During this conference, the German philosopher and sociologist Hartmut Rosa revisits the concepts of the acceleration of our pace of life and resonance, which he has developed throughout his work (notably in Acceleration: A Social Critique of Time and Resonance: A Sociology of Our Relationship to the World, both published in French translation by La Découverte). If acceleration constitutes the central problem of our time, resonance may be the solution. Hartmut Rosa has renewed the analyses of the first generation of the Frankfurt School by considering alienation as acceleration.
Thursday 4 December 2025
7:00pm - 8:30pm
Amphithéâtre des Loges
14 rue Bonaparte, 75006 Paris
ENTRÉE LIBRE
From Thursday 11 December 2025 to Tuesday 30 December 2025
1:00pm - 7:00pm
Beaux-Arts de Paris bookshop
13 quai Malaquais, 75006 Paris
ENTRÉE LIBRE
Christmas private sale at Beaux-Arts de Paris bookshop
Fine books and art books, engravings, posters, gift items, original creations by artists at exceptional prices.
Among the latest publications: Bernard Moninot, Le Fil d’alerte (The Warning Thread); the graduate catalogue and Félicités: Felicità 2025; The Bells Angels, Monochrome; the colouring book by Frédérique Loutz, Sonia Steinsapir, Une vie intranquille; the Manuel de la Forge by Carole Leroy; the monograph by James Rielly; the exhibition catalogue Rosso et Primatice: Renaissance à Fontainebleau...
Wednesday 3 December 2025
6:30pm - 8:30pm
to be defined
14 rue Bonaparte, 75006 Paris
ENTRÉE LIBRE
Supported by Cercle Chromatique, the Arts division of the Arborescences association supports long-term artistic projects created in collaboration with trees and other species, based on the discovery of different environments.
Tuesday 9 December 2025
7:00pm - 8:30pm
Amphithéâtre des Loges
14 rue Bonaparte, 75006 Paris
ENTRÉE LIBRE
The artist, filmmaker and researcher reflects on her approach to computational capitalism and the new modes of subjectivation it produces. In her films, she immerses herself in digital communities. Her first documentary film, La mécanique des fluides (The Mechanics of Fluids), is an investigation that takes as its starting point a suicide note posted by an incel (an involuntary celibate) on the Reddit platform entitled "America is responsible for my death". The investigation takes the form of a virtual drift across the internet in search of his digital traces.
Thursday 11 December 2025
7:00pm - 8:30pm
Amphithéâtre des Loges
14 rue Bonaparte, 75006 Paris
ENTRÉE LIBRE
Alternative educational spaces: from utopia to institutionalisation.
From friday 14 november 2025 to thursday 4 december 2025
Entrée libre du lundi au samedi de 11h à 19h
Centre Wallonie-Bruxelles
127-129 rue Saint Martin, Paris 4
Beaux-Arts de Paris is delighted to participate in the sixth edition of LABO_DEMO, an initiative that aims to promote emerging and as yet unidentified artistic talents in order to highlight both the distinctive features of Belgian and French art school training programs and their interconnection at a time when artistic careers are becoming increasingly international.
The exhibition recreates, in its very scenography, the simulacrum of a corporate workspace. But this fictional coworking space is riddled with flaws, saturated with bugs, haunted by ghosts. It becomes the scene of a multitude of attempts at resistance aimed at breaking the spell of capitalist and bureaucratic logic. Some works bring back repressed emotions and muffled voices from vanished professions and deserted factories. Others invent corporate fictions or attach themselves to the administration to derail it. In this unstable landscape, populated by art-eating insects and nostalgic bots, team building turns into a dystopian tale. Slogans turn into tales of collapse. In places, dreams of escape pierce the sanitized surface of reality, like lights at the end of the tunnel.
Artists from Beaux-Arts de Paris: Joséphine Berthou, Ruoxi Jin, Raphaël Maman, Sara Noun, Clarisse Pillard, and Éditions Burn Aout.
Practical information
November 14 to December 4
Centre Wallonie-Bruxelles
Gallery, 127-129 rue Saint Martin, Paris 4
Free admission Monday to Saturday from 11 a.m. to 7 p.m.
From friday 7 november 2025 to sunday 16 november 2025
Tous les jours de 13h à 19h
Cour Bonaparte et Cour vitrée
14 rue Bonaparte, 75006 Paris
In partnership with PhotoSaintGermain, Beaux-Arts de Paris and École nationale supérieure de la photographie in Arles are joining forces to organize an exhibition entitled Paradis artificiels (Artificial Paradises), presented in various spaces at Beaux-Arts de Paris.
This exhibition takes the form of a journey through technology, with a particular focus on artificial intelligence and the upheavals it is causing in all strata of society. It explores the misuse of tools and technology as a field of possibilities, with prompts paving the way for new poetic and creative licenses. More broadly, the exhibition raises questions about artifice and a hallucinatory world where disasters, fake news, and seas of plastic populate social media as much as the pages of newspapers.
Artificial Paradises provides an overview of photographic approaches as practiced at the Beaux-Arts de Paris and the École Nationale Supérieure de la Photographie in Arles.
Curated by Audrey Illouz and Vincent Lambert, assisted by Geoffrey Soghomonian, with the assistance of Tatiana Rosette and Olivier Vernhes.
Beaux-Arts de Paris artists: William Basseux, Léonard Berthou, Lea Citi, Simon Deterre, Lea Farant, Eric Godin, Chia Huang, Anjeyanne Huynh, Shumeng Li, Melina Malheurty, Olivier Perusat, Ilona Plissonneau, Ingrid Portal, Colombe Thaller, Emmanuel van der Elst.
ENSP Arles artists: Ulysse Barry, Aure Baucher, Cécile Blaque, JINGDI, Mathis Clodic, Valentin Derom, Fiona Faivre, Orane Grunenwald, Eva Sustar, Morgane Ubaldi, Charlotte Van de Walle, Baptiste Vitorino, Samuel Vorms.
With the support of Neuflize OBC corporate foundation, patron of the Extra-Large Photography Chair at Beaux-Arts de Paris, and Dupon.photo.art.
Practical information
November 7 to 16
Cour Bonaparte and Cour vitrée
Free admission from 1 p.m. to 7 p.m.
14 rue Bonaparte, Paris 6
Photo credits: Chia Huang, Océan temporaire, 2018
Baptiste Vitorino, Sous le soleil, 2025
Wednesday 19 November 2025
6:00pm - 7:30pm
Amphithéâtre d'Honneur
14 rue Bonaparte, 75006 Paris
ENTRÉE LIBRE
A look back at the biography of a storyteller
On the occasion of the Un Week-End à l'Est festival, which this year honors the Romanian art scene, Cristian Mungiu, patron of this 9th edition, discusses the making of his book Une vie roumaine (A Romanian Life), in which he questions his relationship with truth and reminds us that storytelling remains an act of resistance. In conversation with Arnaud Laporte, journalist and producer at France Culture.
Thursday 13 November 2025
7:00pm - 8:30pm
Amphithéâtre des Loges
14 rue Bonaparte, 75006 Paris
ENTRÉE LIBRE
Technological wanderings
The quest for immortality, cryogenics, personal development, resource depletion, pyropictomania (or the pleasure derived from images of energy dissipation)... From the American West to the Atlantic coast, against a backdrop of climate catastrophe, we meet the authors of two books devoted to the technological turning point we are currently experiencing. How do these writings, connected to the visual arts and imbued with displacement, capture this turning point?
From tuesday 21 october 2025 to sunday 26 october 2025
Everyday from 10.am. to 7.pm.
Chapelle des Petits-Augustins
14 rue Bonaparte, 75006 Paris
Beaux-Arts de Paris is delighted to welcome Harry Nuriev and the Sultana Gallery (Paris) for Art Basel Paris.
Harry Nuriev presents Objets Trouvés (2025), a participatory installation transforming the Petits-Augustins chapel into a space for circulation and exchange. Carefully aligned supermarket boxes are filled with objects brought in by visitors. Each person leaves an object they no longer need and takes another left by someone else. Each contribution is certified as a work of art, and at the end of the exhibition, all exchanges will be compiled in a Yellow Pages-style directory, transforming this ephemeral process into a permanent archive.
Harry Nuriev describes his practice as Transformism—the reinvention of everyday materials to give them new functions and meanings. With Objets Trouvés, he extends this philosophy into a collective dimension, where the simple act of exchange becomes social interaction as much as artistic creation.
This is the fourth project in the Public Program organized by Art Basel Paris in collaboration with the Beaux-Arts de Paris.
A mediation program will be provided every day from October 21 to 26, 2025, from 2:00 p.m. to 5:30 p.m. by students from the École du Louvre.
Photo credits: Harry Nuriev, Objets Trouvés, project 18 © Harry Nuriev
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