From tuesday 24 march 2026 to sunday 24 may 2026

Wednesday to Sunday 1 p.m. – 7 p.m.

Cabinet des dessins et estampes - Jean Bonna

14 rue Bonaparte, 75006 Paris

BILLETTERIE RESPONSABLE

The new exhibition at the Cabinet des Dessins et Estampes - Jean Bonna in Beaux-Arts de Paris focuses on Michelangelo to explore the concepts of influence and transmission.


Michelangelo holds a special place in the pantheon of great artists: his work, unanimously admired and based on unprecedented originality, resists those who seek to find perfection in it. 
In the 19th century, Michelangelo became an essential reference because he was the archetype of the 'artist-magician', according to Rodin's expression, who sought in his creations the mysterious springs of his own creativity.
 

After Michelangelo brings together some forty works – drawings, prints, photographs, sculptures – from collections that reveal the various ways in which the "divine" Michelangelo has been studied, copied, viewed or reinterpreted since the Renaissance, and particularly in the 19th century, by Géricault, Carpeaux and Rodin. The exhibition is enriched by works created for the exhibition by students of nine professors who have come together for this project: Pascale Accoyer, Claude Closky, Clément Cogitore, Frédérique Loutz, Jack McNiven, Guillaume Paris, Philippe Renault, Daniel Schlier and Valérie Sonnier.
 

The exhibition is accompanied by a catalogue and will be followed by an event from 9 to 11 April 2026, bringing together art historians, heritage specialists, students and professors from Beaux-Arts de Paris to discuss the reception of this immense figure of the Italian Renaissance in France.
 

CURATION

Alice Thomine-Berrada, Head of Collections at Beaux-Arts de Paris, and Estelle Lambert, Curator of Prints and Manuscripts at Beaux-Arts de Paris.
 

AMONG THE ARTISTS

Domenico del Barbiere, Guillaume Boichot, Léon Bonnat, Numa Boucoiran, Adolphe Braun, Jean Baptiste Carpeaux, Alphonse Chamson, Jacques Louis David, Étienne Delaune, Mathias Duval, Guillaume Duchenne de Boulogne, Jacques Édouard Gatteaux, Théodore Géricault, Alexandre Charles Guillemot, Hermann Heid, Louis Alexis Jamar, Paul Lepage, Charles Marville, Raffaele da Montelupo, Alphonse Antoine Montfort, Antoine Quatremère de Quincy, Joseph Théodore Richomme, Joseph Nicolas Robert-Fleury, Auguste Rodin, Martino Rota, Henri Joseph François de Triqueti, François Joseph Toussaint Uchard...

Visual credits: Jean-Baptiste Carpeaux, Étude d'après un détail du plafond de la Chapelle Sixtine de Michel-Ange, XIXe siècle, plume et encre brune sur papier, 11,5 x 18,7 cm © Beaux-Arts de Paris / Théodore Géricault, Étude d'après les figures des tombeaux des Médicis de Michel-Ange, mine de plomb et plume, encre brune sur papier beige, 23 x 28,1 cm © Beaux-Arts de Paris

From tuesday 24 march 2026 to sunday 24 may 2026

Wednesday to Sunday 1 p.m. – 7 p.m

Palais des Beaux-Arts

13 quai Malaquais, 75006 Paris

BILLETTERIE RESPONSABLE

Des mots et des mondes arose from a series of discussions about the role played by words in contemporary artistic practices, in which poetry and writing occupy an increasingly important place.


The exhibition explores how artists use words to create spaces of circularity and semantic shifts that allow for multiple narratives and worldviews, oscillating between writing and oral tradition. Words thus become vehicles for personal or collective emancipation, embodied in assemblages, positions and reconfigurations that are always intensely poetic.
 

Based on around a hundred works by students, artist-teachers and invited international artists, as well as collections from Beaux-Arts de Paris, Des mots et des mondes intertwines chronologies (from the 12th century to the present day), media (paintings, sculptures, drawings, photographs, videos, installations, artists' books, music, dance, etc.) and cultures to convey the incessant flow of information that surrounds us. It is not a question of saying more, but of saying things differently, in sensitive and unique ways, from multiple perspectives.


The exhibition is accompanied by a publication, a programme of events and a study day to be held on Wednesday 20 May 2026.

CURATION

Mélanie Bouteloup and Armelle Pradalier, co-heads of the "Artists & Exhibition Professions" programme.
With the participation of students from the programme: Jeyni Ba, Louise Baranger, Mickaël Berdugo, Clémence Carel, Jules Charabouska, Armel Cotinat Flynn, Sybille de Roquemaurel, Maeva Delettre, Eve Farache, Rafael Garcia Lara, Lucie Gholam, Sacha Kheireddine, Albane Liébel, Joséphine Loembe, Arthi Pauly, Laura Rutishauser, Tara Sammouri, Becem Sediri, Suzanne Vallejo Gomez, Léa Zarrad.

Scientific coordination for the collections: Estelle Lambert, curator of prints and manuscripts at the Beaux-Arts de Paris.

Associate teachers: Anne Bourse, Stéphane Calais, Claude Closky, Julien Creuzet, Tristan Garcia, Jean-Yves Jouannais, Emmanuel van der Meulen, Bruno Perramant and Chloé Quenum.

AMONG THE ARTISTS 

Xavier Antin, Shafic Abboud, Hala Alabdalla, Youssef Abdelke, Mayssa Abdelaziz, Amal Abdenour, Tassiana Aït-Tahar, Al-Hariri, Chadine Amghar, Aristote, Omar Ba, Babi Badalov, Antoine-Louis Barye, William Basseux, Pietro Bertelli, Judith Blum Reddy, Alexander Boghossian, Salomé Botella, Martha Boto, Jules Bourgoin, Anne Bourse, Yassin Bouzid, Rodolphe Bresdin, Stéphane Calais, Saul Calcagni, Ferdinand Carlier, Minna Castren, Henri Chetaille, Claude Closky, Lucas Cranach l'Ancien, Isaac de Crecy, Julien Creuzet, Bady Dalloul, Honoré Daumier, Odonchimeg Davaadorj, Li Deshayes-Parre, François Desprez, Brune de Soto, Georgette Diallo, Ndidi Dike, Dornac, Clara Duflot, Dizy Durand-Gnougnou, Irène Fanshawe, Nicolas Faubert, Lucy Citti Ferreira, Fringues de Dingues, Dominique Fournier-Willoughby, Brandon Gercara, Claude Gillot, Adolphe Giraudon, Cily Gonzalez, Grandville Guichoune de Berroeta, Joseph Grigely, Abraham Hadad, Te Ata Hapaitahaa-Conroy, Shakir Hassan Al Said, Christine Herzer, Himat, Katsushika Hokusai, Daniel Hopfer, Anna Jaccoud, Jean-Yves Jouannais, Juliette Green, Manabu Kochi, Ndayé Kouagou, Elie Laflorencie, Christian Lattier, Jules Laurens, Lou Le Forban, Maëlle Lucas-Le Garrec, Lê Văn Dê, Seulgi Lee, Anouk Léger, Lucille Léger, Léon et Lévy, Htein Lin, Pierre Loti, Prosper-Georges-Antoine Marilhat, Léonard Martin, Mathis Pettenati, Lydia Matiegou, Chloé Mennous, Dimitri Milbrun, Nuria Mokhtar, Bruno Perramant, Clarisse Pillard, Giovanni-Battista Piranesi, Marius Plaksine, Monique Poncelet, Nancy Elizabeth Prophet, Raban Maur, Loïs Rambeau, Soa Ratsifandrihana, Stéphanie Saade, Nena Saguil, Nadia Saïkali, Clément Schaab, Ursula Schultze-Blum, Pascal Sebah, Vega Serafina, Cécil Serres, Marie-Rose Soanie, Wanrong Song, Camille Soualem, Daniel Spoerri, Lorenz Stoër, Christine Sun Kim, Antoni Tapies, Colombes Thaler, Théodore Valerio, Cecilia Vicuña, Adrianna Wallis, Hans Weigel, Pan Yuliang, Liu Yuquian, Ossip Zadkine, Radouan Zeghidour...


Visual credit : Halldora Magnusdottir

From wednesday 26 november 2025 to sunday 1 february 2026

Wednesday to Sunday 1 p.m. – 7 p.m. Late night opening on Wednesdays until 9 p.m

Palais des Beaux-Arts

13 quai Malaquais, 75006 Paris

BILLETTERIE RESPONSABLE

Felicità 2025 presents the 24 artists who obtained their diplôme national supérieur d'arts plastiques from Beaux-Arts de Paris with honors from the jury, chaired by Mathieu Kleyebe Abonnenc, curator of the exhibition. 
 

The exhibition invites visitors to take unusual and unique paths to construct, under a shared sky, a renewed image of the world and the cyclones that sweep across it. How can we inhabit a world when disaster seems imminent? How can we build community, repair, slow down, represent, and re-enchant the world, and perhaps manage to extricate ourselves from the continuous flow of images and representations that reduce reality?

“The works brought together for this exhibition are those we discovered during each artist's graduation, and which, in their diversity of medium and skill, ranging from video installation to sculpture and painting, paint a complex and sensitive picture of our contemporary condition.” - Mathieu Kleyebe Abonnenc, exhibition curator


With the artists :
Mehdi Boualli 
Sila Candansayar 
Virgile Desbat 
Ladji Diaby
James Dosa
Marine Ducroux-gazio 
Héléna Fourmont
Yann Fonseca Rodrigues  
Cléopatra Gones 
Hugo Hectus 
Sanggu Kim 
Arya K/Nell
Adrien Lagrange 
Ibrahim Meïté Sikely
Winca Mendy 
Salomé Moindjie-Gallet 
Viktoriia Oreshko 
Liselor Perez 
Caroline Rambaud 
Rose Ras 
Apolline Régent 
yietnu (duo d'artistes, Yi ZHANG et Nu HA)
Yi YE
 

A catalog accompanies the exhibition.
The exhibition and catalog are supported by ICICLE.

Late-night events related to the exhibition:

(Off-site) Wednesday, 14 January - 7:00 p.m. to 8:30 p.m.

A programme of short films showcasing the work of artists who have developed a unique cinematic style. From documentary to fiction, this screening of films by Virgile Desbat, Marine Ducroux-Gaziot and Salomé Moindjie Gallet will be followed by a discussion with Mathieu Abonnenc. They explore themes of desire and power, the anticipation of impending disaster and the hope for a new life.

Marine Ducroux-Gazio
The Rainmaker (II, Raingrass), 14', 2025

Virgile Desbat
Dear Ray, 5,5, 2025
Reject, 14’, 2025

Salomé Moindjie-Gallet
Uma Gota de Agua no mar, 15' , 2025
 

Christine Cinéma Club
4 rue Christine, 75006

Student-led tours – guided tours of the exhibition:

Wednesdays at 6pm.
Thursdays and Fridays at 5pm.
Saturdays and Sundays at 4pm.

Visits are free with an admission ticket and no booking is required.
Duration: approximately 1 hour. 

Closures:

The exhibition will be closed on Thursday 25 December 2025 and Thursday 1 January 2026.
Exceptional early closure at 4pm on Wednesday 24 and Wednesday 31 December 2025.

From tuesday 21 october 2025 to sunday 1 february 2026

Wednesday to Sunday 1pm - 7pm

Cabinet d'arts graphiques

14 rue Bonaparte, 75006 Paris

BILLETTERIE RESPONSABLE

“The exhibition highlights the two major artists invited to France by Francis I - the Florentine Rosso and the Bolognese Primatice - but differs from exhibitions devoted to their drawings or to the Fontainebleau worksite in its focus on the engravers who were associated with them on site, and who were not only skilful interpreters of the compositions of these two masters, but also inventors of forms and experimenters with the new etching technique, which they profoundly renewed.”

Éric de Chassey, Directeur des Beaux-Arts de Paris

Through a selection of some 50 works, this exhibition highlights the exceptional collection of drawings and prints by École de Fontainebleau held by Beaux-Arts de Paris. It provides an opportunity to (re)discover the art of maniera that developed at the Château de Fontainebleau and then spread to France under the impetus of Rosso Fiorentino and Francesco Primatice, two Italian artists in the service of Francis I and then Henry II.

The works on display evoke the genesis of the château's painted and sculpted decorations, from the Galerie François I to the Galerie d'Ulysse, and are complemented by etchings produced at Fontainebleau in the 1540's. This innovative corpus, the result of an unprecedented project in France, raises numerous questions, notably concerning the distribution of models, material organization, formal research and the technical trials and tribulations of the artists.

Some of the works on show are previously unseen, and the vast majority have not been shown to the public for over 30 years. A rare drawing from Rosso's French period, Pandora Freeing the Plagues from her Box, is one of the major pieces in the exhibition. Beaux-Arts de Paris collection of drawings relating to 16th-century art in France is one of the largest and most remarkable in France, alongside those of the Musée du Louvre and the Bibliothèque nationale de France. With almost 400 works, Beaux-Arts de Paris holds the second largest collection of Bellifontaine prints in France after the Bibliothèque nationale de France, and one of the largest in the world alongside the British Museum. Beaux-Arts de Paris owes this wealth to the contributions of passionate collectors from the 19th and 20th centuries, as well as to the generosity of contemporary patrons, in particular the Association des Amateurs de Dessins des Beaux-Arts de Paris.

The Fontainebleau project is an example of artistic ferment and effervescence, a symbol of transnational artistic collaboration whose modernity has marked the history of art in Europe. Today, this exceptional moment is reflected in the activities of Beaux-Arts de Paris, where the conservation, study and transmission of heritage play a central role in contemporary teaching.

CURATORS
Hélène Gasnault and Giulia Longo, respectively curator of drawings and curator of prints and photographs at Beaux-Arts de Paris.

PRACTICAL INFOS
Exhibition from Tuesday, October 21, 2025 to Sunday, February 1, 2026
Wednesday to Sunday, 1pm-7pm
€2, €5 or €10 - the choice is yours!

CLOSURES
The exhibition will be closed from Saturday 20 December 2025 to Tuesday 6 January 2026 inclusive.

Wednesday 23 April 2025

2:00pm - 8:00pm

Palais des Beaux-Arts

13 quai Malaquais, 75006 Paris

BILLETTERIE RESPONSABLE

Around the exhibition Chère Melpomène 

2 - 4 pm | Translation workshop
Translation workshop of stories in inclusive and post-binary writing with Léna Salabert Triby for “Pays de Glossolalie”.

Crédit photo : © Pays de Glossolalie

From wednesday 9 april 2025 to sunday 1 june 2025

Wednesday to Sunday 1pm - 7pm, Wednesday night until 9pm

Palais des Beaux-Arts

13 quai Malaquais, 75006 Paris

BILLETTERIE RESPONSABLE

“Chère Melpomène,
We call to you, the ancient muse of tragedy, who once reigned at the back of the Palais des Beaux-Arts. Once a towering statue, several meters high, you have now become a ruin. From the residue of your dust, we seel to transcend the archetype of the muse and evoke a fresh, nuanced breath, able to seep into the interstices of established orders. In between inspiration and expiration, between what is spoken and what remains silent, this breath embodies our deepest desire for social justice.”

Chère Melpomène is a call to subvert classical myths in order to convey other stories that are closer to our daily lives. The exhibition invites us to listen, feel, and breathe together in a poetic exploration of what binds us.
Drawing inspiration from the methodology of artist Theresa Hak Kyung Cha (1951–1982) in her work Dictée (1982) - where the nine muses of Greco-Roman antiquity are reimagined to honor female martyrs who sought emancipation - the exhibition sublimates reality by rerouting the figure of Melpomène. What relationships should we cultivate among the inhabitants of the earth - beyond species, and between animate and inanimate beings? Theresa Hak Kyung Cha invites us to prioritize our senses, intuition, and pay attention to our surroundings in order to reconnect with the multiple breaths of life and reignite our commoning energy.

The exhibition invites us to navigate our intimate tragedies and the stories we can tell about them. It offers an incantation to summon spiritual and political alliances, to infuse our struggles with magic, expand our imagination, and nurture hope. The pieces in this exhibition embody acts of resistance and solidarity, sharing speculative cosmogonies that translate the plurality of memories that shape our contemporary society and cultivate our interdependence while honoring our individual differences.

Chère Melpomène intertwines a hundred works from the collections, students and international artists, presenting a transhistorical display from the late 17th century to today. Most have never been exhibited—recently acquired by the School or newly created for the exhibition—while others have yet to circulate in institutional spaces.
 

Download the exhibition brochure (FR)

They talk about it... 

« Chère Melpomène : our photos from Beaux-Arts de Paris exhibition » - sortiraparis.com

« A selection of exhibitions that caught our eye » - L’œil

« Best of the Month - Beaux-Arts de Paris: “La muse d'aujourd'hui” (The muse of today) » - Technikart

« Beaux-Arts de Paris muse reinvented » - The Art Newspaper

Nocturnes program on Wednesday evenings

WEDNESDAY MAY 21 2025

2pm | Atelier Matières en errances / matières en questions
On registration

More informations and registration

 

WEDNESDAY MAY 28 2025

2 to 4pm | Atelier d'écriture

6.30pm | Table ronde Muser, Magiser

More informations and registration

 

Curators

Mélanie Bouteloup and Armelle Pradalier, co-directors of the “Artists & Exhibition Professions” program, Giulia Longo, Curator of Prints and Photographs at Beaux-Arts de Paris, with students in the program : Kenza Agbo, Adèle Anstett, Martin Bas, Héloïse Bayard, Léonard Berthou, Pauline Boudaoud, Mathilde Cassan, Mathilde Chabaud, Elisa Leïla Durand, Éloïse Frye De Lassalle, Klara Jakes, Clément Justin Hannin, Zoé Le Bacquer, Shumeng Li, Zahra Mansoor, Timothée Perron, Zoé Siau, Kit Szasz, Lara Ulusoy.

Artists

Soraya Abdelhouaret, Océane-Maria Adjovi, Giovanni Altieri, Shelim Alvarado, Dyan Daniel Assogo, Eugène Atget, Gianfranco Baruchello, Baya, Romain Bernini, Pierre-Amédée-Marcel Béronneau, Michel Blazy, Félix Bonfils Et Atelier, Rosa Bonheur, Wanda Elisabeth Bouleau-Rabaud, Jean Bhownagary, Luciano Castelli, Norbert Chautard, Arthur Coquille-Hopfner, Henri Cueco, Storm De Hirsch, Princesse Diakumpuna, Amahiguere Dolo, Azzeazy, Guillaume-Benjamin Amant Duchenne De Boulogne, Aysha E Arar, Mimosa Echard, Laura Esparch, Frederik Exner, Nina Fiorentini, Diego Garcia Lara, Guillaume-Sulpice Dit Paul Gavarni, Clémence Gbonon, Fengyi Guo, Theresa Hak Kyung Cha, Roger Hardy, Suzanne Husky, Fanny Irina, Svay Ken, Käthe Kollwitz, Shengqi Kong, Adrien Lagrange, Emmanuelle Lainé, Amadeo Luciano Lorenzato, Gherasim Luca, Frédérique Loutz, Rose Lowder, Antoinette Lubaki, Turiya Magadlela, Joshua Merchan Rodriguez, Pierre Molinier, Céleste Moneger, Zora Neale Hurston, Aryle Nsengiyumva, Christel Pereira, Liselor Perez, Enzo Perrier, Romain Pommelet, Jonathan Potana, Pierre Petit, Chloé Quenum, Axel Ramat, Lou Rappeneau, Akshay Raj Singh Rathore, Man Ray, Odilon Redon, Paul Richer, Sofia Salazar Rosales, Juliana Seraphim, Seumboy Vrainom :€, Marcel Storr, Shooshie Sulaiman, Eden Tinto Collins, Marion Verboom, François Verdier, Yizhi Wan, Isabelle Waternaux, Yue Yu, Anna Zemankova et anonymes.

Download the exhibition labels

Practical informations

Wednesday April 09 - Sunday June 01 2025 (Closing: Thursday, May 1, 2025)
Palais des Beaux-Arts
Beaux-Arts de Paris, 13 quai Malaquais, Paris 6e
Wednesday to Sunday, 1pm-7pm
2€, 5€ or 10€ it's up to you!

The " Artistes & Métiers de l'exposition " program is supported by Société Générale 

Petit Pierre, Statue de la Melpomène Papier albuminé, 26 x 19 cm © Beaux-Arts de Paris, Grand Palais RMN / Thierry Ollivier

Céleste Moneger, Toujours pas New-York Vidéo, capture d'écran

Akshay Rathore, White thing creeping in black 02, 2022 Feutre et aérosol sur carton, 78 x 97 cm

Odilon Redon, Le Buddha, 1895 Lithographie sur chine appliqué, 60 x 42,5 cm © Beaux-Arts de Paris, Grand Palais RMN / Thierry Ollivier

Henri Cueco, Autoportrait aux feuilles de pissenlit, 2002 Acrylique sur toile, 55,3 x 46,5 cm

Chloé Quenum, 19 juillet 2019, 2022 Courtesy of the artist and galleria Martina Simeti, Milan © Aurélien Mole

Romain Pommelet, En marche, 2023, chaussures, équerre en métal, simili-cuir, mousse, serre-joints, contreplaqué, dimensions variables

Jonathan Potana, Mouvement Primaire, Centre d'Art Ygrec - ENSAPC, 2024 Caméléon dans le formole suspendu avec fil de cuivre sur vélo et pierres, 5 x 1,3 m © Objet Pointus

Océane Maria Adjovi, L'origine de nos actes, 2024 Huile sur toile, 162 x 130 c

From wednesday 12 february 2025 to sunday 20 april 2025

Wednesday to Sunday, 1pm-7pm

Cabinet des dessins et des estampes – Jean Bonna

14 rue Bonaparte, 75006 Paris

BILLETTERIE RESPONSABLE

This exhibition, dear to Beaux-Arts de Paris, where he had been teaching since 2015, presents to the public for the first time a substantial body of some fifty drawings, produced between 2006 and 2021.

 

Alongside his work as a poet and writer, Pierre Alferi (1963-2023) drew continuously and intensively for many years. This long-discreet practice was not shared until 2020 on his Enseignes website. These drawings explore the “pictorial couplings of word and image”, about which Pierre Alferi has regularly written. For him, they have been as much a problem of representation as a familiar path, among others, for exploring his moods and passions. Humor is expressed on several levels, in the discrepancies or connivances between words and images, and through the play of words with each other and with images. The various ways in which the two meet are the central theme of his pictorial work.

 

Pierre Alferi drew his daily inspiration from a variety of image sources, both in print and on screen. The iconographic variety reflects the diversity of his chosen objects, which range from medieval illuminations to Mad Magazine cartoonists, Japanese imagery, primers and Romantic vignettes. Almost all his drawings are copies, based on one or more source images, which he alters by retracing them, sometimes to the point of blurring the references. Prime thus the imaginary network in which he takes them, and which puns complete the link in a short-circuit of meaning. A mural airbrushed by Hippolyte Hentgen highlights the human relationships in which Pierre Alferi lived his creative work, and the multiple collaborations to which he contributed. It adopts the motifs of an original drawing by Hippolyte Hentgen, transformed, extrapolated and dispersed on the scale of the Cabinet des dessins et des estampes - Jean Bonna.

Curators: Kathy Alliou, director of the Fine Art Department at the Beaux-Arts de Paris and Paul Sztulman, professor of art history and theory at the École Nationale Supérieure des Arts Décoratifs.

Practical information 

Wednesday February 12 2025 - Sunday April 20 2025
Cabinet des dessins et des estampes - Jean Bonna
Beaux-Arts de Paris, 14 rue Bonaparte, Paris 6e
Wednesday to Sunday, 1pm-7pm
2€, 5€ or 10€ it's up to you!

From wednesday 12 february 2025 to sunday 16 march 2025

Wednesday to Sunday 1pm - 7pm, Wednesday night until 9pm

Palais des Beaux-Arts

13 quai Malaquais, 75006 Paris

BILLETTERIE RESPONSABLE

L'art et la vie et inversement presents the 26 artists who received the Diplôme National Supérieur d'Arts Plastiques from Beaux-Arts de Paris with the Congratulations of the Jury in 2024.

Their works present a wide diversity of subjects, materials and intentions. The challenge of showing them together is to question what they express about a generation, and what they say about today's world.

What emerges from these works is the students' desire and way of constantly blending art and life. Their lives appear in their works in iconographic, thematic and narrative forms, and their works integrate their lifestyles. Through them, we see the fragility of the world and the threat it faces. There's nothing new in taking close friends and family members as models, but this approach has another meaning here: L'art et la vie et inversement reveals a flexible, fluid world in which reversals are possible, where landscapes speak of inner worlds, and intimate monologues speak of the world as it is.

These are horizons inspired by childhood visions, inhabited by singular forms of spirituality, or marked by the tragedies of history. Bodies are put to the test in pain, indeterminacy, hallucination, tenderness or malice. Gleaners in the city or in nature, these artists often appear inclined to help each other and to dialogue between the arts. Landscapes, and the human and non-human beings who populate them, are sometimes themselves the actors in a film. Characters emerge from another film to enter life. Other works deliver more domestic, intimate visions. For them, gentleness is sometimes a way of tackling the toughest subjects. A vision of a world in transformation, of an enigmatic present, these positions are based on the complexity of human beings. What emerges is a shared humanity, efforts to hold on to worlds on the verge of disappearing, narratives sometimes beyond the realms of reality.

Curator : Anaël Pigeat

2024 Félicités : Gilad ASHERY, Örs BATMAZ, Abdelhak BENALLOU, Margot BERNARD, Zoé BERNARDI, Thomas BUSWELL, Anna DE CASTRO BARBOSA, Alessandro DI LORENZO, Hugo FRANCONERI, Clémence GBONON, Claire GITTON, Julien HEINTZ, Hélène JANICOT, Ruoxi JIN, Bahar KOCABEY, Joshua MERCHAN RODRIGUEZ, Alexandre NITZSCHE CYSNE, Sergiy PETLYUK, Hajar SATARI, Anne SIMIN SHITRIT, Isadora SOARES BELLETTI, Hugo VIANA DA SILVA, Leïla VILMOUTH, Louise VO TAN, Libo WEI, Alexandre YANG

Practical informations

Wednesday, February 12, 2025 to Sunday, March 16, 2025
Wednesday to Sunday, 1pm-7pm, Wednesday night until 9pm
Palais des Beaux-Arts
13 quai Malaquais, 75006 Paris

Responsible ticketing €2, €5 or €10, it's up to you!

Thursday 9 January 2025

6:30pm - 8:00pm

Palais des Beaux-Arts

13 quai Malaquais, 75006 Paris

BILLETTERIE RESPONSABLE

6:30 pm | Tribute to Odette Pauvert and women students. 
Round table discussion moderated by Déborah Laks with Blandine Chavanne, Anaïd Demir, Bruno Gaudichon, Patrizia Celli and Adèle Taillefait. Evocation of the careers of women artists and the example of Odette Pauvert who entered Beaux-Arts de Paris in 1922. Winner of the silver medal at the Salon des Artistes Français in 1923, she was the first woman painter to win the Prix de Rome for painting in 1925. 

Thursday 12 December 2024

6:30pm - 8:15pm

Palais des Beaux-Arts

13 quai Malaquais, 75006 Paris

BILLETTERIE RESPONSABLE

An evening dedicated to the trajectories of foreign students who have passed through the Beaux-Arts de Paris, with a tribute to the artist Ellsworth Kelly, featured in the exhibition.

Round table tribute to Ellsworth Kelly 

Round table with Eric de Chassey, Director General of INHA, France Nerlich, prefigurator of the Daniel Marchesseau resource and research center at the Musée d'Orsay, and Ming Tiampo, art history professor and co-director of the Centre for Transnational Cultural Analysis at Carleton University in Canada.

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