From Tuesday 12 May 2026 to Tuesday 2 June 2026

10:00am - 8:00pm

Galerie Callot

1 rue Jacques Callot, Paris 6

ENTRÉE LIBRE

Organised with the participation of students from the ‘L’Entour’ seminar at Beaux-Arts de Paris and those from the ‘Fabriques cinématiques’ seminar at the École d’architecture Paris-Malaquais-PSL, this exhibition argues that the model is not merely a tool for predicting or refining space, but can also become an instrument of scholarship, a prism through which to view the world, or even a medium for fiction.

A series of models, photographs and texts have been brought together to put this hypothesis to the test.

Public opening Monday May 11th, at 6 pm.

Wednesday 20 May 2026

9:30am - 5:30pm

Amphithéâtre des Loges

14 rue Bonaparte, 75006 Paris

ENTRÉE LIBRE

Following on from Des mots et des mondes, this day of talks and discussions aims to trace the career paths of former students of the Beaux-Arts de Paris, based on research featured in the exhibition. 

With Madeleine de Colnet, Armel Cotinat-Flynn, Maëva Delettre, Laura Karp Lugo, Giulia Longo, Lola Mirti, Pascal Odille, Chương-Đài Võ, Mia Yu, Joël Zouna, Mélanie Bouteloup, Armelle Pradalier et Alice Thomine-Berrada.

Tuesday 12 May 2026

7:00pm - 8:30pm

Amphithéâtre des Loges

14 rue Bonaparte, 75006 Paris

ENTRÉE LIBRE

Writing gestures in contemporary art

In a format that blends lecture and performance, Sally Bonn presents the findings of a research project – which at times takes on the character of an investigation – to explore a new form of interplay between artistic practices and writing practices in contemporary art.

A third-year student at Beaux-Arts de Paris, Ingrid Portal is the winner of a third call for projects organised by the Ministry of Culture, in partnership with Beaux-Arts de Paris, as part of the restructuring of its Parisian premises across three sites: Rue de Valois, Rue des Bons-Enfants and Rue des Francs-Bourgeois. 

Les Voies du regard is a vast mural stretching across the two walls of a 110-metre-long underground corridor, leading to the ministry’s training rooms and the Sonia Delaunay Council Chamber, where the Acquisitions Committee of the French Museums Service

Wednesday 13 May 2026

7:00pm - 8:00pm

Palais des Beaux-Arts

13 quai Malaquais, 75006 Paris

BILLETTERIE RESPONSABLE

7. pm | Paris aujourd’hui (Paris today), 2025
Fatma Cheffi, , 5-7 minutes

Emmanuelle Huynh
Embrasser un arbre, embrasser le temps 

Dance-performance with Christian Sebille at Château de Combourg as part of the Extension sauvage festival
Saturday June 20, 2026 at 5.pm

Saturday 18 April 2026

1:00pm - 4:00pm

Palais des Beaux-Arts

13 quai Malaquais, 75006 Paris

GRATUIT SUR INSCRIPTION

How can artistic practice liberate colonial archive images from their silence?

As part of the exhibition, this workshop invites participants to explore the spaces between the traces of trauma and the act of healing. By placing the archive at the heart of the creative process, the aim is to work through the transition from endured narratives to images that finally find expression, framing these gestures as vehicles for healing and reclaiming.

Eleven artists who graduated from the Beaux-Arts de Paris are undertaking a two-month research and production residency at POUSH – Portes de Paris in Aubervilliers, in partnership with Beaux-Arts de Paris.


This residency, which began on 16 March and will run until 22 May 2026, forms part of a postgraduate ‘professional practice’ programme. The artists have access to a shared workspace of over 200 m², as well as support from curator Raphaël Brunel.
 

Friday 24 April 2026

5:00pm - 6:30pm

Librairie GUIVELLE

7/9 Place de la Liberté, 39000 Lons-le-Saunier

ENTRÉE LIBRE

Book launch and signing event for Bernard Moninot’s Le Fil d’alerte, published by Beaux-Arts de Paris Éditions. 
Discussion led by Samuel Cordier. 

More information on the book

Rémi Marcel, a fifth-year student in Tatiana Trouvé’s studio, is receiving critical guidance from Oulimata Gueye, guest curator of this sixth edition, as well as production support to create an art installation that will be presented at Saint-Eustache Church next October. He will present an installation comprising two half-columns modelled on those of the church, one being the imprint of the other, like an archaeological relic. The installation represents the process of germination: from seed to fruit, from an underground life towards the light. This journey is rendered partially visible.