Congratulations to Wei Libo, Florian Mermin, Alexandre Nitzsche Cysne, Paola Siri Renard and Eugénie Touzé, winners of the 2026 Art Écoconception Prize alongside seven other artists.

The Art Écoconception Prize was created by the Art of Change 21 association with the aim of raising awareness of environmental and climate issues within the French art scene, supporting it in its ecological transition, and enabling it to anticipate the major changes ahead.

Prix Art Écoconception 2026

Bruno Perramant, an artist and studio head at Beaux-Arts de Paris, will be presented with the Del Duca Grand Prix for the Arts beneath the dome of the Institut de France on 17 June 2026.

With this honour, Bruno Perramant joins the list of previous winners of the same prize, including Jean-Michel Alberola (2017), Giuseppe Penone (2018) and Hélène Delprat (2023), all of whom have taught at Beaux-Arts de Paris.

Georg Baselitz (1938–2026), a painter, sculptor and printmaker who passed away recently, donated three drawings to Beaux-Arts de Paris in 2002 following an exhibition of his collection of Mannerist prints in the school’s chapel.

Sans titre (Frida Kahlo), 2001, plume, encre indienne et lavis d'encre de Chine, 77,8 x 57,5 cm, Beaux-Arts de Paris, EBA 5366.

Sans titre (Frida Kahlo), 2001, plume, encre indienne et lavis d'encre de Chine, 77,8 x 57,5 cm, Beaux-Arts de Paris, EBA 5366.

Sans titre (Sigmund Freud, la femme de chambre et Marcel Duchamp), 2001, plume, encre indienne et lavis d'encre de Chine, 77,8 x 57,5 cm, Beaux-Arts de Paris, EBA 5368.

The fourth exhibition dedicated to publishing practices, co-organised by La Fab. and students from the Sirjacq workshop at the Beaux-Arts de Paris, on 16 and 17 May.

With the participation of students from the École nationale supérieure d’Arles.

Saturday 16 May | 12 noon – 8 pm
Performances from 6 pm

Sunday 17 May | 12 noon – 8 pm
Panel discussion and performance from 4 pm

The exhibition at the Cabinet des Dessins et Estampes - Jean Bonna in Beaux-Arts de Paris focuses on Michelangelo to explore the concepts of influence and transmission.


Michelangelo holds a special place in the pantheon of great artists: his work, unanimously admired and based on unprecedented originality, resists those who seek to find perfection in it. 

The result of a series of discussions on the growing role of poetry in contemporary artistic practices, the exhibition Des mots et des mondes considers writing as a plastic material in its own right.


Faced with a constant flow of information, artists do not seek to say more, but to say things differently, through sensitive, unique and contextualised forms. Words then become vectors of personal or collective emancipation, embodied in assemblages, positionings, semantic shifts and resolutely poetic reconfigurations.

Due to technical reasons, the exhibitions *Words and Worlds* and *After Michelangelo* will be closed on Wednesday 6 May. We apologise for any inconvenience caused. 

The City of Saint-Ouen-sur-Seine, Beaux-Arts de Paris and Audencia have signed a partnership centred on an ambitious educational and community-focused project: to collectively envision the conversion of the Paul-Chemetov Ice Rink, an iconic building in Saint-Ouen’s heritage, into a cultural venue.
 

At the heart of this partnership lies a shared conviction: students have a key role to play in transforming cities, by bringing fresh, creative and interdisciplinary perspectives to the major urban challenges of today.
 

Anna Jaccoud and Joséphine Loembe-Sauthat, graduates of the class of 2025, and Valentin Ranger, a graduate of the class of 2023, have been selected to take part in the summer residency at the Banff Centre for Arts and Creativity (Canada), from mid-July to the end of August 2026. This opportunity has been made available to them through a partnership with the David R.

Alexandre Lenoir graduated from Beaux-Arts de Paris in 2016 with honours. He creates large-scale paintings based on photographs, evoking memories of happy days spent amidst a bountiful and mysterious natural world.

“When I rediscovered *The Water Lilies*, I was struck by the way the water moved in time with the shifting light in the exhibition rooms. I’m very interested in painting as a living entity.”

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