Saturday 13 April 2024

7:00pm - 8:30pm

Chapelle des Petits-Augustins

14 rue Bonaparte, 75006 Paris

GRATUIT SUR INSCRIPTION

A wide-ranging interview with Jean-Baptiste Andrea, winner of the 2023 Goncourt Prize, punctuated by readings by actor Léo Dussolier, accompanied by Lola Malique on cello.

Thursday 4 April 2024

2:00pm - 5:00pm

Amphithéâtre du mûrier

14 rue Bonaparte, 75006 Paris

ENTRÉE LIBRE

The Beaux-Arts de Paris are organising an afternoon of study on the subject of walking and the representation of the territory by artists and researchers.

Tuesday 30 April 2024

11:00am - 4:00pm

Amphithéâtre du mûrier

14 rue Bonaparte, 75006 Paris

ENTRÉE LIBRE

Cercle Chromatique has invited the French Association of Exhibition Curators (CEA) to present "POOL#1 Curatorial practices and eco-design", a day of conferences and discussions on ecological curatorial practices.

Friday 12 April 2024

3:00pm - 5:00pm

Musée du Louvre - Auditorium Michel Laclotte

75058 Paris Cedex 01

GRATUIT SUR INSCRIPTION

The Beaux-Arts de Paris and the Musée du Louvre have always maintained a close and close relationship between contemporary creation and artistic heritage, and are pursuing a joint dialogue.

To mark the International Days of Films on Art, the Musée du Louvre is inviting students from the Burki, Cogitore and Mesiti & Naccache studios to present a selection of their films.


Musée du Louvre
Auditorium Michel Laclotte
75058 Paris Cedex 01

Friday 5 April 2024

2:00pm - 4:30pm

INHA

2 Rue Vivienne, 75002 Paris

ENTRÉE LIBRE

Speakers: Isabelle Conte, independent researcher, Séverine Sofio from CNRS, and Claire Dupin de Beyssat from Université Paris 1

Studying at the Beaux-Arts de Paris is not just an academic experience, it also means forging links of various kinds at a key moment in one's life. A wide range of networks are forged: family, artistic, economic, friendly and professional. A sociological approach to the students and their associations will reveal another facet of the School.

Monday 11 March 2024

6:30pm - 8:00pm

Amphithéâtre d'Honneur

14 rue Bonaparte, 75006 Paris

ÉTUDIANTES / ÉTUDIANTS

Selecting beauty?
A Performing-Lecture based on Suzanne de Baecque's show "Tenir debout 
The Beauté.s Chair is inaugurating a new form of conference, the Performing-Lecture, bringing together a round-table of researchers to discuss an artistic performance.
To inaugurate this new format, the actress Suzanne de Baecque, who infiltrated the Miss Poitou-Charentes contest by presenting herself as a candidate, offers us an extract from her show "Tenir debout". With humour and kindness, she questions the beauty selection process.

From Thursday 21 March 2024 to Monday 25 March 2024

5:00pm - 6:00pm

Bibliothèque des Beaux-Arts de Paris

14 rue Bonaparte, 75006 Paris

ÉTUDIANTES / ÉTUDIANTS

Short film festival at the library

This year, for the first time, the library is taking part in the Short Film Festival! A selection of short films made in stop-motion or pixilation will be screened at the library during 2 sessions:

Thursday 21 and Monday 25 March at 5pm

Programme

LE DÉSHABILLAGE IMPOSSIBLE By Georges Méliès - 1900 1:54 - France - Fiction Production: Lobster Films, Star Film
Before going to bed, a man undresses, but new clothes appear on top of the old ones.

Wednesday 27 March 2024

7:00pm - 8:30pm

Amphithéâtre des Loges

14 rue Bonaparte, 75006 Paris

ENTRÉE LIBRE

To mark the publication of her latest book, La vraie histoire de l'impressionnisme. Manet, Morisot et les autres (Vrin, 2024), philosopher Fabienne Brugère and artist Agnès Thurnauer discuss the feminist legacies of the Impressionists and the erased modernities.

As part of the "Troubles, alliances and aesthetics" chair, coordinated by Fabrice Bourlez and Madeleine Planeix-Crocker.

Friday 15 March 2024

2:00pm - 4:00pm

Amphithéâtre d'Honneur

14 rue Bonaparte, 75006 Paris

ENTRÉE LIBRE

Speakers: Laure Chabanne (Musée d'Orsay), Maxime Paz (independent researcher)

Wednesday 28 February 2024

7:00pm - 8:00pm

Amphithéâtre des Loges

14 rue Bonaparte, 75006 Paris

ENTRÉE LIBRE

Having trained in music rather than dance, Pol Pi still feels that what he does has more to do with time than space. What he creates is above all a matter of listening: intuitive, memorial, affective. What is already there. It is this musicality that calls and questions him. He will attempt to revisit his dance career in order to reflect on his relationship with listening.

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