List of places

 

In a symbolic axis starting from 14 rue Bonaparte, and within the Palais des Études, this hemicycle was the space for the consecration of the Grand Prix de Rome, awarded to the best students. Nowadays, it remains the place for the graduation ceremony, and in the context of cultural programming, prestigious conferences are regularly held.

 

CAPACITY

100 people 

 

Amphithéâtre d'honneur

Amphithéâtre d'honneur

Cour de dessin entreprise sur mesure

List of places

 

Hôtel de Chimay - crédit photo : Ali Arkady

Hôtel de Chimay - crédit photo : Ali Arkady

Hôtel de Chimay - crédit photo : Ali Arkady

Hôtel de Chimay - crédit photo : Ali Arkady

Hôtel de Chimay - crédit photo : Ali Arkady

Hôtel de Chimay - crédit photo : Ali Arkady

Hôtel de Chimay - Jardin

Hôtel de Chimay - Jardin

Hôtel de Chimay - Jardin

List of places

 

The entrance to the Palais des Beaux-Arts (1858 -1862), is located 13 Quai Malaquais, in front of the Musée du Louvre. It has a large rectangular hall. On the ground floor, the Salle Melpomène is a large nave with zenithal lighting, ending in an apse. Upstairs, the Salle Foch, situated above the vestibule, is served by a double stone stairway. The room, entirely made of woodwork, has openings facing the Seine and the Louvre.

 

Vestibule Palais des Beaux-Arts

Salle Melpomène

Salle Melpomène

Salle Foch

Salle Foch

Salle Foch

List of places

 

The Palais des Études (1839) is located in the central axis of the main entrance. Organized around a luminous central glazed courtyard, surrounded by vast workshops, the Amphithéâtre d’Honneur and the Cabinet de Dessins on the ground floor and covered loggias on the first floor, the building is inspired by Italian Renaissance Palaces: red and ochre walls, under the generous light of the glass roof that covers this 900m2 space.

 

Remise de Prix World Impact Summit, 2023

Remise de Prix World Impact Summit, 2023

Cour vitrée

Cour vitrée

Cour vitrée

List of places

 

The Cour du Mûrier, former cloister of the Couvent des Petits-Augustins, founded by Queen Marguerite de Valois, is named after the Chinese mulberry tree planted by Alexandre Lenoir, founder of the Musée des Monuments Français.

Cour du mûrier

Cour du mûrier

Cour du mûrier

Cour du mûrier

Cour du mûrier

Cour du mûrier

Cour du mûrier

Cour du mûrier

Cour du mûrier

List of places

 

This chapel is the only remaining building of the Couvent des Petits-Augustins, founded at the beginning of the 17th century, by Queen Marguerite de Valois. From 1795, it housed the Musée des Monuments Français. In 1816, it was assigned to the École des Beaux-Arts, heiress to the Royal Academies. The chapel preserves remarkable casts of French and Italian works, from the Middle Ages and the Renaissance, for the training of young artists.

Soirée Lancement Harper's Bazaar France, 2023

Remise de prix culinaire Taittinger, 2024

Soirée concert Biosthétique, 2022

Chapelle des Petits-Augustins

From Mesmer's magnetic fluid to the hypnosis practiced by Charcot at the Salpêtrière, from Freud to Lacan, from the surrealists to the most contemporary practices, Pascal Rousseau offers a fascinating visual history of hypnosis and links for the first time artistic practices and the cultural history of hypnotism. At the crossroads of several fields - history of art, history of science and popular culture - this unique work brings together more than 500 illustrations.

 

Artistic Practice Department

The Artistic Practice Department encompasses thirty-four studios under the responsibility of artist-professors. A place of practice, for artistic creation and experimentation, the studio is also a space for debate, exchange, and criticism. At certain times of the year, it transforms into an exhibition space, notably during diploma and evaluation periods.

To be funded


Constituted for educational purposes, the collection includes more than 70,000 prints and glass plates, most dating from the period 1850–1914. Architecture, monumental views, and reproductions of art dominate this encyclopedic collection, with a focus on France, Italy, Greece, the Mediterranean Basin, and Asia. All the greatest names of 19th-cenury photography are represented: Atget, Alinari, Baldus, Bonfils, Caneva, Durandelle, Marville, and the printed photographic books by Maxime Du Camp, Félix Teynard, and more.

Albert Londe et Paul Richer, Lancement du ballon, c. 1893, Chronophotographie, Tirage gélatino-bromure d’argent d’après négatif sur verre au gélatino-bromure d’argent, 23,8 x 29,7 cm

Ken Gonzales-Day, Sans titre, 2010, Tirage numérique, 52,4 x 36 cm

Maison Braun, La Bourrasque de Lucien Lévy-Dhumer, 1904, Tirage au charbon, 29,4 x 48,8 cm

Albert Londe et Paul Richer, Sans titre, Négatif sur verre au gélatino-bromure d’argent, 18 x 13 cm

Constant Alexandre Famin, La Mare aux Fées, avant 1863, Épreuve sur papier albuminé, 22,9 x 16,4 cm

Eugène Atget, Ancien Hôtel de Beauvais,1902, Épreuve sur papier albuminé d’après négatif verre au gélatino-bromure d’argent, 22,4 x 17,3 cm

Guillaume Duchenne, dit « Duchenne de Boulogne », Expression d’effroi, Épreuve sur papier albuminé marouflée sur toile, tendue sur châssis et vernie, 1856-1857, 29,9 x 22,2 cm

Samuel Adam-Salomon, Autoportrait, avant 1881, Épreuve sur papier albuminé, 23 x 18,9 cm

Gaudenzio Marconi, Modèle prenant la pose de l’Homme nu assis au bord de la mer, 1869, Épreuve sur papier albuminé, 26,1 x 20,8 cm

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