From Wednesday 10 December 2025 to Friday 19 December 2025
Chapelle des Petits-Augustins
14 rue Bonaparte, 75006 Paris
Léandre Bernard-Brunel is exhibiting new pieces at Chapelle des Petits-Augustins in Beaux-Arts de Paris, created as part of his research-creation thesis with the SACRe laboratory under the supervision of Pascal Rousseau.
Here he presents four in situ proposals that engage in dialogue with the ghosts of René Daumal, Balkrishna V. Doshi, Francisco Goya and Jean-Jacques Lequeu.
Saturday 31 January 2026
10:00am - 5:00pm
Beaux-Arts de Paris
14 rue Bonaparte, 75006 Paris
See you on Saturday, 31st January for the Open Day at Beaux-Arts in Paris.
More information to follow.
Tuesday 9 December 2025
9:30am - 5:00pm
Amphithéâtre des Loges
14 rue Bonaparte, 75006 Paris
The global health crisis of 2019 brought the issue of the relationship between health, public and private spaces back to the forefront, renewing reflections on the personal and collective relationship to illness and care. This period seems to have accelerated a general awareness of the need to rethink the links between care environments and living spaces, between health and culture, reminding us that education and care are fundamental relational acts in our society.
Thursday 4 December 2025
7:00pm - 8:30pm
Amphithéâtre des Loges
14 rue Bonaparte, 75006 Paris
During this conference, the German philosopher and sociologist Hartmut Rosa revisits the concepts of the acceleration of our pace of life and resonance, which he has developed throughout his work (notably in Acceleration: A Social Critique of Time and Resonance: A Sociology of Our Relationship to the World, both published in French translation by La Découverte). If acceleration constitutes the central problem of our time, resonance may be the solution. Hartmut Rosa has renewed the analyses of the first generation of the Frankfurt School by considering alienation as acceleration.
From Thursday 11 December 2025 to Tuesday 30 December 2025
1:00pm - 7:00pm
Beaux-Arts de Paris bookshop
13 quai Malaquais, 75006 Paris
Fine books and art books, engravings, posters, gift items, original creations by artists at exceptional prices.
Among the latest publications: Bernard Moninot, Le Fil d’alerte (The Warning Thread); the graduate catalogue and Félicités: Felicità 2025; The Bells Angels, Monochrome; the colouring book by Frédérique Loutz, Sonia Steinsapir, Une vie intranquille; the Manuel de la Forge by Carole Leroy; the monograph by James Rielly; the exhibition catalogue Rosso et Primatice: Renaissance à Fontainebleau...
Wednesday 3 December 2025
5:00pm - 7:00pm
à définir
14 rue Bonaparte, 75006 Paris
Tuesday 9 December 2025
7:00pm - 8:30pm
Amphithéâtre des Loges
14 rue Bonaparte, 75006 Paris
The artist, filmmaker and researcher reflects on her approach to computational capitalism and the new modes of subjectivation it produces. In her films, she immerses herself in digital communities. Her first documentary film, La mécanique des fluides (The Mechanics of Fluids), is an investigation that takes as its starting point a suicide note posted by an incel (an involuntary celibate) on the Reddit platform entitled "America is responsible for my death". The investigation takes the form of a virtual drift across the internet in search of his digital traces.
Thursday 11 December 2025
7:00pm - 8:30pm
Amphithéâtre des Loges
14 rue Bonaparte, 75006 Paris
From friday 14 november 2025 to thursday 4 december 2025
Entrée libre du lundi au samedi de 11h à 19h
Centre Wallonie-Bruxelles
127-129 rue Saint Martin, Paris 4
The exhibition recreates, in its very scenography, the simulacrum of a corporate workspace. But this fictional coworking space is riddled with flaws, saturated with bugs, haunted by ghosts. It becomes the scene of a multitude of attempts at resistance aimed at breaking the spell of capitalist and bureaucratic logic. Some works bring back repressed emotions and muffled voices from vanished professions and deserted factories. Others invent corporate fictions or attach themselves to the administration to derail it. In this unstable landscape, populated by art-eating insects and nostalgic bots, team building turns into a dystopian tale. Slogans turn into tales of collapse. In places, dreams of escape pierce the sanitized surface of reality, like lights at the end of the tunnel.
Artists from Beaux-Arts de Paris: Joséphine Berthou, Ruoxi Jin, Raphaël Maman, Sara Noun, Clarisse Pillard, and Éditions Burn Aout.
Practical information
November 14 to December 4
Centre Wallonie-Bruxelles
Gallery, 127-129 rue Saint Martin, Paris 4
Free admission Monday to Saturday from 11 a.m. to 7 p.m.
From friday 7 november 2025 to sunday 16 november 2025
Tous les jours de 13h à 19h
Cour Bonaparte et Cour vitrée
14 rue Bonaparte, 75006 Paris
This exhibition takes the form of a journey through technology, with a particular focus on artificial intelligence and the upheavals it is causing in all strata of society. It explores the misuse of tools and technology as a field of possibilities, with prompts paving the way for new poetic and creative licenses. More broadly, the exhibition raises questions about artifice and a hallucinatory world where disasters, fake news, and seas of plastic populate social media as much as the pages of newspapers.
Artificial Paradises provides an overview of photographic approaches as practiced at the Beaux-Arts de Paris and the École Nationale Supérieure de la Photographie in Arles.
Curated by Audrey Illouz and Vincent Lambert, assisted by Geoffrey Soghomonian, with the assistance of Tatiana Rosette and Olivier Vernhes.
Beaux-Arts de Paris artists: William Basseux, Léonard Berthou, Lea Citi, Simon Deterre, Lea Farant, Eric Godin, Chia Huang, Anjeyanne Huynh, Shumeng Li, Melina Malheurty, Olivier Perusat, Ilona Plissonneau, Ingrid Portal, Colombe Thaller, Emmanuel van der Elst.
ENSP Arles artists: Ulysse Barry, Aure Baucher, Cécile Blaque, JINGDI, Mathis Clodic, Valentin Derom, Fiona Faivre, Orane Grunenwald, Eva Sustar, Morgane Ubaldi, Charlotte Van de Walle, Baptiste Vitorino, Samuel Vorms.
With the support of Neuflize OBC corporate foundation, patron of the Extra-Large Photography Chair at Beaux-Arts de Paris, and Dupon.photo.art.
Practical information
November 7 to 16
Cour Bonaparte and Cour vitrée
Free admission from 1 p.m. to 7 p.m.
14 rue Bonaparte, Paris 6
Photo credits: Chia Huang, Océan temporaire, 2018
Baptiste Vitorino, Sous le soleil, 2025
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