Having trained in music rather than dance, Pol Pi still feels that what he does has more to do with time than space. What he creates is above all a matter of listening: intuitive, memorial, affective. What is already there. It is this musicality that calls and questions him. He will attempt to revisit his dance career in order to reflect on his relationship with listening.
Wednesday 28 February 2024
7:00pm - 8:00pm
Amphithéâtre des Loges
14 rue Bonaparte, 75006 Paris
ENTRÉE LIBRE
Wednesday 28 February 2024
3:00pm - 4:30pm
Chapelle des Petits-Augustins
14 rue Bonaparte, 75006 Paris
ENTRÉE LIBRE
Marianne Martin likes to help.
Marianne Martin likes her life to have meaning.
Marianne Martin loves her name.
Marianne Martin loves freedom.
Just like all French people...
Come and see a performance that plays with the worst to think about the present, and invites us, not without humour, to question ourselves about freedom, the frameworks we need and those we are victims of, revolutionary history and, more broadly, national identity.
From Monday 19 February 2024 to Tuesday 20 February 2024
7:00pm - 8:30pm
Galeries droite et gauche
14 rue Bonaparte, 75006 Paris
ENTRÉE LIBRE
Atravessemos! - Portrait de la ville de São Paulo was created following a study trip to São Paulo in September 2022 by the Atelier danse performance of the Beaux-Arts de Paris, directed by Emmanuelle Huynh. She then invited visual artist Jocelyn Cottencin to continue the collaboration they had begun in 2016 around city portraits.
Nine students from the Beaux-Arts de Paris met with ten student artists from the Pontifical University of São Paulo to share their daily lives, memories, history and fiction.
Atravessemos!
Friday 16 February 2024
2:00pm - 4:00pm
Amphithéâtre d'Honneur
14 rue Bonaparte, 75006 Paris
ENTRÉE LIBRE
Gilles Clément in dialogue with Michel Blazy and Patricia Ribault
As part of the Michel Blazy workshop and Patricia Ribault's diploma seminar on "Ruse, bricolage et savoir-faire: formes de l'ingéniosité", we will be welcoming the gardener, landscape gardener, botanist, entomologist, biologist, writer and teacher Gilles Clément for a special lecture.
Thursday 29 February 2024
6:00pm - 8:00pm
Amphithéâtre du mûrier
14 rue Bonaparte, 75006 Paris
ENTRÉE LIBRE
Artist Julieta Hanono presents her work on the Cosmology of the Aubervilliers Aquarium at the La Débrouille workshop, with Adria Bentamate and the support of the Bureau des Heures Invisibles. She is in dialogue with the philosophers Fabienne Brugère and Mara Montanaro, on the relationship between cosmology and the philosophy of care, and on the interweaving of cosmology with the pacha mama and Latin American feminisms.
Advanced
Wednesday 14 February 2024
7:00pm - 8:30pm
Amphithéâtre des Loges
14 rue Bonaparte, 75006 Paris
ENTRÉE LIBRE
Artist and performer Jocelyn Cottencin uses a wide variety of media to question the place and status of the sign. In the form of installations, films and performances, he explores the way in which images inhabit us, as in the performance Monumental, a score of gestures that activates the memory of certain places or monuments. His work focuses in particular on notions of community, group and the end of modernity.
Friday 9 February 2024
2:00pm - 4:00pm
Amphithéâtre d'Honneur
14 rue Bonaparte, 75006 Paris
ENTRÉE LIBRE
Speakers: Guillaume Kazerouni from the Musée des Beaux-Arts de Rennes and Pierre Oudart, Director of the Institut National Supérieur d'Enseignement Artistique de Marseille Méditerranée.
Thursday 1 February 2024
7:00pm - 8:30pm
Amphithéâtre d'Honneur
14 rue Bonaparte, 75006 Paris
ENTRÉE LIBRE
To coincide with his exhibition Critical Mass at the Musée Rodin, the artist Antony Gormley talks to Guitemie Maldonado, art historian and professor at the Beaux-Arts de Paris, about his practice as a sculptor.
Saturday 16 March 2024
4:00pm - 4:20pm
Palais des Beaux-Arts
13 quai Malaquais, 75006 Paris
ENTRÉE PAYANTE
4pm
Béryl Coulombié
LL, 2023
Performance
20min
Thursday 14 March 2024
6:30pm - 7:45pm
Palais des Beaux-Arts
13 quai Malaquais, 75006 Paris
ENTRÉE PAYANTE
18h30
Béryl Coulombié
LL
30 minutes
In LL, Béryl Coulombié reinterprets a paragraph from Monique Wittig's book Les Guérillères. A body moves away, carrying an egg from floor to ceiling. The stage, a precarious assemblage of fleece and wooden planks, is a runway and a meadow. "In the gardens there are no little girls playing". Between the movements and the snatches of text, the anxiety of reproduction is muted.
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