Monday 8 December 2025

6:30pm - 8:00pm

Amphithéâtre des Loges + Instagram

14 rue Bonaparte, 75006 Paris

GRATUIT SUR INSCRIPTION

Les Amis des Beaux-Arts de Paris is organising a masterclass with artist Fabrice Hyber in conversation with Pascal Rousseau, Professor of Contemporary Art History at Paris I-Panthéon Sorbonne University.


Since his debut in the 1980s, and then becoming one of the youngest winners of the Lion d'Or at the Venice Biennale in 1997, Fabrice Hyber has enjoyed growing attention on the international scene. He has exhibited in many prestigious institutional venues in France and abroad. In 2018, the artist was elected a member of Académie des Beaux-Arts.

With a preface by Éric de Chassey and contributions from Hervé Bacquet, Pascal Dusapin, Renaud Ego, Pierre Juhasz, Daniel Kuntz, Jacinto Lageira, Serge Lemoine, Bernard Moninot, Catherine Millet, Jean-Luc Nancy, and Baldine Saint-Girons, the book offers a wealth of colour illustrations.

Retracing his entire artistic career, Le Fil d'alerte offers a unique and richly illustrated immersion into the visual and intellectual universe of Bernard Moninot, professor of drawing at Beaux-Arts de Paris from 2005 to 2015.

An original creation of Beaux-Arts de Paris, this collection of Cahiers d'artistes draws on the talent of the school's artist-teachers. Each album is composed of large-format works to colour in and is introduced by an interview with an art critic. They allow readers to discover the pleasure of creation with the expertise and teaching methods unique to École des Beaux-Arts de Paris. Frédérique Loutz manipulates, blurs and distorts forms. She invites us into fantastical and phantasmagorical worlds that lend themselves to multiple interpretations.

Felicità 2025 presents the 24 artists who obtained their diplôme national supérieur d'arts plastiques from Beaux-Arts de Paris with honors from the jury, chaired by Mathieu Kleyebe Abonnenc, curator of the exhibition. 

In partnership with PhotoSaintGermain, Beaux-Arts de Paris and École nationale supérieure de la photographie in Arles are joining forces to organize an exhibition entitled Paradis artificiels (Artificial Paradises), presented in various spaces at Beaux-Arts de Paris.

Elina Kulich, 2023 graduate, presents her end-of-residency exhibition at the Musée Jean-Jacques Henner. In partnership with Beaux-Arts de Paris.


Échos explores the memory of the Museum's spaces through drawing and painting. During five months spent in the studio overlooking the winter garden, Elina Kulich conducted research and created works based on the different historical layers of the building, formerly the private mansion of artist Guillaume Dubufe, itself built by Roger Jourdain at the end of the 19th century.

True to the spirit of Minou Amir-Aslani, whose commitment to sharing knowledge and promoting culture continues to uphold, the Foundation is renewing its commitment to Beaux-Arts de Paris in favour of welcoming young audiences.

Its support has made it possible, for the third year running, to welcome around 1,900 schoolchildren each year, who enjoy special tours of the premises and exhibitions, as well as art workshops and meetings with young graduates of the School on a variety of themes.

Congratulations to Xie Lei, 2010 graduate and doctoral student until 2016 at Beaux-Arts de Paris, winner of the prestigious Marcel Duchamp Prize. 


Awarded by the Association for the International Diffusion of French Art (Adiaf) to highlight the richness of the French art scene, the Marcel Duchamp Prize aims to recognize and promote internationally the artists most representative of their generation.
 

From friday 14 november 2025 to thursday 4 december 2025

Entrée libre du lundi au samedi de 11h à 19h

Centre Wallonie-Bruxelles

127-129 rue Saint Martin, Paris 4

FREE ENTRY

Beaux-Arts de Paris is delighted to participate in the sixth edition of LABO_DEMO, an initiative that aims to promote emerging and as yet unidentified artistic talents in order to highlight both the distinctive features of Belgian and French art school training programs and their interconnection at a time when artistic careers are becoming increasingly international.


The exhibition recreates, in its very scenography, the simulacrum of a corporate workspace. But this fictional coworking space is riddled with flaws, saturated with bugs, haunted by ghosts. It becomes the scene of a multitude of attempts at resistance aimed at breaking the spell of capitalist and bureaucratic logic. Some works bring back repressed emotions and muffled voices from vanished professions and deserted factories. Others invent corporate fictions or attach themselves to the administration to derail it. In this unstable landscape, populated by art-eating insects and nostalgic bots, team building turns into a dystopian tale. Slogans turn into tales of collapse. In places, dreams of escape pierce the sanitized surface of reality, like lights at the end of the tunnel.

Artists from Beaux-Arts de Paris: Joséphine Berthou, Ruoxi Jin, Raphaël Maman, Sara Noun, Clarisse Pillard, and Éditions Burn Aout.

Practical information
November 14 to December 4
Centre Wallonie-Bruxelles
Gallery, 127-129 rue Saint Martin, Paris 4
Free admission Monday to Saturday from 11 a.m. to 7 p.m.
 

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