Its role is to provide information on the future of students, to monitor cohorts and to carry out surveys on career entry, further studies and other subjects related to student life. Its mission is also to develop and lead a network, and to implement actions to promote professional integration for students and graduates.
New spaces have been set up in the Exhibition Centre and the Study Centre to enable students to graduate in July in compliance with health and safety regulations. For this first session, 23 students were able to obtain their DNSAP, a higher national diploma in plastic arts, congratulations to them!
The other sessions have been taking place since mid-September.
The 3rd year jury is composed of Olivier Blanckart, artist and studio head; Fabien Danesi, curator and art historian; Mirka Lugosi, artist and Bojan Sarcevic, artist and studio head.
VISIT US
The Beaux-Arts de Paris sites, in Saint-Germain-des-Prés and Saint-Ouen, are devoted in priority to Beaux-Arts de Paris students’ artistic education.
Heritage buildings are accessible during exhibitions and events such as Journées du Patrimoine or Ateliers Ouverts.
During these events, admission is free.
Visits are offered to the public, free of charge, during Journées du Patrimoine (September), Journées d’information (early February) or Ateliers Ouverts (last weekend in June).
Press contact
Isabelle REYÉ Press officer Office: 01 47 03 54 25 Mobile: 06 10 12 66 49 isabelle.reye[at]beauxartsparis.fr
Sophie BOUDON-VANHILLE Head of public relations, sponsorships and partnerships Office: 01 47 03 50 05 sophie.boudon-vanhille[at]beauxartsparis.fr
Pénélope PONCHELET Agence Claudine Colin Communication Office: 01 42 72 60 01 penelope[at]claudinecolin.com
For any image request, please contact the Department of public relations, sponsorships and partnerships.
Professional internships are an integral part of training at Beaux-Arts in Paris.
They are aimed primarily at students in the 4th year and are carried out in France or abroad in cultural or artistic organizations (museums, galleries, art centres, teaching, etc.) or in companies (new technologies, graphic design, production, fashion, etc.).
The duration of the internship must be a minimum of 350 hours, may be two and a half months full-time or five months part-time.
You would like to send us an internship offer
Laurent
Esquerré
Modelling Teacher
At Laurent Esquerré, drawings, paintings, installations or visual poetry play the same tune and respond to each other. Sculpture only arrived in his career after a stay in Vietri sul Mare where he learned about modeling. Since then, the artist has experimented with the most diverse materials: from wood to wax, including welded metal, aluminum foil and clay, which has become his favorite medium. His universe is infinitely populated by hybrid beings of disturbing strangeness, drawn from the heart of popular culture, art history, the sacred and literature. Everything in his art is emergent and eruptive, romantic and heroic, to express the preeminence of the visual in art and to materialize its audacity without fear of going against the grain.
His works are regularly exhibited in France and abroad: Ceramic Circuit at the Museum of Decorative Arts (Paris, 2010), Body & Soul at the Museum of Art and Design (New York, 2013), Fishes of air at the Galerie Saint-Séverin (Paris, 2017)… From 2012, he turned to monumental in situ sculpture, including the public commission, Les Quatre Vivants, produced for the Saint-Pierre Cathedral (Rennes, 2019) in is the last example.
Public procurement
Information on current public procurement contracts at the École Nationale Supérieure des Beaux-Arts is published on the French government's purchasing platform (Plate-forme des achats de l'État): https://www.marches-publics.gouv.fr/
Legal documentation
OFFICIAL PUBLICATIONS
Décret n°84-968 du 26 octobre 1984 modifié portant organisation administrative et financière de l'École Nationale Supérieure des Beaux-Arts
Vincent
Rioux
Digital
Vincent Rioux studied musical acoustics in France and Sweden. He conducted research on musical timbre and textual annotation of audiovisual recordings at IRCAM. Seeing in computer music a subject and an environment conducive to spatio-temporal improvisations, he practices live-coding as soon as possible. He is interested in issues of media theory and in particular materiality and ecological thinking in information societies. He develops a working technique and a pedagogy focused on so-called “free” programming environments and languages (Linux, Processing, Libcinder, Arduino, Common-Lisp, c/c++, Supercollider).
He has spoken at Fresnoy, IRCAM, ENSCI, ENS, Parsons School Paris, Robert-Schumann-Hochschule Düsseldorf, EDEHA Sierre Suisse, ESADSE St-Etienne . He is a member of the MILSON collective (for an anthropology of sound environments).
