The collections department in action!

In preparation for the move of part of the collections to outsourced storage at the Beaux-Arts de Paris, the team is working simultaneously on four collections projects (drawings, prints and photographs, antiquarian books and numismatics).

These projects involve dusting, marking, counting and repackaging the works. This colossal task will considerably improve our knowledge of the collections. It is an essential prerequisite for moving works of art in complete safety. It is also an opportunity to rediscover some very fine pieces.

Cet homme un peu guindé a quand même l'air heureux d'avoir été dépoussiéré.

Cette belle estampe du XVIIIe siècle vient de rejoindre, après dépoussiérage, sa nouvelle pochette.

Un des chantiers à venir : les 20 000 photographies sur plaque de verre.

Les photographies sur plaque de verre sont excessivement fragiles.

Le chantier de collection porte aussi sur les 4000 dessins scolaires : ici, le concours d'après modèle vivant.

Les gravures sur médaille attendent leur reconditionnement.

Une découverte : l'affiche des logistes du prix de Rome de peinture de 1962 pour obtenir du mécénat.

Les chantiers permettent aussi de contrôler l’état des œuvres : ici, un dessin dont le papier a été déformé.

Good news! The deadline for applications has been extended to 25 October 2024!

The Beaux-Arts de Paris need your support in order to continue teaching and practising art at the highest level of excellence and to raise the School to a leading position on the international scene.

Your company's contribution is essential.
In particular, the apprenticeship tax will enable us to renovate the students' studios.

For these reasons, we would be particularly pleased to receive an apprenticeship tax payment from you.

Six teachers and leading artists are joining the teaching team.

Welcome to Emmanuel Van der Meulen, who is taking charge of a workshop, to Tristan Garcia, a literature teacher, and to Neil Beloufa, Agnès Geoffray, Marion Naccache and Chloé Quenum, guest artists in a workshop.

For further information

Amira Al-Sharif, an artist who graduated in 2023 from the Beaux-Arts de Paris, carried the Olympic Flame on 14 July 2024 from 2 Bd Saint-Germain to the Institut du Monde Arabe.

‘Passing the flame was a truly unforgettable and intense moment, an experience I deeply cherish.’ Amira Al-Sharif

She will be exhibiting her photos from 05/09 to 04/10 at the Bibliothèque Arthur Rimbaud.

Amira Al-Sharif

The Board of Directors of Beaux-Arts de Paris is renewed.

Quote from Alexia Fabre, Director of Beaux-Arts de Paris:

As part of its commitment to social responsibility and sustainable development, the Beaux-Arts de Paris has signed a partnership agreement with Fabrique Pointcarré, a non-profit organisation working in the field of social integration and sustainable development.

As part of this partnership, the Fabrique Pointcarré's social integration workshop will be recovering the tarpaulins used for Beaux-Arts de Paris's communications to design and produce simple, useful and accessible reused objects.

We, Beaux-Arts de Paris, are united in calling for an immediate ceasefire in the Israeli-Palestinian conflict, for the release of the hostages, the free entry of humanitarian aid into the Gaza Strip, and respect for international law.

We express our condemnation of the terrorist attack and massacre perpetrated by Hamas on 7 October 2023. We denounce the massacres committed by the State of Israel against Palestinian civilians and express our support for the victims who are paying with their lives for this conflict that is turning the Gaza Strip into a hell.

We were deeply saddened to learn of the death on 6 May of Monique Poncelet, the first woman professor at the Beaux-Arts de Paris.

Born in 1931, Monique Poncelet began her career as a student in Jean Souverbie's studio before becoming the first woman professor at the Beaux-Arts de Paris in the late 1960s. After a year as head of the painting studio in 1967, Monique Poncelet was appointed professor in charge of the drawing studio and taught there for some twenty years until 1988.

Les Beaux-Arts de Paris extends its warmest and most sincere congratulations to Nina Childress, who has been elected to the Académie des Beaux-Arts in the painting section. An outstanding artist, she has been head of the studio at Les Beaux-Arts de Paris since 2019.

Ali Arkady, Nge Lay, Randa Maddah, May Murad and Misha Zavalniy
Five artists to be discovered at the group exhibition "Dislocations" at the Palais de Tokyo.

Ali ARKADY, Iraqi photojournalist and artist completed the Herodote programme in 2018, and then joined the School from which he graduated in 2022.
Nge LAY, a contemporary Burmese artist, completed the Hérodote programme in 2022 and is a student at the Beaux-Arts de Paris.

Nge Lay, Beautiful thorned path, 2023, courtesy de l’artiste & A2Z Art Gallery (Paris) Vue de l’exposition « Dislocations », Palais de Tokyo, 16.02-30.06.2024 Crédit photo: Aurélien Mole

Ali Arkady, Mossoul, monolythographie sur pierre, 90 x 55 cm, 2021 Courtesy de l’artiste / Adagp, Paris, 2023

Ali Arkady, courtesy de l’artiste,© ADAGP, Paris, 2024 Vue de l’exposition «Dislocations», Palais de Tokyo, 16.02-30.06.2024 Crédit photo: Aurélien Mole

Randa Maddah, Remanence Retour (détail), leporello, linogravure, 32,5 x 526 cm, 2021

May Murad, Disparition, série « Human Error », 2022-2023, courtesy de l’artiste Vue de l’exposition « Dislocations », Palais de Tokyo, 16.02-30.06.2024 Crédit photo : Aurélien Mole

Misha Zavalniy, Série Gorenka chronicle, impression manuelle sur presse, dimensions variables, 2022. Courtesy de l’artiste

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