Two simultaneous workshops were organised in October for Via Ferrata students.
© Hugo Aymar
© Hugo Aymar
© Hugo Aymar
© Hugo Aymar
© Hugo Aymar
© Hugo Aymar
The new academic year has begun for the latest intake (SANCY class) at VIA FERRATA!
The students were welcomed in the school's magnificent Amphitheatre of Honour, beneath Paul Delaroche's painting ‘The Genius of the Arts Surrounded by Artists of All Times Distributing Crowns’, created between 1836 and 1841.
The day continued with a tour of the iconic sites of the fine arts in Paris: the chapel, the library, the morphology amphitheatre, the Loges building, the Palais des Études and the Palais des Expositions.
© Hugo Aymar
© Hugo Aymar
© Hugo Aymar
© Hugo Aymar
© Hugo Aymar
© Hugo Aymar
© Hugo Aymar
© Hugo Aymar
© Hugo Aymar
© Hugo Aymar
Léandre Bernard-Brunel is exhibiting new pieces at Chapelle des Petits-Augustins in Beaux-Arts de Paris, created as part of his research-creation thesis with the SACRe laboratory under the supervision of Pascal Rousseau.
Here he presents four in situ proposals that engage in dialogue with the ghosts of René Daumal, Balkrishna V. Doshi, Francisco Goya and Jean-Jacques Lequeu.
ARCHITECTURES VENTRILOQUES - Exposition de thèse de Léandre Bernard-Brunel
From Wednesday 10 December 2025 to Friday 19 December 2025
Chapelle des Petits-Augustins
14 rue Bonaparte, 75006 Paris
ENTRÉE LIBRE
Léandre Bernard-Brunel is exhibiting new pieces at Chapelle des Petits-Augustins in Beaux-Arts de Paris, created as part of his research-creation thesis with the SACRe laboratory under the supervision of Pascal Rousseau.
Here he presents four in situ proposals that engage in dialogue with the ghosts of René Daumal, Balkrishna V. Doshi, Francisco Goya and Jean-Jacques Lequeu.
Saturday 31 January 2026
10:00am - 5:00pm
Beaux-Arts de Paris
14 rue Bonaparte, 75006 Paris
ENTRÉE LIBRE
You wish to join Beaux-Arts de Paris ?
Take part in our Open Day
An unmissable event for anyone wishing to join the School and find out everything there is to know about the courses offered at the Beaux-Arts de Paris – the preparatory class with a social focus (Via Ferrata), the first-cycle diploma (bachelor's level) and the national higher diploma in plastic arts (DNSAP, master's level).
A unique opportunity to interact with teams, lecturers, students and graduates.
Echoing the life and work of Camille Claudel, students from Emmanuelle Huynh's choreography studio at Beaux-Arts Paris have been given carte blanche to devise a unique evening at Musée d'Orsay, featuring dance, song, music and improvisation performances.
They offer a sensitive reinterpretation of the traces left behind by Camille Claudel. What is her legacy? How do we remember her? How has she been portrayed? Through voices, letters and memoirs, they offer an intimate insight into the life of a woman who carved out a place for herself among the artists of her time.
Through this partnership, the law firm, a loyal patron of Beaux-Arts de Paris, is renewing its commitment for three years and supporting young artists in three areas:
- Support for the Via Ferrata preparatory class, which welcomes 50 students each year from diverse social, geographical and cultural backgrounds.
- Professional development for students and recent graduates through introductory workshops on intellectual property law, led by specialist solicitors.
Tuesday 9 December 2025
9:30am - 5:00pm
Amphithéâtre des Loges
14 rue Bonaparte, 75006 Paris
ENTRÉE LIBRE
Places to create, places to heal
The global health crisis of 2019 brought the issue of the relationship between health, public and private spaces back to the forefront, renewing reflections on the personal and collective relationship to illness and care. This period seems to have accelerated a general awareness of the need to rethink the links between care environments and living spaces, between health and culture, reminding us that education and care are fundamental relational acts in our society.
Thursday 4 December 2025
7:00pm - 8:30pm
Amphithéâtre des Loges
14 rue Bonaparte, 75006 Paris
ENTRÉE LIBRE
During this conference, the German philosopher and sociologist Hartmut Rosa revisits the concepts of the acceleration of our pace of life and resonance, which he has developed throughout his work (notably in Acceleration: A Social Critique of Time and Resonance: A Sociology of Our Relationship to the World, both published in French translation by La Découverte). If acceleration constitutes the central problem of our time, resonance may be the solution. Hartmut Rosa has renewed the analyses of the first generation of the Frankfurt School by considering alienation as acceleration.
Born in 1956, Welsh artist James Rielly was studio head at Beaux-Arts de Paris from 2005 to 2024.
This comprehensive monograph, with a preface by Jean-Charles de Castelbajac and an introduction by Anaël Pigeat, chronologically traces his career as an artist and allows readers to discover the true work of a colourist with a subtle and ethereal chromatic palette.
