Tiziano Foucault-Gini, a 5th year student (Sirjacq workshop), is the winner of the 2021 Contemporary Drawing Prize.

 

"I can't remember how long I've been drawing. In a childhood full of anger, drawing was an outlet, and allowed me to build myself. Today, it is the foundation of my practice. I practice it without concession, in the permanent idea of surpassing myself. Like boxing, which I have practiced for a long time, and which resonates with the way I work. When I draw, I fight, against myself and my limits." Tiziano Foucault-Gini

 

From September 30, 2021, nine large architectural drawings, consignments from Rome, from the Beaux-Arts de Paris drawing collection are presented within the exhibition at the Louvre Museum. 

The Beaux-Arts de Paris was pleased to welcome more than 5 300 visitors during this weekend for the 38th edition of the European Heritage Days. Thank you for coming in great numbers, for your curiosity and good mood and thank you to all the teams who were mobilized.

 

We are happy to have been able to finally open our doors this year and we look forward to seeing you in 2022.

 

Laurène Barnel, a 2018 graduate of the Beaux-Arts de Paris, is a member of the AIMS class of 2022.

AIMS is a diploma course"Artist intervening in the school environment" for primary and secondary school classes, in the cities of Aubervilliers (93), Gennevilliers (92), Montreuil (93), Saint-Denis (93) and Saint-Ouen-sur-Seine (93).

 

The new class is composed of seven students who graduated from the five national art schools in Paris

Following a call for applications to develop cooperation with the Balkan countries, launched by the Ministry of Europe and Foreign Affairs and supported by the Solidarity Fund for Innovative Projects, the Beaux-Arts de Paris proposed a project with the University of Arts of Tirana

 

The bas-relief "Crucifixion" by François Marchand is absent to make way for a suspended wax drape made by Juliette Minchin. The crucified man has disappeared: all that remains is the cloth that hid his nakedness. Echoing the loincloth worn by Jesus - the Perizonium - very present in the imagery of the crucifixion, the work appears as a sacred cloth. 

 

This fabric also refers to the "Descent from the Cross" where a sheet helps the characters to support and carry the body of Christ and then serves as a shroud.

 

Christian Boltanski, immense artist and beloved professor at the Beaux-Arts de Paris : " I used to tell my students : if someone tells you : You're stupid, you're ugly, but your last work is beautiful. Embrace it. The rest doesn't matter.

A friend to whom the School owes much. Tribute

 

Christian Boltanski  (1944 - 14 July 2021).

Recognized as one of the  leading contemporary French artists and on the international scene, Christian Boltanski was a professor at the Beaux-Arts de Paris during 23 years from 1986 to 2009 .

354C w/ BEAUX-ARTS DE PARIS 
END OF RESIDENCY

from Monday 12 to Sunday 18 July 2021
Exhibition / installations
2pm-8pm - Free admission

Lunch on July 12 from 6pm

 

Find out about the 19 foundation prizes, including 6 awarded in partnership with the Fondation de France, given to student artists or graduates of the Beaux-Arts de Paris. Thanks to the generosity of donors, prizes, grants and scholarships reward collective projects and individual practices (painting, drawing, video...).

The Amis des Beaux-Arts de Paris association awards 6 prizes to students of the School selected by a jury of personalities from the world of arts and culture, composed of Grégory Lang, independent curator, Emma Lavigne, president of the Palais de Tokyo, Emmanuelle Lequeux, Arts journalist, Alexandra Schillinger, director of the Loevenbruck gallery, and Emmanuel Van der Meulen, artist graduate of the Beaux-Arts de Paris.

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