Thursday 20 March 2025
6:30pm - 8:00pm
Amphithéâtre des Loges
14 rue Bonaparte, 75006 Paris
What do we mean today by “artificial intelligence”?
Wednesday 26 March 2025
7:00pm - 8:30pm
Amphithéâtre des Loges
14 rue Bonaparte, 75006 Paris
This conference explores the relationship between art and philosophy at a time of environmental change in the humanities. Philosopher Mohamed Amer Meziane will draw on his two books Au bord des mondes and Des empires sous la terre. He will highlight some of their resonances with the current practices of several artists and curators in contemporary art worlds, between Europe and America, Africa and Asia.
Wednesday 5 March 2025
6:30pm - 8:00pm
Palais des Beaux-Arts
13 quai Malaquais, 75006 Paris
Round-table discussion on Baudrillard Spirit with author Ludovic Leonelli, journalist Frédéric Taddeï and Pascale Le Thorel, director of Editions des Beaux-Arts de Paris.
Thursday 27 March 2025
7:00pm - 8:30pm
Amphithéâtre d'Honneur
14 rue Bonaparte, 75006 Paris
Michel Poivert describes as “neo-analog” photographic practices involving creative processes that assert the role of materiality and experimentation over the production of an image. It thus opens onto the global notion of “analog culture”, defined as the counterpart to “digital culture”. Analog no longer designates a technical fact, but a cultural one. What characterizes the neoanalogue is a strong “ecosophical” awareness, i.e. a perception of the Anthropocene era as a general historical framework. In this respect, the analogical turn marks a political project.
Friday 14 March 2025
7:00pm - 8:30pm
Amphithéâtre des Loges (SUR PLACE UNIQUEMENT)
14 rue Bonaparte, 75006 Paris
Baptiste Morizot recounts the story of how modern people monospecifically confiscated the privilege of developing environments, and explores how certain contemporary environmental restoration practices, carried out by the heirs of this confiscation, now envisage sharing this monopoly with non-human, animal and ecosystem entities. What are the philosophical and political implications of this local shift?
Tuesday 4 March 2025
7:00pm - 8:30pm
Bibliothèque des Beaux-Arts de Paris
14 rue Bonaparte, 75006 Paris
As an extension of the exhibition Pierre Alferi - Dessins, 2006-2021 currently on view at the Beaux-Arts de Paris, this evening is devoted to Pierre Alferi and his accomplices, through a number of creative experiences arising from these friendships. It will be an opportunity to see and hear several facets of his work, presented or replayed by Rodolphe Burger, Fanny de Chaillé and Grégoire Monsaingeon, Suzanne Doppelt and Paul Sztulman, Jacques Julien and Anne Portugal.
Thursday 20 February 2025
2:00pm - 3:30pm
Amphithéâtre du Mûrier
14 rue Bonaparte, 75006 Paris
Paul O’Neill, Irish curator, artist, writer, educator and Artistic Director of PUBLICS, Helsinki, presents and reflects on the publicness of curatorial practice, cooperative exhibition-making and attentiveness.
Wednesday 19 February 2025
6:00pm - 7:30pm
Palais des Beaux-Arts
13 quai Malaquais, 75006 Paris
Co-published by Beaux-Arts de Paris and École nationale supérieure d'architecture Paris-Malaquais.
Anne Debarre and Maxime Decommer are teachers and researchers at the “Architecture, culture, société” laboratory of the École d'architecture Paris-Malaquais.
Guy Lambert is an architectural historian, lecturer at the École nationale supérieure d'architecture Paris-Belleville, and researcher at IPRAUS.
Tuesday 18 February 2025
7:00pm - 8:30pm
Amphithéâtre des Loges
14 rue Bonaparte, 75006 Paris
Alice Pallot and Clara Bouveresse examine the medium of photography, the links between art and science, new representations of the living, the materiality of the non-visible, experimental degradation processes, representations of the near future, and the need to rethink our interactions with the environment in a damaged world.
Hosted by Estelle Zhong Mengual as part of the “Inhabiting the landscape: artistic practices of hospitality for the living” chair.
Thursday 6 February 2025
7:00pm - 8:30pm
Amphithéâtre des Loges
14 rue Bonaparte, 75006 Paris
The artist questions both the work and its ecosystem, its circularity like a pirogue-tree that crosses a sea to find a forest. She summons up forms, symbols and processes of a popular nature and transposes them. Wood is one of her favorite materials, whether considered on a macro or micro scale.
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