Zoé Bernardi, Clémence Gbonon et Ruoxi Jin, 2024 graduates of Beaux-Arts de Paris, are winners of the “Mennour Emergence” program, launched to support young artists in the early stages of their careers, as part of the Mennour Institute. On this occasion, they will benefit from a group exhibition with three other prizewinners Matias Agafonovas, graduate of École des Arts Décoratifs - PSL, Amine Habki and Nicolas Lebeau, graduates of École Nationale Supérieure d'Arts de Paris-Cergy.
 

For the 6th year running, the Gide law firm has invited students and recent graduates to design a series of 3 short films, to be shown throughout the year on the very large LED screens at the firm's headquarters in Paris (8th arrondissement). Thirty-four candidates responded to this call for projects, and were studied by a jury made up of representatives from the Beaux-Arts de Paris and Gide's associate lawyers, who met on December 3 to finalize a selection of projects reflecting the different image practices within the school.
 

From wednesday 12 february 2025 to sunday 20 april 2025

Wednesday to Sunday, 1pm-7pm

Cabinet des dessins et des estampes – Jean Bonna

14 rue Bonaparte, 75006 Paris

This exhibition, dear to Beaux-Arts de Paris, where he had been teaching since 2015, presents to the public for the first time a substantial body of some fifty drawings, produced between 2006 and 2021.

 

Alongside his work as a poet and writer, Pierre Alferi (1963-2023) drew continuously and intensively for many years. This long-discreet practice was not shared until 2020 on his Enseignes website. These drawings explore the “pictorial couplings of word and image”, about which Pierre Alferi has regularly written. For him, they have been as much a problem of representation as a familiar path, among others, for exploring his moods and passions. Humor is expressed on several levels, in the discrepancies or connivances between words and images, and through the play of words with each other and with images. The various ways in which the two meet are the central theme of his pictorial work.

 

Pierre Alferi drew his daily inspiration from a variety of image sources, both in print and on screen. The iconographic variety reflects the diversity of his chosen objects, which range from medieval illuminations to Mad Magazine cartoonists, Japanese imagery, primers and Romantic vignettes. Almost all his drawings are copies, based on one or more source images, which he alters by retracing them, sometimes to the point of blurring the references. Prime thus the imaginary network in which he takes them, and which puns complete the link in a short-circuit of meaning. A mural airbrushed by Hippolyte Hentgen highlights the human relationships in which Pierre Alferi lived his creative work, and the multiple collaborations to which he contributed. It adopts the motifs of an original drawing by Hippolyte Hentgen, transformed, extrapolated and dispersed on the scale of the Cabinet des dessins et des estampes - Jean Bonna.


Curators: Kathy Alliou, director of the Fine Art Department at the Beaux-Arts de Paris and Paul Sztulman, professor of art history and theory at the École Nationale Supérieure des Arts Décoratifs.


Practical information 

Wednesday February 12 2025 - Sunday April 20 2025
Cabinet des dessins et des estampes - Jean Bonna
Beaux-Arts de Paris, 14 rue Bonaparte, Paris 6e
Wednesday to Sunday, 1pm-7pm
2€, 5€ or 10€ it's up to you!

From wednesday 12 february 2025 to sunday 16 march 2025

Wednesday to Sunday 1pm - 7pm, Wednesday night until 9pm

Palais des Beaux-Arts

13 quai Malaquais, 75006 Paris

L'art et la vie et inversement presents the 26 artists who received the Diplôme National Supérieur d'Arts Plastiques from Beaux-Arts de Paris with the Congratulations of the Jury in 2024.

Their works present a wide diversity of subjects, materials and intentions. The challenge of showing them together is to question what they express about a generation, and what they say about today's world.

What emerges from these works is the students' desire and way of constantly blending art and life. Their lives appear in their works in iconographic, thematic and narrative forms, and their works integrate their lifestyles. Through them, we see the fragility of the world and the threat it faces. There's nothing new in taking close friends and family members as models, but this approach has another meaning here: L'art et la vie et inversement reveals a flexible, fluid world in which reversals are possible, where landscapes speak of inner worlds, and intimate monologues speak of the world as it is.

These are horizons inspired by childhood visions, inhabited by singular forms of spirituality, or marked by the tragedies of history. Bodies are put to the test in pain, indeterminacy, hallucination, tenderness or malice. Gleaners in the city or in nature, these artists often appear inclined to help each other and to dialogue between the arts. Landscapes, and the human and non-human beings who populate them, are sometimes themselves the actors in a film. Characters emerge from another film to enter life. Other works deliver more domestic, intimate visions. For them, gentleness is sometimes a way of tackling the toughest subjects. A vision of a world in transformation, of an enigmatic present, these positions are based on the complexity of human beings. What emerges is a shared humanity, efforts to hold on to worlds on the verge of disappearing, narratives sometimes beyond the realms of reality.


Curator : Anaël Pigeat


2024 Félicités : Gilad ASHERY, Örs BATMAZ, Abdelhak BENALLOU, Margot BERNARD, Zoé BERNARDI, Thomas BUSWELL, Anna DE CASTRO BARBOSA, Alessandro DI LORENZO, Hugo FRANCONERI, Clémence GBONON, Claire GITTON, Julien HEINTZ, Hélène JANICOT, Ruoxi JIN, Bahar KOCABEY, Joshua MERCHAN RODRIGUEZ, Alexandre NITZSCHE CYSNE, Sergiy PETLYUK, Hajar SATARI, Anne SIMIN SHITRIT, Isadora SOARES BELLETTI, Hugo VIANA DA SILVA, Leïla VILMOUTH, Louise VO TAN, Libo WEI, Alexandre YANG


Practical informations

Wednesday, February 12, 2025 to Sunday, March 16, 2025
Wednesday to Sunday, 1pm-7pm, Wednesday night until 9pm
Palais des Beaux-Arts
13 quai Malaquais, 75006 Paris

Responsible ticketing €2, €5 or €10, it's up to you!

Lucas Bouan Tsobgny, a 2021 graduate of Beaux-Arts de Paris, creates a bust of Marianne in the effigy of Joséphine Baker, a free and committed artist who entered the Pantheon in 2021.

The project was born of a collaboration between the city of Fleury-Mérogis and Beaux-Arts de Paris, with the agreement of the Baker family, represented by Brian Bouillon-Baker. A patinated plaster copy of the work, to be followed by a bronze edition, was inaugurated on January 18, 2025 at the Fleury-Mérogis town hall.
 

Tuesday 4 February 2025

6:30pm - 8:00pm

Amphithéâtre des Loges

14 rue Bonaparte, 75006 Paris

ENTRÉE LIBRE

In the studio. The imaginary world of Creation

This conference explores the symbolic and social function of the Atelier in the imagination and creative process of artists. Wide-angle, interdisciplinary and transnational, it examines the anthropological, philosophical, aesthetic and cultural fundamentals of the Studio over the long term (second nineteenth-early twenty-first centuries), in order to grasp the realia of a matrix structure as the imaging ego of artists at work.

This monograph is dedicated to photographer and video artist Marie José Burki, studio head at the Beaux-Arts de Paris. It presents major works from her major series, accompanied by exhibition views.

In a world saturated with images and information, Marie José Burki's films, photographs, installations and performances reveal the media strategies to which we are constantly exposed, in order to reconnect ourselves with the living.

Introduction with a critical text by Laurent Busine.

The proposal by François Toison, a graduate of the Beaux-Arts de Paris 2024 and student in the Fresco & Art in Situation programme, was chosen for a new covering for the reception bungalow and the outside gatehouse.

Postponed

Tuesday 28 January 2025

2:30pm - 4:00pm

Amphithéâtre d'Honneur

14 rue Bonaparte, 75006 Paris

ENTRÉE LIBRE

Penser le Présent with Frederick Wiseman has been postponed to a later date. We will keep you informed. 

Thank you for your understanding

 

Live

Tuesday 21 January 2025

7:00pm - 8:30pm

Amphithéâtre des Loges + Instagram

14 rue Bonaparte, 75006 Paris

ENTRÉE LIBRE

Carolyn Christov-Bakargiev, curator of the Arte Povera exhibition at the Bourse de Commerce and an internationally-recognized specialist in Arte Povera, talks to Giuseppe Penone, a major figure in this artistic movement and studio director at the Beaux-Arts de Paris between 1997 and 2012, about the artist's seminal gestures and the genesis of the exhibition.

Giuseppe Penone is one of the most important sculptors of the generation of artists that critics traditionally associate with the Arte Povera movement, when he produced his first works in the late 1960s, worki