See you on Saturday, 31st January for the Open Day at Beaux-Arts in Paris.
More information to follow.
Thursday 31 December 2026
10:00am - 5:00pm
Beaux-Arts de Paris
14 rue Bonaparte, 75006 Paris
ENTRÉE LIBRE
Echoing the life and work of Camille Claudel, students from Emmanuelle Huynh's choreography studio at Beaux-Arts Paris have been given carte blanche to devise a unique evening at Musée d'Orsay, featuring dance, song, music and improvisation performances.
They offer a sensitive reinterpretation of the traces left behind by Camille Claudel. What is her legacy? How do we remember her? How has she been portrayed? Through voices, letters and memoirs, they offer an intimate insight into the life of a woman who carved out a place for herself among the artists of her time.
Through this partnership, the law firm, a loyal patron of Beaux-Arts de Paris, is renewing its commitment for three years and supporting young artists in three areas:
- Support for the Via Ferrata preparatory class, which welcomes 50 students each year from diverse social, geographical and cultural backgrounds.
- Professional development for students and recent graduates through introductory workshops on intellectual property law, led by specialist solicitors.
Tuesday 9 December 2025
9:30am - 5:00pm
Amphithéâtre des Loges
14 rue Bonaparte, 75006 Paris
ENTRÉE LIBRE
Places to create, places to heal
The global health crisis of 2019 brought the issue of the relationship between health, public and private spaces back to the forefront, renewing reflections on the personal and collective relationship to illness and care. This period seems to have accelerated a general awareness of the need to rethink the links between care environments and living spaces, between health and culture, reminding us that education and care are fundamental relational acts in our society.
Thursday 4 December 2025
7:00pm - 8:30pm
Amphithéâtre des Loges
14 rue Bonaparte, 75006 Paris
ENTRÉE LIBRE
During this conference, the German philosopher and sociologist Hartmut Rosa revisits the concepts of the acceleration of our pace of life and resonance, which he has developed throughout his work (notably in Acceleration: A Social Critique of Time and Resonance: A Sociology of Our Relationship to the World, both published in French translation by La Découverte). If acceleration constitutes the central problem of our time, resonance may be the solution. Hartmut Rosa has renewed the analyses of the first generation of the Frankfurt School by considering alienation as acceleration.
Born in 1956, Welsh artist James Rielly was studio head at Beaux-Arts de Paris from 2005 to 2024.
This comprehensive monograph, with a preface by Jean-Charles de Castelbajac and an introduction by Anaël Pigeat, chronologically traces his career as an artist and allows readers to discover the true work of a colourist with a subtle and ethereal chromatic palette.
From Thursday 11 December 2025 to Tuesday 30 December 2025
1:00pm - 7:00pm
Beaux-Arts de Paris bookshop
13 quai Malaquais, 75006 Paris
ENTRÉE LIBRE
Christmas private sale at Beaux-Arts de Paris bookshop
Fine books and art books, engravings, posters, gift items, original creations by artists at exceptional prices.
Among the latest publications: Bernard Moninot, Le Fil d’alerte (The Warning Thread); the graduate catalogue and Félicités: Felicità 2025; The Bells Angels, Monochrome; the colouring book by Frédérique Loutz, Sonia Steinsapir, Une vie intranquille; the Manuel de la Forge by Carole Leroy; the monograph by James Rielly; the exhibition catalogue Rosso et Primatice: Renaissance à Fontainebleau...
Wednesday 3 December 2025
5:00pm - 7:00pm
à définir
14 rue Bonaparte, 75006 Paris
ENTRÉE LIBRE
Supported by Cercle Chromatique, the Arts division of the Arborescences association supports long-term artistic projects created in collaboration with trees and other species, based on the discovery of different environments.
Tuesday 9 December 2025
7:00pm - 8:30pm
Amphithéâtre des Loges
14 rue Bonaparte, 75006 Paris
ENTRÉE LIBRE
The artist, filmmaker and researcher reflects on her approach to computational capitalism and the new modes of subjectivation it produces. In her films, she immerses herself in digital communities. Her first documentary film, La mécanique des fluides (The Mechanics of Fluids), is an investigation that takes as its starting point a suicide note posted by an incel (an involuntary celibate) on the Reddit platform entitled "America is responsible for my death". The investigation takes the form of a virtual drift across the internet in search of his digital traces.
Thursday 11 December 2025
7:00pm - 8:30pm
Amphithéâtre des Loges
14 rue Bonaparte, 75006 Paris
ENTRÉE LIBRE
Alternative educational spaces: from utopia to institutionalisation.
