Thursday 16 March 2023
6:30pm - 7:30pm
Palais des Beaux-Arts
13 quai Malaquais, 75006 Paris
This thematic tour of the exhibition Gribouillage / Scarabocchio, de Léonard de Vinci à Cy Twombly will discuss the links between writing and painting.
Julien Zanetta will show how the relationship between scribbling and written signs is as dense as it is intimate, whether the traced letters call for drawing, or vice versa. In a few selected works, he will propose avenues for reflection on this union.
Thursday 23 February 2023
6:30pm - 7:30pm
Palais des Beaux-Arts
13 quai Malaquais, 75006 Paris
Scribbling and the moving image. Thematic visit of Gribouillage / Scarabocchio by Philippe-Alain Michaud, one of the exhibition's associate curators, curator in charge of the film collection at the Centre Pompidou
Thursday 9 February 2023
6:30pm - 7:30pm
Palais des Beaux-Arts
13 quai malaquais, 75006 Paris
Guided tour of Gribouillage / Scarabocchio by the two curators of the exhibition: Francesca Alberti, Director of the Department of Art History at the French Academy in Rome - Villa Medici and Associate Professor at the University of Tours, and Diane Bodart, Professor of Art History at Columbia University.
From wednesday 8 february 2023 to friday 21 april 2023
Wednesday to Sunday, 1pm-7pm
Cabinet des dessins et arts graphiques
14 rue Bonaparte, 75006 Paris
Echoing the exhibition Gribouillage / Scarabocchio, from Leonardo da Vinci to Cy Twombly, the Drawing and Graphic Arts Department of Beaux-Arts de Paris presents for the first time a group exhibition of artists who are professors and former professors of the School.
Anne Rochette, Tous ceux qui plongent ont des ailes, 2015 Graphite sur papier, 29,7 x 21 cm
Claude Closky, Deuxième choix, 2020 Impression numérique sur papier 160g coloré, feutre gouache, 29,7 x 42 cm Courtesy galerie Laurent Godin, Paris
Eva Nielsen, Étude 1, 2022 Aquarelle, encre et sérigraphie sur papier Canson, 29,7 x 21 cm
Frédérique Loutz, Lessiver, gribouiller, 2018 Technique mixte, 76,4 x 56,7 cm
Gilgian Gelzer, Sans titre, 2017 Graphite et crayons de couleur sur papier, 75,5 x 56 cm
Hélène Delprat, Sans doute d’après Urs Graf, 2021 Fusain et traces de pas, coulure de peinture acrylique, ocre rouge
Hicham Berrada, Un serpent dans le ciel, 2008 Vidéo noir et blanc, 1’34’’ ; ballon 1 m3 d’hélium, dispositif de balancier en laiton, fumigène artisanal, mèche
Nina Childress, page de carnet, 2022 Crayon sur papier, 29,7 x 21 cm
Stéphane Calais, Sans titre, 2020 Encre sur papier japonais, 34 x 24 cm
Tatiana Trouvé, Sans titre, 2017 Mine graphite, crayons de couleur, aquarelle et cuivre collé sur papier, 38 x 56,5 cm
Valérie Sonnier, Sans titre, 2022 Pierre noire et crayons de couleur sur papier, 21 x 27 cm
From wednesday 8 february 2023 to sunday 30 april 2023
Wednesday to Sunday 1pm - 7pm, Thursday night until 9pm
Palais des Beaux-Arts
13 quai Malaquais, 75006 Paris
Exhibition conceived by the French Academy in Rome - Villa Medici and the Beaux-Arts de Paris, with the support of the Musée national d'art moderne - Centre Pompidou, Paris. A first part, including a selection of ancient works from Italian collections, was presented in Rome from March to May 2022. This second Parisian part was established on the basis of the collections of the Beaux-Arts de Paris and other French and European institutions.
Affiche GRIBOUILLAGE / SCARABOCCHIO De Léonard de Vinci à Cy Twombly
Cy Twombly, Delian Ode n°19, août 1961 Craie grasse, crayon, crayon de couleur et stylo à bille sur papier, 33,3 x 35,3 cm Collection privée, Paris / Dépôt à la Collection Lambert, Avignon © Cy Twombly Foundation
Giovanni Francesco Caroto, Portrait d’enfant montrant un dessin, 1515-1520 Huile sur toile, Vérone, Museo di Castelvecchio © Archivio Fotografico dei Musei Civici, Verona (Gardaphoto, Salò)
Jean Dubuffet, Henri Calet, 1947 Encre de Chine (plume) sur papier Paris, Fondation Dubuffet © Fondation Dubuffet / ADAGP, Paris
Rembrandt, Griffonnements avec la tête de Rembrandt, Portrait, 1632 Gravure sur cuivre © Beaux-Arts de Paris
Inge Morath, Alberto Giacometti encadrant un graffiti sur le mur de son atelier parisien au 46 rue Hippolyte-Maindron, 1958 Tirage gélatino-argentique, New York, Inge Morath Estate © Inge Morath / Magnum Photos
Asger Jorn, L’Avangarde se rend pas (détail), 1962, Paris, Centre Pompidou / MNAM-CCI © Donation Jorn, Silkeborg / Adagp, Paris, 2022 / Centre Pompidou, MNAM-CCI, Dist. RMN-Grand Palais, photo : Georges Meguerditchian
From thursday 3 november 2022 to sunday 4 december 2022
Wednesday to Sunday 1pm - 7pm, Thursday night until 9pm
Palais des Beaux-Arts
13 quai Malaquais, 75006 Paris
Pour en finir encore* presents the eighteen artists who obtained their National Superior Diploma of Plastic Arts from the Beaux-Arts de Paris with the Congratulations of the Jury. The exhibition, curated by Béatrice Josse, reflects the generosity and economy of means that characterise the pieces produced by the artists awarded the Congratulations in 2022. The modesty of the materials rhymes with the power of the gestures and intentions of a generation forced to repair.
Affiche - Pour en finir encore - Félicités 2022
From wednesday 19 october 2022 to sunday 15 january 2023
Wednesday to Sunday, 1pm-7pm
Cabinet des dessins
14 rue Bonaparte, 75006 Paris
The exhibition will be closed during the Christmas holidays from 17 December to 3 January inclusive. It will reopen on Wednesday 4 January.
Baalbek, an emblematic site on the Bekaa plain in northeastern Lebanon, attracted two young architects in the 19th century who were residents of the French Academy in Rome: Achille Joyau and Gaston Redon.
Joseph-Louis-Achille Joyau (1831 – 1873) Temple d’Héliopolis, état actuel, façade latérale sud [à gauche : détail ; ci-dessous oeuvre entière] Graphite, plume, encre noire et aquarelle sur papier entoilé, 0,8 x 3,2 m
Joseph-Louis-Achille Joyau (1831 – 1873) Temple d’Héliopolis, état actuel, façade latérale sud [à gauche : détail ; ci-dessous oeuvre entière] Graphite, plume, encre noire et aquarelle sur papier entoilé, 0,8 x 3,2 m
Joseph-Louis-Achille Joyau (1831 – 1873) Temple d’Héliopolis, état actuel, façade principale Graphite, plume, encre noire et aquarelle sur papier entoilé, 0,6 x 1,4 m
Gaston-Fernand Redon (1853 – 1921) Héliopolis. Temples de Baalbek, plan de restauration à 0 m 01 p.m., élévation restaurée des façades des temples. Graphite, plume, encre noire et aquarelle sur papier entoilé, 1,3 x 3,2 m
Joseph-Louis-Achille Joyau (1831 – 1873) Vue du temple d’Héliopolis à Baalbek Graphite et aquarelle, 0,15 x 0,5 m
Joseph-Louis-Achille Joyau (1831 – 1873) Rue au Caire Pierre noire, lavis d’encre de Chine, rehauts de gouache blanche et beige sur papier bleu, 0,35 x 0,23 m
From thursday 16 june 2022 to sunday 4 september 2022
Wed. to Sun. 12am - 8 pm
Palais des Beaux-Arts
13 quai Malaquais, 75006 Paris
With the support of the Beaux-Arts de Paris, Chaumet invites you to discover Végétal - L'École de la beauté. Crossing visions, periods and media, this original exhibition invites you to look at nature through the universal prism of art and beauty.
Initiating the project, Chaumet drew on its vast heritage, one of the most important in the history of jewellery in Europe, to make its botanical vision resonate with all the artistic forms that have also looked at plants.
From wednesday 11 may 2022 to sunday 3 july 2022
Du mercredi au dimanche, 13h-19h
Cabinet des dessins
14 rue Bonaparte, 75006 Paris
Eva Jospin is the new guest in the cycle of the Cabinet des Dessins devoted to artists who have graduated from the Beaux-Arts de Paris and are making their mark on the international art scene.
Esquisse pour Côté cour Côté jardin, 2021 encre sur papier, 26 x 36 cm © Eva Jospin
Dessin préparatoire pour la Foret de soie, 2021 encre sur papier, 36 x 26 cm © Eva Jospin
Grotto 1, 2019 encre sur papier, 26 x 36 x 4 cm © Eva Jospin
From wednesday 23 march 2022 to saturday 30 april 2022
Wednesday to Sunday 1pm - 7pm, Wednesday night until 9pm
Palais des Beaux-Arts
13 quai Malaquais, 75006 Paris
Sharing a Passion for Drawing unveils an exceptional group of 90 drawings, which entered the School's collections thanks to the generosity of the association "Le Cabinet des amateurs de dessins des Beaux-Arts de Paris". The exhibition is organized on the occasion of the fifteenth anniversary of the association, which has acquired more than 200 masterpieces since 2006 and also on the occasion of the drawing week. The exhibition is organized by school, Italian, Nordic and French, through the centuries.
Tiziano Foucault-Gini, Abandon 1, 2018 Graphite Acquis en 2021
Gerrit Van Honthorst (1592-1656), Diane et ses nymphes Pierre noire, plume et encre brune, lavis gris, rehauts de craie blanche sur papier gris-brun Acquis en 2014 avec le soutien du Fonds du Patrimoine
Marcella Barceló, Sans titre, 2015 Technique mixte sur papier Acquis en 2015
Hubert Robert (1733-1808), Vue du Tempietto de San Pietro in Montorio, 1762 Plume, encre brune, lavis brun et aquarelle sur une contre-épreuve à la sanguine Acquis en 2005
Charles-Antoine Coypel (1694-1752) Étude de jeune homme assis Pierre noire, sanguine, lavis d'encre de Chine, aquarelle Acquis en 2017
