Around the exhibition Chère Melpomène
2 - 4 pm | Translation workshop
Translation workshop of stories in inclusive and post-binary writing with Léna Salabert Triby for “Pays de Glossolalie”.

Crédit photo : © Pays de Glossolalie
Wednesday 23 April 2025
2:00pm - 8:00pm
Palais des Beaux-Arts
13 quai Malaquais, 75006 Paris
2 - 4 pm | Translation workshop
Translation workshop of stories in inclusive and post-binary writing with Léna Salabert Triby for “Pays de Glossolalie”.
Crédit photo : © Pays de Glossolalie
From wednesday 9 april 2025 to sunday 1 june 2025
Wednesday to Sunday 1pm - 7pm, Wednesday night until 9pm
Palais des Beaux-Arts
13 quai Malaquais, 75006 Paris
Chère Melpomène is a call to subvert classical myths in order to convey other stories that are closer to our daily lives. The exhibition invites us to listen, feel, and breathe together in a poetic exploration of what binds us.
Drawing inspiration from the methodology of artist Theresa Hak Kyung Cha (1951–1982) in her work Dictée (1982) - where the nine muses of Greco-Roman antiquity are reimagined to honor female martyrs who sought emancipation - the exhibition sublimates reality by rerouting the figure of Melpomène. What relationships should we cultivate among the inhabitants of the earth - beyond species, and between animate and inanimate beings? Theresa Hak Kyung Cha invites us to prioritize our senses, intuition, and pay attention to our surroundings in order to reconnect with the multiple breaths of life and reignite our commoning energy.
The exhibition invites us to navigate our intimate tragedies and the stories we can tell about them. It offers an incantation to summon spiritual and political alliances, to infuse our struggles with magic, expand our imagination, and nurture hope. The pieces in this exhibition embody acts of resistance and solidarity, sharing speculative cosmogonies that translate the plurality of memories that shape our contemporary society and cultivate our interdependence while honoring our individual differences.
Chère Melpomène intertwines a hundred works from the collections, students and international artists, presenting a transhistorical display from the late 17th century to today. Most have never been exhibited—recently acquired by the School or newly created for the exhibition—while others have yet to circulate in institutional spaces.
European Museum Night : Saturday, May 17, 2025, the exhibition will be open free of charge from 7pm to midnight.
WEDNESDAY APRIL 16 2025
2pm | Écrire en spirale
Writing workshop with Douce Dibondo (on registration)
6:30pm | Invocation à Melpomène
Musical composition and vocal performance by Lucie Cure
7pm | Divertimento
A piece by Baptiste Agnero Rigot, assisted by Mia Brenguier
More informations and registration
SATURDAY APRIL 19 2025
From 3 to 5pm | Gourmet Workshop
By Éloïse Bayard (on registration)
WEDNESDAY APRIL 19 2025
From 2 to 4pm | Translation workshop
Translation workshop of stories in inclusive and post-binary writing with Léna Salabert Triby for “Pays de Glossolalie”. (On registration)
18:30pm | Invitation to Radio Bal
Invitation to the student radio station RADIO BAL
More informations and registration
The rest of the program to discover here
Mélanie Bouteloup and Armelle Pradalier, co-directors of the “Artists & Exhibition Professions” program, Giulia Longo, Curator of Prints and Photographs at Beaux-Arts de Paris, with students in the program : Kenza Agbo, Adèle Anstett, Martin Bas, Héloïse Bayard, Léonard Berthou, Pauline Boudaoud, Mathilde Cassan, Mathilde Chabaud, Elisa Leïla Durand, Éloïse Frye De Lassalle, Klara Jakes, Clément Justin Hannin, Zoé Le Bacquer, Shumeng Li, Zahra Mansoor, Timothée Perron, Zoé Siau, Kit Szasz, Lara Ulusoy.
Soraya Abdelhouaret, Océane-Maria Adjovi, Giovanni Altieri, Shelim Alvarado, Dyan Daniel Assogo, Eugène Atget, Gianfranco Baruchello, Baya, Romain Bernini, Pierre-Amédée-Marcel Béronneau, Michel Blazy, Félix Bonfils Et Atelier, Rosa Bonheur, Wanda Elisabeth Bouleau-Rabaud, Jean Bhownagary, Luciano Castelli, Norbert Chautard, Arthur Coquille-Hopfner, Henri Cueco, Storm De Hirsch, Princesse Diakumpuna, Amahiguere Dolo, Azzeazy, Guillaume-Benjamin Amant Duchenne De Boulogne, Aysha E Arar, Mimosa Echard, Laura Esparch, Frederik Exner, Nina Fiorentini, Diego Garcia Lara, Guillaume-Sulpice Dit Paul Gavarni, Clémence Gbonon, Fengyi Guo, Theresa Hak Kyung Cha, Roger Hardy, Suzanne Husky, Fanny Irina, Svay Ken, Käthe Kollwitz, Shengqi Kong, Adrien Lagrange, Emmanuelle Lainé, Amadeo Luciano Lorenzato, Gherasim Luca, Frédérique Loutz, Rose Lowder, Antoinette Lubaki, Turiya Magadlela, Joshua Merchan Rodriguez, Pierre Molinier, Céleste Moneger, Zora Neale Hurston, Aryle Nsengiyumva, Christel Pereira, Liselor Perez, Enzo Perrier, Romain Pommelet, Jonathan Potana, Pierre Petit, Chloé Quenum, Axel Ramat, Lou Rappeneau, Akshay Raj Singh Rathore, Man Ray, Odilon Redon, Paul Richer, Sofia Salazar Rosales, Juliana Seraphim, Seumboy Vrainom :€, Marcel Storr, Shooshie Sulaiman, Eden Tinto Collins, Marion Verboom, François Verdier, Yizhi Wan, Isabelle Waternaux, Yue Yu, Anna Zemankova et anonymes.
Wednesday April 09 - Sunday June 01 2025
Palais des Beaux-Arts
Beaux-Arts de Paris, 13 quai Malaquais, Paris 6e
Wednesday to Sunday, 1pm-7pm
2€, 5€ or 10€ it's up to you!
The " Artistes & Métiers de l'exposition " program is supported by Société Générale
Petit Pierre, Statue de la Melpomène Papier albuminé, 26 x 19 cm © Beaux-Arts de Paris, Grand Palais RMN / Thierry Ollivier
Céleste Moneger, Toujours pas New-York Vidéo, capture d'écran
Akshay Rathore, White thing creeping in black 02, 2022 Feutre et aérosol sur carton, 78 x 97 cm
Odilon Redon, Le Buddha, 1895 Lithographie sur chine appliqué, 60 x 42,5 cm © Beaux-Arts de Paris, Grand Palais RMN / Thierry Ollivier
Henri Cueco, Autoportrait aux feuilles de pissenlit, 2002 Acrylique sur toile, 55,3 x 46,5 cm
Chloé Quenum, 19 juillet 2019, 2022 Courtesy of the artist and galleria Martina Simeti, Milan © Aurélien Mole
Romain Pommelet, En marche, 2023, chaussures, équerre en métal, simili-cuir, mousse, serre-joints, contreplaqué, dimensions variables
Jonathan Potana, Mouvement Primaire, Centre d'Art Ygrec - ENSAPC, 2024 Caméléon dans le formole suspendu avec fil de cuivre sur vélo et pierres, 5 x 1,3 m © Objet Pointus
Océane Maria Adjovi, L'origine de nos actes, 2024 Huile sur toile, 162 x 130 c
From wednesday 12 february 2025 to sunday 20 april 2025
Wednesday to Sunday, 1pm-7pm
Cabinet des dessins et des estampes – Jean Bonna
14 rue Bonaparte, 75006 Paris
Alongside his work as a poet and writer, Pierre Alferi (1963-2023) drew continuously and intensively for many years. This long-discreet practice was not shared until 2020 on his Enseignes website. These drawings explore the “pictorial couplings of word and image”, about which Pierre Alferi has regularly written. For him, they have been as much a problem of representation as a familiar path, among others, for exploring his moods and passions. Humor is expressed on several levels, in the discrepancies or connivances between words and images, and through the play of words with each other and with images. The various ways in which the two meet are the central theme of his pictorial work.
Pierre Alferi drew his daily inspiration from a variety of image sources, both in print and on screen. The iconographic variety reflects the diversity of his chosen objects, which range from medieval illuminations to Mad Magazine cartoonists, Japanese imagery, primers and Romantic vignettes. Almost all his drawings are copies, based on one or more source images, which he alters by retracing them, sometimes to the point of blurring the references. Prime thus the imaginary network in which he takes them, and which puns complete the link in a short-circuit of meaning. A mural airbrushed by Hippolyte Hentgen highlights the human relationships in which Pierre Alferi lived his creative work, and the multiple collaborations to which he contributed. It adopts the motifs of an original drawing by Hippolyte Hentgen, transformed, extrapolated and dispersed on the scale of the Cabinet des dessins et des estampes - Jean Bonna.
Curators: Kathy Alliou, director of the Fine Art Department at the Beaux-Arts de Paris and Paul Sztulman, professor of art history and theory at the École Nationale Supérieure des Arts Décoratifs.
Wednesday February 12 2025 - Sunday April 20 2025
Cabinet des dessins et des estampes - Jean Bonna
Beaux-Arts de Paris, 14 rue Bonaparte, Paris 6e
Wednesday to Sunday, 1pm-7pm
2€, 5€ or 10€ it's up to you!
From wednesday 12 february 2025 to sunday 16 march 2025
Wednesday to Sunday 1pm - 7pm, Wednesday night until 9pm
Palais des Beaux-Arts
13 quai Malaquais, 75006 Paris
Their works present a wide diversity of subjects, materials and intentions. The challenge of showing them together is to question what they express about a generation, and what they say about today's world.
What emerges from these works is the students' desire and way of constantly blending art and life. Their lives appear in their works in iconographic, thematic and narrative forms, and their works integrate their lifestyles. Through them, we see the fragility of the world and the threat it faces. There's nothing new in taking close friends and family members as models, but this approach has another meaning here: L'art et la vie et inversement reveals a flexible, fluid world in which reversals are possible, where landscapes speak of inner worlds, and intimate monologues speak of the world as it is.
These are horizons inspired by childhood visions, inhabited by singular forms of spirituality, or marked by the tragedies of history. Bodies are put to the test in pain, indeterminacy, hallucination, tenderness or malice. Gleaners in the city or in nature, these artists often appear inclined to help each other and to dialogue between the arts. Landscapes, and the human and non-human beings who populate them, are sometimes themselves the actors in a film. Characters emerge from another film to enter life. Other works deliver more domestic, intimate visions. For them, gentleness is sometimes a way of tackling the toughest subjects. A vision of a world in transformation, of an enigmatic present, these positions are based on the complexity of human beings. What emerges is a shared humanity, efforts to hold on to worlds on the verge of disappearing, narratives sometimes beyond the realms of reality.
Curator : Anaël Pigeat
2024 Félicités : Gilad ASHERY, Örs BATMAZ, Abdelhak BENALLOU, Margot BERNARD, Zoé BERNARDI, Thomas BUSWELL, Anna DE CASTRO BARBOSA, Alessandro DI LORENZO, Hugo FRANCONERI, Clémence GBONON, Claire GITTON, Julien HEINTZ, Hélène JANICOT, Ruoxi JIN, Bahar KOCABEY, Joshua MERCHAN RODRIGUEZ, Alexandre NITZSCHE CYSNE, Sergiy PETLYUK, Hajar SATARI, Anne SIMIN SHITRIT, Isadora SOARES BELLETTI, Hugo VIANA DA SILVA, Leïla VILMOUTH, Louise VO TAN, Libo WEI, Alexandre YANG
Wednesday, February 12, 2025 to Sunday, March 16, 2025
Wednesday to Sunday, 1pm-7pm, Wednesday night until 9pm
Palais des Beaux-Arts
13 quai Malaquais, 75006 Paris
Responsible ticketing €2, €5 or €10, it's up to you!
Thursday 9 January 2025
6:30pm - 8:00pm
Palais des Beaux-Arts
13 quai Malaquais, 75006 Paris
6:30 pm | Tribute to Odette Pauvert and women students.
Round table discussion moderated by Déborah Laks with Blandine Chavanne, Anaïd Demir, Bruno Gaudichon, Patrizia Celli and Adèle Taillefait. Evocation of the careers of women artists and the example of Odette Pauvert who entered Beaux-Arts de Paris in 1922. Winner of the silver medal at the Salon des Artistes Français in 1923, she was the first woman painter to win the Prix de Rome for painting in 1925.
Thursday 12 December 2024
6:30pm - 8:15pm
Palais des Beaux-Arts
13 quai Malaquais, 75006 Paris
Round table tribute to Ellsworth Kelly
Round table with Eric de Chassey, Director General of INHA, France Nerlich, prefigurator of the Daniel Marchesseau resource and research center at the Musée d'Orsay, and Ming Tiampo, art history professor and co-director of the Centre for Transnational Cultural Analysis at Carleton University in Canada.
Thursday 5 December 2024
6:30pm - 8:00pm
Palais des Beaux-Arts
13 quai Malaquais, 75006 Paris
Students from the Conservatoire National Supérieur de Musique et de Danse de Paris (CNSMDP) and the Conservatoire à rayonnement régional de Paris - Ida Rubinstein (CRR) perform works by composers who won the Prix de Rome: Georges Bizet, Franz Liszt, Charles Gounod, Jules Massenet, Claude Debussy, Lili Boulanger, Gérard Pesson...
Thursday 28 November 2024
6:45pm - 8:15pm
Palais des Beaux-Arts
13 quai Malaquais, 75006 Paris
Hélène Delprat is an artist, a graduate of the Beaux-Arts de Paris and a former studio head. Her polymorphous practice explores the human condition, life and death. Her work encompasses painting, drawing, photography, sculpture, video, theatre and installation, combining references to literature, cinema, history and philosophy. Hélène Delprat is represented by the galleries Christophe Gaillard and Hauser & Wirth, Paris.
Thursday 7 November 2024
6:30pm - 8:00pm
Palais des Beaux-Arts
13 quai Malaquais, 75006 Paris
Meeting and signing of Marc Couturier's work
Round-table discussion, hanging of drawings and signing of the book dedicated to Marc Couturier, Les personnes, les animaux et les choses , published by Beaux-Arts de Paris éditions.
Performances
Lisa Lecuivre and Simon Deterre, Un chef d'atelier: ‘Tous les ans on se trompe’ (‘Every year we make a mistake’)
Marc Couturier, Les personnes, les animaux et les choses publié par Beaux-Arts de Paris éditions.
© Droits réservés
© Lisa Lecuivre
Thursday 17 October 2024
6:00pm - 7:00pm
Palais des Beaux-Arts
13 quai Malaquais, 75006 Paris
Please note change of timetable: starts at 6pm instead of 6.30pm
Alice Thomine-Berrada is head curator and head of collections at the Beaux-Arts de Paris. Since her arrival in 2018, her research has focused on the history of the School.
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