Tuesday 18 March 2025
7:00pm - 8:30pm
Amphithéâtre d'Honneur + Instagram
14 rue Bonaparte, 75006 Paris
[MEETING CANCELLED AND RESCHEDULED].
Images surround us, dominate us, haunt us. Some impose themselves by striking our minds, while others, more insidious, creep in and surprise us in our imaginations. Should we now learn to defend ourselves against them, because they are too aggressive or too seductive?
Friday 14 March 2025
7:00pm - 8:30pm
Amphithéâtre des Loges (SUR PLACE UNIQUEMENT)
14 rue Bonaparte, 75006 Paris
Baptiste Morizot recounts the story of how modern people monospecifically confiscated the privilege of developing environments, and explores how certain contemporary environmental restoration practices, carried out by the heirs of this confiscation, now envisage sharing this monopoly with non-human, animal and ecosystem entities. What are the philosophical and political implications of this local shift?
Tuesday 4 March 2025
7:00pm - 8:30pm
Bibliothèque des Beaux-Arts de Paris
14 rue Bonaparte, 75006 Paris
As an extension of the exhibition Pierre Alferi - Dessins, 2006-2021 currently on view at the Beaux-Arts de Paris, this evening is devoted to Pierre Alferi and his accomplices, through a number of creative experiences arising from these friendships. It will be an opportunity to see and hear several facets of his work, presented or replayed by Rodolphe Burger, Fanny de Chaillé and Grégoire Monsaingeon, Suzanne Doppelt and Paul Sztulman, Jacques Julien and Anne Portugal.
Thursday 20 February 2025
2:00pm - 3:30pm
Amphithéâtre du Mûrier
14 rue Bonaparte, 75006 Paris
Paul O’Neill, Irish curator, artist, writer, educator and Artistic Director of PUBLICS, Helsinki, presents and reflects on the publicness of curatorial practice, cooperative exhibition-making and attentiveness.
Wednesday 19 February 2025
6:00pm - 7:30pm
Palais des Beaux-Arts
13 quai Malaquais, 75006 Paris
Co-published by Beaux-Arts de Paris and École nationale supérieure d'architecture Paris-Malaquais.
Anne Debarre and Maxime Decommer are teachers and researchers at the “Architecture, culture, société” laboratory of the École d'architecture Paris-Malaquais.
Guy Lambert is an architectural historian, lecturer at the École nationale supérieure d'architecture Paris-Belleville, and researcher at IPRAUS.
Tuesday 18 February 2025
7:00pm - 8:30pm
Amphithéâtre des Loges
14 rue Bonaparte, 75006 Paris
Alice Pallot and Clara Bouveresse examine the medium of photography, the links between art and science, new representations of the living, the materiality of the non-visible, experimental degradation processes, representations of the near future, and the need to rethink our interactions with the environment in a damaged world.
Hosted by Estelle Zhong Mengual as part of the “Inhabiting the landscape: artistic practices of hospitality for the living” chair.
Thursday 6 February 2025
7:00pm - 8:30pm
Amphithéâtre des Loges
14 rue Bonaparte, 75006 Paris
The artist questions both the work and its ecosystem, its circularity like a pirogue-tree that crosses a sea to find a forest. She summons up forms, symbols and processes of a popular nature and transposes them. Wood is one of her favorite materials, whether considered on a macro or micro scale.
Tuesday 4 February 2025
6:30pm - 8:00pm
Amphithéâtre des Loges
14 rue Bonaparte, 75006 Paris
This conference explores the symbolic and social function of the Atelier in the imagination and creative process of artists. Wide-angle, interdisciplinary and transnational, it examines the anthropological, philosophical, aesthetic and cultural fundamentals of the Studio over the long term (second nineteenth-early twenty-first centuries), in order to grasp the realia of a matrix structure as the imaging ego of artists at work.
Tuesday 28 January 2025
2:30pm - 4:00pm
Amphithéâtre d'Honneur
14 rue Bonaparte, 75006 Paris
Tuesday 21 January 2025
7:00pm - 8:30pm
Amphithéâtre des Loges + Instagram
14 rue Bonaparte, 75006 Paris
Giuseppe Penone is one of the most important sculptors of the generation of artists that critics traditionally associate with the Arte Povera movement, when he produced his first works in the late 1960s, worki
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