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Exceptional closing at 5 pm on Sunday, November 28

The work of the artist Leonor Antunes takes its point of departure in a history of modernity of which she privileges the shadowy zones, those in particular where many women designers, architects or artists have been relegated. In the exceptional settings of the Chapelle des petits Augustins at the Beaux-Arts de Paris and the Maison André Bloc in Meudon, various figures will emerge: the Japanese Michiko Yamawaki, a resident of the Bauhaus (1930-1932), and Charlotte Perriand, with works produced during her stays in Japan (1940-1942, 1953-1955). A new set of ceramic sculptures and suspensions placed in the center of the nave will dialogue with the collections of casts, remnants of the former museum of French monuments.

This exhibition is produced by the Festival d'Automne, in collaboration with the Beaux-Arts de Paris. With the support of the Gulbenkian Foundation - Delegation in France. With the support of the Marian Goodman gallery (Paris) and the support of the Air de Paris gallery (Paris).

Born in 1972 in Lisbon, Leonor Antunes lives and works in Berlin. She understands her work as a crossbreeding between vernacular processes and the cultural heritage of modernism. Her work often refers, through a subtle detour, a divergence, a shift, to the current status of this heritage and avant-garde, to its specific geometric forms, patterns and structures designed by architects and designers of the early 20th century.

His sculptures are designed and installed in response to a context in which architecture and history, but also the physical experience of the place, intervene. Her work is informed by her research into architectural and design figures such as architects Eileen Gray (1878-1976), Egle Trincanato (1910-1998) and Carlo Scarpa (1906-1978), designers Anni Albers (1899-1994) and Clara Porset (1895-1981) or artists Lygia Clark and Mary Martin (1907-1969). Leonor Antunes transposes the forms, motifs and dimensions characteristic of their work into materials and textures such as rope, wood, cork, leather or brass, employing a sculptural vocabulary inspired by artisanal techniques and skills.

She has had solo exhibitions at MUDAM - Musée d'Art Contemporain du Luxembourg (2020), MASP - Museu de Arte de São Paulo (2019), Museo Tamayo in Mexico City (2018), Whitechapel Gallery in London (2017), Tensta Konsthall in Stockholm (2017), CAPC Musée d'Art Contemporain de Bordeaux (2016), New Museum in New York (2015) and Kunsthalle Basel (2013). In 2019, she will represent Portugal at the 58th Venice Biennale. She participated in the 12th Gwangju Biennale (2018), the 57th Venice Biennale (2017) and the 8th Berlin Biennale (2014). She was awarded the Zurich Art Prize in 2019. Her works are held in public collections such as the Solomon R. Guggenheim Museum in New York, the Museum of Modern Art in Paris, the Calouste Gulbenkian Foundation in Lisbon, the Serralves Foundation in Porto.

Around the exhibition

Thursday, October 14 at 5:00 pm - interview with Leonor Antunes conducted by Alain Berland, head of cultural programming, and Thierry Leviez, head of exhibitions at the Beaux-Arts de Paris.

The second part of the exhibition can be visited from September 18 to November 27, 2021
Villa Bloc / Meudon 12 rue du Bel-Air, 92190 Meudon
Free admission upon reservation

According to the regulation in force since July 21st, you will be asked to show a health pass or a proof of negative RT-PCR or antigenic test less than 72 hours old at the time of the control. Wearing a mask is mandatory.

© Bruno Lopes

How to continue to create? How not to be crushed by the way things are going? How to stay in motion? The stakes are high, more than ever.

At the initiative of Beaux-Arts de Paris, Felicità Goodbye Horses brings together the thirty or so congratulated artists from the Beaux-Arts de Paris in 2019 and the École nationale supérieure d'art de Bourges in 2019 and 2020.

Since October 2020, the group has been participating in a program of encounters aimed at questioning the modalities of production and circulation of art, and at reflecting collectively on the issues of our contemporary world.

Organized for the first time outside the walls, the exhibition Felicità Goodbye Horses is the result of a collective work. The works have been imagined to occupy a floor of 800m² of POUSH Manifesto.

A website and a publication accompany the exhibition.
Curated by Mélanie Bouteloup.

Borrowing its title from the bewitching melody of Q. Lazzarus' haunting melody, repeated so many times and yet remaining so singular, Felicità Goodbye Horses seeks to make us apprehend the world beyond its material condition. It proposes to experience all the vitality of our intense proximity, in its most ardent nuances and contradictions, in a world in perpetual contagion. Life is always connected to the life of another. What if we stopped the big speeches and simply reconnected to each other? What if we really looked into each other's eyes? What if we talked about our doubts, fragilities and difficulties?

By intensifying our connections in a sprawling way, we become more and more elusive. Neither live nor die, but metamorphose. Like an octopus, feel the living with its thousands of suction cups, one by one, glue, unglue and glue again. To seek to intensify our coexistence, taking into account our most varied forms of life and sensibilities. We are all vulnerable. Felicità Goodbye Horses aspires to transcend this violence that suffocates us and try to develop other ways of getting in touch, talking to each other, exchanging, being together and coexisting

THE 2019 CONGRATULATED GRADUATES OF BEAUX-ARTS DE PARIS

Among the 109 students who graduated, 16 received congratulations from the jury chaired by Mélanie Bouteloup and composed of Elise Atangana, Alain Berland, Ingrid Luquet-Gad, Franck Scurti and Alain Séchas.

Léo Chalié, Émile Copello, Gwendal Coulon, Pierre Delmas, Stéphane Gilles-Pick, Matthieu Hemmer, Cham Lavant, Garie Mirhon, Mathis Perron, Hatice Pinarbasi, Benoît Ponty, Sacha Rey, Caisa Sandgren, Anaïs Tohé-Commaret, Vincent Volkart and Yi Yang.

THE 2019 AND 2020 CONGRATULATED GRADUATES OF ENSA BOURGES

Among the 17 students who graduated in 2019, 7 were congratulated by the jury chaired by Séverine Hubard, visual artist, and composed of Sylvie Lopez-Jacob, president of the thesis defense jury, doctor of philosophy and teacher, Vincent Carlier, visual artist and teacher, Gregory Buchert, visual artist, and Nicolas Hérubel, teacher at Ensa Bourges.

Among the 16 students who graduated in 2020, 6 were congratulated by the jury presided by Muriel Pic, author, and composed of Éric Foucault, artistic director, Sammy Engramer, visual artist, Sara Ouhaddou, visual artist, and Éric Aupol, teacher at Ensa Bourges.

Germain Bruyas, Solène Charton, Charlotte Chicot, Tifaine Coignoux, Justine Gagner, Lucile Lacape, Maeline Li, Sihui Liu, Étienne Meignant, Nina M.W. Queissner, Thomas Thuaux, Élise Voët, Huo Yunong

GENESIS OF THE PROJECT

Conceived as a sort of post-graduation program (October 2020 - May 2021), the meetings were intended to accompany the thirty or so congratulated artists who graduated from Beaux-Arts de Paris and Ensa Bourges at a time when the Covid pandemic was sweeping the world. It gave rise to a one-week residency in
Lizières (Epaux-Bézu) in February 2021 under the artistic direction of Ramuntcho Matta and workshops at POUSH (Clichy) between April and May with the artists Franck Leibovici, Neil Beloufa and Emmanuelle Lainé. The students of the master Sciences et techniques de l'exposition (Paris 1 Panthéon-Sorbonne), directed by Christophe Viart, were invited to participate in the writing of texts around the artists of Felicità Goodbye Horses.

WEBSITE

Designed by Maxime Gambus, the Felicità Goodbye Horses website reports on the program of meetings via an online journal. The contributions that appear on it mix works, winks and other shares (playlist, life forms) resulting from almost daily conversations with the thirty or so artists participating in the program. The site is accessible from the Atlas of Beaux-Arts de Paris.

CATALOGUE

The exhibition is accompanied by a catalog in French.
Preface by Jean de Loisy, Jeanne Gailhoustet and POUSH Manifesto.
Interview between Mélanie Bouteloup and DSM4xzxzxzw.
A first part is dedicated to a diary reporting on the concerns, work processes and references of the artists of Felicità Goodbye Horses. A second part presents interviews conducted with a team of guest critics and curators (Charlotte Cosson, Anaïd Demir, Camille Paulhan, Anne-Laure Peressin, Elisa Rigoulet and Ann-Lou Vicente).

Graphic design by Agnès Dahan Studio.
About 200 pages
Price: 15€.
(available in the exhibition)

EXHIBITION

Felicità Goodbye Horses
June 18th - July 10th 2021

POUSH Manifesto 6 Boulevard du Général Leclerc, 92110 Clichy
From tuesday to saturday 1pm-6pm
Free entrance on registration

POUSH

Penser le Présent avec Christine Macel

Leonor Antunes, the homemaker and her domain

Exceptional closing at 5 pm on Sunday, November 28

Around the exhibition

According to the regulation in force since July 21st, you will be asked to show a health pass or a proof of negative RT-PCR or antigenic test less than 72 hours old at the time of the control. Wearing a mask is mandatory.

© Bruno Lopes

Contemporary Drawing Prize

List of nominees 2021

drawings Manon Gignoux, winner of the contemporary drawing prize 2020

According to the regulation in force since July 21, you will be asked for a health pass or a proof of negative RT-PCR or antigenic test less than 72 hours old at the time of the control. Wearing a mask is mandatory.

Journées européennes du Patrimoine

Exhibition of the 2020 winners of the prizes and scholarships of the Beaux-Arts de Paris

The exhibition presents the 10 winners of the 2020 prizes and scholarships awarded by the Association des Amis des Beaux-Arts de Paris

According to the regulation in force since July 21, you will be asked for a health pass or a proof of negative RT-PCR or antigenic test less than 72 hours old at the time of the control. Wearing a mask is mandatory.

The Inner Show - Big Dumb Object

Nuit Européenne des Musées 2021

Felicità Goodbye Horses (hors les murs)

THE 2019 CONGRATULATED GRADUATES OF BEAUX-ARTS DE PARIS

THE 2019 AND 2020 CONGRATULATED GRADUATES OF ENSA BOURGES

GENESIS OF THE PROJECT

WEBSITE

CATALOGUE

EXHIBITION

Final days of Act 2 with Ouverture

Opening
As part of the Théâtre des Expositions Act 2

Jeune Création 68th edition

Penser le Présent avec Christine Macel

Leonor Antunes, the homemaker and her domain

Exceptional closing at 5 pm on Sunday, November 28

Around the exhibition

According to the regulation in force since July 21st, you will be asked to show a health pass or a proof of negative RT-PCR or antigenic test less than 72 hours old at the time of the control. Wearing a mask is mandatory.

© Bruno Lopes

Contemporary Drawing Prize

List of nominees 2021

drawings Manon Gignoux, winner of the contemporary drawing prize 2020

According to the regulation in force since July 21, you will be asked for a health pass or a proof of negative RT-PCR or antigenic test less than 72 hours old at the time of the control. Wearing a mask is mandatory.

Journées européennes du Patrimoine

Exhibition of the 2020 winners of the prizes and scholarships of the Beaux-Arts de Paris

The exhibition presents the 10 winners of the 2020 prizes and scholarships awarded by the Association des Amis des Beaux-Arts de Paris

According to the regulation in force since July 21, you will be asked for a health pass or a proof of negative RT-PCR or antigenic test less than 72 hours old at the time of the control. Wearing a mask is mandatory.

The Inner Show - Big Dumb Object

Nuit Européenne des Musées 2021

Felicità Goodbye Horses (hors les murs)

THE 2019 CONGRATULATED GRADUATES OF BEAUX-ARTS DE PARIS

THE 2019 AND 2020 CONGRATULATED GRADUATES OF ENSA BOURGES

GENESIS OF THE PROJECT

WEBSITE

CATALOGUE

EXHIBITION

Final days of Act 2 with Ouverture

Opening As part of the Théâtre des Expositions Act 2

Jeune Création 68th edition

Opening
As part of the Théâtre des Expositions Act 2