Michel Poivert describes as “neo-analog” photographic practices involving creative processes that assert the role of materiality and experimentation over the production of an image. It thus opens onto the global notion of “analog culture”, defined as the counterpart to “digital culture”. Analog no longer designates a technical fact, but a cultural one. What characterizes the neoanalogue is a strong “ecosophical” awareness, i.e. a perception of the Anthropocene era as a general historical framework. In this respect, the analogical turn marks a political project.