The Reg-Arts project (École des Beaux-arts de Paris, CNRS, INHA) aims to understand the history of the École des Beaux-arts from a multidisciplinary perspective, through the creation of a digital resource giving access to the registration registers of student painters and sculptors between 1813 and 1968. The accompanying seminar is intended to explore this history in a collective way.
Friday 25 November 2022
2:00pm - 4:00pm
Amphithéâtre d'Honneur
14 rue Bonaparte, 75006 Paris
ENTRÉE LIBRE
Wednesday 16 November 2022
7:00pm - 8:00pm
Amphithéâtre des Loges
14 rue Bonaparte, 75006 Paris
ENTRÉE LIBRE
Joseph Kosuth, a major figure of conceptual art, dialogues with Jacinto Lageira, professor of aesthetics, about the relationship of art to language and philosophy.
This discussion will be followed by a signature by the artist of the Jeu du Dicible, published by Beaux-Arts de Paris éditions.
Joseph Kosuth, born in 1945 in the United States, is one of the main theorists and actors of conceptual art. He reflects on art in its relationship to language and philosophy.
Wednesday 9 November 2022
7:00pm - 8:00pm
Amphithéâtre des Loges
14 rue Bonaparte, 75006 Paris
ENTRÉE LIBRE
On the occasion of PhotoSaintGermain, the Beaux-Arts de Paris welcomes the artists Pierre-Olivier Arnaud, Elsa and Johanna and Agnès Geoffray to discuss the presence of photography in contemporary art.
Round table moderated by Alain Berland.
Friday 4 November 2022
7:00pm - 8:00pm
Amphithéâtre des Loges
14 rue Bonaparte, 75006 Paris
ENTRÉE LIBRE
Never work: the youth of Guy Debord.
Dialogue with Frank Perrin on the occasion of the publication of his essay Guy Debord, Printemps at Louison Editions.
From thursday 3 november 2022 to sunday 4 december 2022
Wednesday to Sunday 1pm - 7pm, Thursday night until 9pm
Palais des Beaux-Arts
13 quai Malaquais, 75006 Paris
Pour en finir encore* presents the eighteen artists who obtained their National Superior Diploma of Plastic Arts from the Beaux-Arts de Paris with the Congratulations of the Jury. The exhibition, curated by Béatrice Josse, reflects the generosity and economy of means that characterise the pieces produced by the artists awarded the Congratulations in 2022. The modesty of the materials rhymes with the power of the gestures and intentions of a generation forced to repair. An ode to the collective at a time of identity withdrawal and global conflict, the exhibition gives meaning and hope for a brighter tomorrow. After two years outside the walls, the exhibition Les Félicités is back in the large halls of the Palais des Beaux-Arts and offers a dialogue with the prestigious history of the site.
A panorama of a transitional state of art at the end of the Beaux-Arts de Paris, Pour en finir encore is conceived as a moment of stimulation, activation of potential and confrontation. The exhibition is accompanied by a programme of invitations and round tables. It will deal with commitment within the Fine Arts, collective and editorial practices, and the reception of refugees. These are all subjects that resonate with current events and which the Félicités have taken up brilliantly in their work. A publication accompanies the exhibition.
*Borrowed from Samuel Beckett
Félicités 2022
Among the 100 students graduating in 2022, 18 received the Congratulations of the jury co-chaired by Béatrice Josse, independent curator and Étienne Bernard, director of FRAC Bretagne, and composed of the artists Renaud Auguste-Dormeuil, Tarek Lakhrissi, Eva Nielsen, Chloé Quenum and Évariste Richer.
Ali ARKADY
Ece BAL
BORGIAL
Sacha CAMBIER
Juliette CORNE
Pauline-Rose DUMAS
Pauline de FONTGALLAND
Daniel GALICIA
Dora JERIDI
Régis MOUSSA
Emma PASSERA
Clément PÉROT
Mathilde ROSSELLO-ROCHET
Sequoia SCAVULLO
Sergiu UJVAROSI
Joris VALENZUELA
Jack VICKERY PEREZ
Rayan YASMINEH
Curator
Curator, author and artistic director, Béatrice Josse develops multidisciplinary programmes at the crossroads of visual arts, performance, dance, writing and design. Trained in law and art history, her career has led her to rethink curatorial forms as well as institutions and collections. Director of the 49 Nord 6 Est Frac Lorraine in Metz (1993-2016), she initiated a remarkable collection centred on immateriality, performance and protocol pieces that was widely disseminated in Europe and Latin America. A pioneer in questioning gender, she contributed to the feminisation of the collection and to the programming of international artists and events rooted in the region (festivals, writing residencies, scientific and philosophical conferences, etc.). At the MAGASIN des horizons in Grenoble (2016-2021), she instils collective, performative, vernacular and possibly therapeutic artistic practices for the institution. At the origin of the redesign of the professional training within the art centre, her research now directs her towards more collective practices linking art, ecology, society and transmission.
Catalogue
The exhibition is accompanied by a catalogue in French.
Preface by Alexia Fabre and text by Béatrice Josse.
Programme around the exhibition
Affiche - Pour en finir encore - Félicités 2022
RESPONSIBLE TICKETING 
2, 5 or 10 €, the choice is yours!
The ticket office in charge invites each visitor coming to discover an exhibition at the Beaux-Arts de Paris to choose his or her entrance ticket from among 3 proposed rates: 2 €, 5 € or 10 €. Contribute according to your means, your passion and your desire for commitment!
Free of charge (on presentation of a valid receipt):
• under 18 years old
• students and teachers of the National Higher Schools of Art and Architecture of the Ministère de la Culture
• students from member institutions of the University of Paris-Sciences-et- Lettres (PSL)
• students of the École du Louvre
• holders of the Ministère de la Culture card
• Amis des Beaux-Arts de Paris
• card holder : Maison des Artistes, ICOM, ICOMOS, Association française des commissaires d’exposition (CEA)
• journalists
• jobseekers, recipients of minimum social benefits
• civilian disabled and war-disabled (with an attendant)
Mimosa Echard, studio head at the Beaux-Arts de Paris is the winner of the prestigious Marcel Duchamp Prize.
Congratulations to her!
Awarded by the Association for the International Diffusion of French Art (Adiaf), to highlight the abundance of the French art scene, the Marcel Duchamp Prize aims to distinguish and promote internationally the most representative artists of their generation.
Congratulations to all 2022 graduate and congratulated Beaux-Arts de Paris students!
For this session, the DNSAP jury was composed of:
- Béatrice Josse, Présidente du jury, commissaire indépendante
- Etienne Bernard, directeur du FRAC Bretagne
- Eva Nielsen, artiste
- Chloé Quenum, artiste
- Evariste Richer, artiste
- Tarek Lakhrissi, artiste
- Renaud Auguste-Dormeuil, artiste
Graduating artists in 2022
Ali al Khalidi *
Sung-Ho An
From thursday 3 november 2022 to saturday 19 november 2022
Every day from 2pm to 7pm
Bâtiment Perret
14 rue Bonaparte, 75006 Paris
The exhibition will be exceptionally closed on Thursday 10 November 2022 due to the social movements. We will welcome you as usual on the following day. We apologize for this inconvenience.
As part of PhotoSaintGermain, the Beaux-Arts de Paris presents Poltergeists: esprits frappeurs, esprits frappés, a group exhibition of student artists and recent graduates of the school.
The exhibition aims to show the diversity of photographic writing in the current image community. Poltergeists: esprits frappeurs, esprits frappés is thus a metaphor for our fears and desires, a kind of collective unconscious that affects our reading of the world and, in turn, is also affected by our ways of acting.
As the philosopher Michel de Certeau writes, "The mind invents creative forms of resistance to cope with the pressures of modern life, and ghosts are one of them."
Opening on 3 November from 5pm to 9pm
With the artists:
Lara Al-Gubory, Ali Al-Khalidi, Lina Benzerti, Sixtine de Thé, Emma Derieux-Billaud, Clément Erhardy, Nina Fiorentini, Alexis Gavriloff, Manon Gignoux, Valentin Gillet, Rusnė Gocentaitė, Eric Godin, Isabella Hin, Sanggu Kim, Winca Mendy, Martin Poulain, Maryam Pourahmad, Ayako Sakuragi, Colombe Thaller, Alexandra Willis, Alžběta Wolfova, Misha Zavalnyi,
Performances by Margot Bernard and Alexandre Curlet
Thursday 3 November at 6.30 pm and 8 pm
Thursday 10 November at 7pm
Thursday 17 November at 7pm
Curated by Alain Berland and Alžběta Wolfova
With the support of Neuflize OBC
Isabella Hin Fight or Flight, photogramme, 2022 impression lambda Courtesy Le Fresnoy-Studio National des Arts Contemporains
Alexandra Willis, The Crowd, 2022 Photographie numérique
Emma Derieux-Billaud La salle de bain numéro 2, 2022 Photographie numérique
Alžběta Wolfová Greffe I, 2022 Rayogramme 114 x 105 cm
Ali Arkady Between two memories, 2022 Monolithography 3,5 x 4,5 cm
Alžběta Wolfová Livrée, 2022 photogramme sur papier Kodak brillant, pièce unique, 72 x 85 cm
Designed in collaboration with the Pernod Ricard Foundation, "L'avancée" is a hanging space located in the café/bookshop area of the Foundation. Come and discover the project of artist Clédia Fourniau, a 2021 graduate of the Beaux-Arts de Paris and resident at POUSH!
Virginie
Pringuet
Fresco
Virginie Pringuet is an independent curator specialising in public art and a researcher in Aesthetics and Digital Humanities. From Montreal (Festival du nouveau cinéma, Centre d'arts Quartier éphémère) to Paris (Nuit Blanche, Festival des Architectures Vives), via Nantes (Scène nationale Le lieu unique, Estuaire event) and Lille (European Capital of Culture), she has been working since the 2000s at the intersection of artistic programming in contemporary public art and academic research around the curation of "open" artistic and cultural data (cultural open data) and digital heritage. Since 2014, she has been leading the Atlasmuseum project, which is both the object of study of her thesis (University of Rennes 2, 2017) and a tool for collaborative inventory and semantic mapping of artworks in public space. She is a member of the steering committee of the UDPN network (Usages des Patrimoines Numérisés) at the Sorbonne Nouvelle.
