered and partial archives. By publishing the Ecole des Beaux-Arts register (1813-1968) in digital format, Alice Thomine-Berrada, Déborah Laks, Lucie Lachenal and France Nerlich have confronted themselves with the arid data of administrative archives, far removed from the contrasting, lively, singular experience of those who, at some point in their youth, wished to commit themselves to the path of art.
Saturday 7 June 2025
7:00pm - 11:00pm
Le BAL
6 Impasse de la Défense, 75018 Paris
ENTRÉE LIBRE
For the Nuit Blanche and La Fabrique du Regard Festival at the BAL, students from the Clément Cogitore studio are offering an original program of films and videos entitled Soudain parmi les autres, presented from 7pm to 11pm.
Between free fiction and fragmentary documentary, the films presented explore contemporary uses of the image as a place of resistance, doubt and address. Borrowing from diaries, reportage, amateur cinema and found footage, they question our relationship to the visible, the archive and the narrative.
Saturday 7 June 2025
11:30am - 1:00pm
Château de Fontainebleau
77300 Fontainebleau
ENTRÉE LIBRE
Three students from Beaux-Arts de Paris, Mathis Pogu, Iasha Puthanpurayl and Pierre Renucci, will discuss True and False, through the work they have produced this year.
Their teachers, Götz Arndt and Fabrice Vannier, members of the Laboratoire matière espace, will present works by young artists who have dealt with this theme in various ways during their artistic interventions in the Louvre's Greek, Etruscan and Roman Department.
Thursday 12 June 2025
6:00pm - 8:00pm
Amphithéâtre des Loges
14 rue Bonaparte, 75006 Paris
ENTRÉE LIBRE
Invited by the alumni association, Pascal Bernard, a painter who graduated from the Beaux-Arts de Paris in 1975, presents the film interview-portrait by Julie Genelin and Delphine D. Garcia, edited by Stéphane Pichard.
Followed by a discussion with geomorphologist Charles Le Coeur on the role of drawing as an instrument for better understanding the landscape and its components. Paintings, drawings and engravings as plant and mineral mediations of seaweed and gravel herbariums transposed into large format.
Tuesday 10 June 2025
7:00pm - 8:30pm
Amphithéâtre d'Honneur + YouTube
14 rue Bonaparte, 75006 Paris
ENTRÉE LIBRE
Live on YouTube
Louvre Couture
On the occasion of the Louvre's very first exhibition devoted to fashion: Louvre Couture. Objets d'art, objets de mode, Olivier Gabet, Director of the Department of Objets d'art at the Musée du Louvre and curator of the exhibition, explores the links that fashion houses forge with art history and museums.
Tuesday 3 June 2025
7:00pm - 8:30pm
Amphithéâtre des Loges
14 rue Bonaparte, 75006 Paris
ENTRÉE LIBRE
Demodernising to decolonise: modern art museums in the 21st century
Charles Esche, curator and writer living in Amsterdam, questions the way in which museums of modern and contemporary art are conditioned by their modern and colonial past, and invites us to explore new curatorial strategies and proposals through the example of the Van Abbemuseum in the Netherlands, which he directed for 20 years.
Friday 23 May 2025
9:30am - 7:00pm
Amphithéâtre d'Honneur
14 rue Bonaparte, 75006 Paris
ENTRÉE LIBRE
International conference organized in the presence of Luce Irigaray on her latest book, The Mediation of Touch, published in March 2024, dedicated to a philosophy and ethics of touch, but also to (the) difference of gender and sexuality, and to contemporary reappropriations of a major feminist philosophical work, still too little publicized in the French-speaking world.
Program from 9:30am to 7pm
9:30 - 10am : Welcome, coffee and introductory remarks
Tuesday 13 May 2025
7:00pm - 8:30pm
Amphithéâtre d'Honneur
14 rue Bonaparte, 75006 Paris
ENTRÉE LIBRE
Warming Up
The artist Wolfgang Tillmans discusses the work process he undertook for the major exhibition he is preparing at the Centre Pompidou for June 2025, Rien ne nous préparait y - Tout nous préparait y, for which he transforms the entire plateau of level 2 into a single installation. He establishes a dialogue between his work and the space of the Bibliothèque publique d'information (Bpi), which he occupies for the occasion, questioning it both as architecture and as a place for the transmission of knowledge.
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