Friday 2 December 2022
6:00pm - 9:00pm
Chapelle des Petits-Augustins
14 rue Bonaparte, 75006 Paris
"We are (still) not somewhere”
Originating in the performance Nós não estamos algures, imagined by the Portuguese filmmaker, art critic and curator Ernesto de Sousa in 1969 at the Primeiro Acto theater club (Algés), the event "We are (still) not somewhere" aims to be a transcultural iteration of the performative and intermedia experiments initiated by the Portuguese artist collectives in the late 1960s.
Nous ne sommes (toujours) pas quelque part
Friday 16 December 2022
2:00pm - 4:00pm
INHA
2 Rue Vivienne, 75002 Paris
Mémoires d'atelier II - dialogue with Émilie Verger and Flore Chesnay
The Reg-Arts project (Beaux-Arts de Paris, CNRS, INHA) aims to understand the history of the Beaux-Arts de Paris in a multidisciplinary way, through the creation of a digital resource giving access to the registration registers of student painters and sculptors between 1813 and 1968. The accompanying seminar aims to explore this history in a collective and contemporary way.
From wednesday 16 november 2022 to saturday 7 january 2023
Du mar. au sam. 11h-19h – Nocturne le jeudi jusqu'à 21h
Fondation Pernod Ricard
1, cours Paul Ricard 75008 Paris
The Pernod Ricard Foundation and the Beaux-Arts de Paris renew their collaboration for 2022-2023. Charlotte Simonnet, a 3rd year student at the Atelier Tatiana Trouvé, presents her installation Coutures as part of the "L'Avancée" programme.
Located in the heart of the café-library of the new Pernod Ricard Foundation, L'Avancée is a hanging space dedicated to emerging artists, a way of extending the exhibition space into the living space.
"My work Coutures is made of concrete iron imitating the movement of a rope. It sews the wall from which it emerges, forming loops of different sizes before falling to the ground. This concrete iron is treated to have a black colour with some violet reflections.
This installation is a gesture evoking the construction of a place, of an architecture. By coming out of the picture rail, the concrete iron makes an invisible form visible. The gesture of sewing then evokes a way of linking the underside with the top. A game of illusion is created by the contrast between the rigidity of the metal and the rounded, supple shapes of a rope."
Charlotte Simonnet
Pernod Ricard Foundation
1, cours Paul Ricard
75008 Paris
From wednesday 1 march 2023 to saturday 15 april 2023
Tue. to Sat. 11am-7pm - Nocturne on Thursday until 9pm
Fondation Pernod Ricard
1, cours Paul Ricard 75008 Paris
L'Avancée is a hanging wall dedicated to emerging artists and a way of extending the exhibition space into the living space. During the year 2022-23, the Foundation is partnering with the École des Beaux-Arts de Paris and the "exhibition professions" programme. Every two months, from October to July, a student will be invited to take over this gallery and to accompany his or her display with an exchange with the public.
Francisco G. Pinzón Samper, a student at the Beaux-Arts de Paris in Mimosa Echard's studio, proposes a three-piece composition for L'Avancée, entitled Talia's shirt, The astral chart of Siddhartha and Untitled.
On the occasion of the opening, a performance and a show will take place with Dahl
ia Rebecca and Aurélien Vieillard, students at the Beaux-Arts de Paris.
Located in the heart of the café-library of the new Pernod Ricard Foundation, l'Avancée is a hanging space dedicated to emerging artists, a way of extending the exhibition space into the living space
Pernod Ricard Foundation
1, cours Paul Ricard
75008 Paris
Free admission
Sunday 13 November 2022
4:30pm - 6:30pm
Amphithéâtre de morphologie
14 rue Bonaparte, 75006 Paris
The Cercle Chromatique, the alumni association of the Beaux-Arts de Paris, invites Béatrice Duport and Stéphane Pichard to present their performance Correspondance.
Wednesday 30 November 2022
7:00pm - 8:00pm
Amphithéâtre des Loges
14 rue Bonaparte, 75006 Paris
Marie-José Mondzain: decolonising the imaginary.
On the occasion of her latest book K comme Kolonie: Kafka et la décolonisation de l'imaginaire, published by La Fabrique, Marie-José Mondzain talks to Alain Berland and Christian Joskhe.
Marie-José Mondzain is a philosopher specialising in the study of the relationship to images. She is director of research at the Groupe de sociologie politique et morale (École des hautes études en sciences sociales, Centre national de la recherche scientifique).
Monday 28 November 2022
6:00pm - 7:00pm
Amphithéâtre des Loges
14 rue Bonaparte, 75006 Paris
A Permanent Revolution: Contemporary Ukrainian Art - meeting with Alisa Lozhkina
Alisa Lozhkina is one of the most important historians, critics and curators of Ukrainian art. She was the director and chief curator of the Mystetskyi Arsenal Museum, the largest museum and exhibition complex in Ukraine, chief editor of Art Ukraine, curator of the exhibition Permanent Revolution. Ukrainian Art Now, which presented three generations of contemporary Ukrainian artists at the Ludwig Museum in Budapest.
Wednesday 23 November 2022
5:30pm - 7:30pm
Amphithéâtre des Loges
14 rue Bonaparte, 75006 Paris
Meeting with visual artists Igor Gusev and Iryna Ozarynska and curator and photography researcher Kateryna Radchenko, founder and director of the Odessa International Photo Days festival. Moderated by curator Solomia Savchuk, head of the Contemporary Art Department of the Mystetskyi Arsenal National Museum Complex of Art and Culture, a leading cultural institution in Kiev.
As part of the cultural festival A Weekend in the East.
Tuesday 15 November 2022
9:30am - 5:00pm
Amphithéâtre des Loges
14 rue Bonaparte, 75006 Paris
Post Monument Study Day: Art in situation - when the work takes place
Friday 25 November 2022
2:00pm - 4:00pm
Amphithéâtre d'Honneur
14 rue Bonaparte, 75006 Paris
The Reg-Arts project (École des Beaux-arts de Paris, CNRS, INHA) aims to understand the history of the École des Beaux-arts from a multidisciplinary perspective, through the creation of a digital resource giving access to the registration registers of student painters and sculptors between 1813 and 1968. The accompanying seminar is intended to explore this history in a collective way.
