Bruno Perramant's work is elusive. Defining painting as a counter-image and choosing his allies, as a true strategist, from the side of literature, philosophy, cinema, dance and the entire history of painting, he never lets go of reality, pierced by poetry . His singular use of the polyptych and his investment in the depth of color make his polyphonic propositions a true thought experiment and an enlargement of the scintillating substance of the world.

Fascinated by the city, Valérie Jouve captures its characters, their behaviors and captures the spaces that our projections build on and for the city. The question of the treatment of space is at the heart of the subject: it is a question of understanding how the figure, human or otherwise, gives presence and meaning to what surrounds it. His cinematographic practice begins with the film Grand Littoral (2001), then comes Time is working (2006), Repérages (2009), Traversée (2011) and Porte d’Aubervilliers (2022).

Isabelle Cornaro is an artist, curator and teacher. Her work has been shown at the Musée de l'Orangerie (Paris), the Fondation d'entreprise Pernod Ricard (Paris) and the Ludwig Museum (Koblenz) in 2021, as well as at the Musée National d'Art Moderne - Centre Georges Pompidou (Paris) as part of the Prix Marcel Duchamp 2021.

Michel Blazy works with materials and living things. Favouring humble materials, generally taken from his everyday life, he presents free, evolving proposals that assert the passage of time. Whether it's his early experiments with lenses, his walls that peel or his fountains of moss, his works celebrate the mutations of matter and leave room for chance and the unpredictable.

Romain Bernini's pictorial work is imbued with questions about colour and space, mythology and popular culture. Whether in lush, enigmatic landscapes, masked or disguised figures, or strange, indeterminate zones, his works reveal a world on the margins, marked by a history that combines utopias and rituals.