Thursday 19 February 2026

7:00pm - 8:30pm

Amphithéâtre des Loges

14 rue Bonaparte, 75006 Paris

ENTRÉE LIBRE

Rereading by Françoise d'Eaubonne of canonised works

Tuesday 10 February 2026

7:00pm - 8:30pm

Amphithéâtre des Loges

14 rue Bonaparte, 75006 Paris

ENTRÉE LIBRE

Noémie Goudal designs illusionist installations staged in the landscape, which are then adapted into films, photographs and performances. Her work explores the many ways of observing and understanding natural environments. By dissecting the layers and perspectives of an image, she questions our mental constructions of the landscape. Through a perfect balance between realism and constructed fiction, her images sublimate the scientific substrate from which they never stray.

Tuesday 3 February 2026

7:00pm - 7:00pm

Amphithéâtre des Loges

14 rue Bonaparte, 75006 Paris

ENTRÉE LIBRE

Faire avec : mes associations


"Faire avec" here means both making do with a context and not doing things alone, but with others. These two dimensions structure this encounter with Pauline Curnier Jardin, whose work combines performance, cinema and visual arts, and is based on collective practices, collaborations and ritual forms (processions, carnivals, films).

Thursday 22 January 2026

6:00pm - 9:00pm

Librairie du Jour

6, place Jean-Michel Basquiat, Paris, France 75013

ENTRÉE LIBRE

Salomé Botella, a 2025 graduate, presents her book Pas si tant (Not So Much) published by Éditions de L'Ogre, as a series of snapshots of rural life drawn from the author's personal experience, who grew up in Creuse before leaving to study Fine Arts in Paris.

Wednesday 14 January 2026

7:00pm - 8:30pm

Christine Cinéma Club

4 rue Christine, 75006 Paris

ENTRÉE LIBRE

A programme of short films showcasing the work of artists who have developed a unique cinematic style. From documentary to fiction, this screening of films by Virgile Desbat, Marine Ducroux-Gaziot and Salomé Moindjie Gallet will be followed by a discussion with Mathieu Abonnenc, curator of the exhibition. They evoke games of desire and power, the anticipation of a coming catastrophe and the hope for a new life.


Marine Ducroux-Gazio
The Rainmaker (II, Raingrass), 14', 2025


Virgile Desbat
Dear Ray, 5.5, 2025
Reject, 14', 2025

From saturday 31 january 2026 to sunday 3 may 2026

Wednesday to Sunday, 11 a.m. to 6 p.m.

MO.CO. Panacée

14 rue de l'École de Pharmacie, 34000 Montpellier

L’esprit de l’atelier brings together 16 artists trained at Beaux-Arts de Paris in Djamel Tatah's studio, where he taught for fifteen years. The exhibition focuses on a "textbook case": the unique functioning of the Beaux-Arts de Paris studios.


Based on daily dialogue between an artist-teacher and his students, this workshop system does not aim to transmit a particular style, but rather to support each individual in developing their own practice. Djamel Tatah has thus trained a generation of artists who are now renowned for the power of their work and the diversity of their trajectories.

Bringing together more than 120 works, both recent and produced for the exhibition, L'esprit de l'atelier showcases a wide range of practices: painting, drawing, sculpture, weaving and installation. Between figuration and abstraction, reality and fiction, the works explore inner worlds nourished by multiple references, from the old masters to contemporary cultures.

What connects these artists is not a common aesthetic, but a shared experience of training and mentorship. The exhibition thus bears witness to the richness and diversity of the voices emerging from Djamel Tatah's studio, now fully established on the contemporary art scene.
 

With the artists: 
Kenia Almaraz Murillo 
Raphaëlle Benzimra 
Djabril Boukhenaïssi 
Tristan Chevillard 
Fabien Conti
Mathilde Denize 
Léo Dorfner 
Clémence Gbonon 
Bilal Hamdad 
Nina Jayasuriya 
Dora Jeridi
David Mbuyi 
Zélie Nguyen 
Pierre Pauze 
Blaise Schwartz 
Rayan Yasmineh
 

A catalogue published in partnership with Beaux-Arts de Paris éditions accompanies the exhibition.

Photo credit : © All rights reserved 

Tuesday 20 January 2026

7:00pm - 8:30pm

Amphithéâtre des Loges

14 rue Bonaparte, 75006 Paris

ENTRÉE LIBRE

Choreographer François Chaignaud looks back on his works, which are being revived as part of the Festival d'Automne and were written in collaboration with artist Théo Mercier, butoh dancer Akaji Maro, dancer and artist Cecilia Bengolea, beatboxer Aymeric Hainaux, harpsichordist Marie-Pierre Brébant and artist and stage director Nina Laisné.

Thursday 29 January 2026

7:00pm - 8:30pm

Amphithéâtre d'Honneur

14 rue Bonaparte, 75006 Paris

ENTRÉE LIBRE

To mark the publication of his new monograph by Gallimard, Dominique Perrault – architect of the Bibliothèque nationale de France, urban planner, member of the Académie des Beaux-Arts and winner of the Praemium Imperiale – talks to Éric de Chassey, director of Beaux-Arts de Paris, Barry Bergdoll, professor of art history at Columbia University, and Nina Léger, writer and professor of art history at Beaux-Arts de Marseille.

Tuesday 27 January 2026

7:00pm - 8:30pm

Amphithéâtre d'Honneur

14 rue Bonaparte, 75006 Paris

ENTRÉE LIBRE

Beaux-Arts de Paris collections hold a print of Hokusai's famous series of eight woodblock prints depicting waterfalls in different provinces. Produced around 1830, this visionary and synthetic series is an essential milestone in Japanese art from the Edo period and beyond, and has been the subject of numerous ramifications and reinterpretations that are still alive today. During this "spoken collection," designed as a sensitive encounter with the work, four specialists will offer complementary readings and contemporary insights.
 

Tuesday 13 January 2026

7:00pm - 8:30pm

Amphithéâtre des Loges

14 rue Bonaparte, 75006 Paris

ENTRÉE LIBRE

Filmmakers and artists from around the world have formed Some Strings, a collection of original filmic gestures that originated in Palestine, where poet and professor Refaat Alareer was targeted by Israeli strikes, along with seven members of his family. In his last poem, If I Must Die, published five weeks before his assassination, Refaat Alareer asks those who must live to create a kite – a long-standing symbol of resistance – with pieces of string. Some Strings has inherited this legacy.
 

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