Anonymous, known as ZORRO (active 1940 - 1970)
Self-portrait, c.1940, matte aristotype, 12 x 9 cm, Ph 25052
Autoportrait, c.1940, aristotype mate, 12 x 9 cm, Ph 25052
This photograph is part of a body of works by singular and major figures, known and unknown, constituted to introduce students to the artists who were at the foundation of the art of the twentieth century. Taking a historical perspective, this collection positions gender issues, identified by the gender studies of the 1990s, as already present in artistic photographic practices, particularly very early ones, which were transgressive and ambiguous.
Autoportrait debout, La Fleur du paradis ou La Fille magique, 1957 Photomontage (la tête et les fesses placées sur le même plan) Tirage argentique d’époque sur papier brillant avec virage, 10,5 x 7 cm © Beaux-Arts de Paris, Ph 25049
These photographs are part of a body of works by singular and major figures, known and unknown, constituted to introduce students to the artists who were at the foundation of the art of the twentieth century. Taking a historical perspective, this collection positions gender issues, identified by the gender studies of the 1990s, as already present in artistic photographic practices, particularly very early ones, which were transgressive and ambiguous.
Pose 2, 19 avril 1973 Tirage argentique d'époque, 13 x 9 cm © Beaux-Arts de Paris, Ph 25047
Pose 5, 7 janvier 1972 Tirage argentique d'époque, 13 x 9 cm © Beaux-Arts de Paris
Pose 5, 7 juin 1971 Tirage argentique d'époque, 13 x 9 cm © Beaux-Arts de Paris
Photo prise le 23 juin 1948 à 10h Tirage argentique d'époque, 6,4 x 9,1 cm © Beaux-Arts de Paris
This photograph is part of a body of works by singular and major figures, known and unknown, constituted to introduce students to the artists who were at the foundation of the art of the twentieth century.
Barbette (Vander Clyde), 1926 Tirage sur papier au sel d’argent d’époque, 23,7 x 17,2 cm © Beaux-Arts de Paris, Ph 25044
These photographs are part of a body of works by singular and major figures, known and unknown, constituted to introduce students to the artists who were at the foundation of the art of the twentieth century. Taking a historical perspective, this collection positions gender issues, identified by the gender studies of the 1990s, as already present in artistic photographic practices, particularly very early ones, which were transgressive and ambiguous.
La Lessive (version 1), 1974 Non signé, Tirage argentique sur papier, 24 x 18,3 cm © Beaux-Arts de Paris, Ph 25051
La Femme travestie (version 1), 1974 Non signé, Tirage argentique sur papier, 24 x 18,3 cm © Beaux-Arts de Paris
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