Stéphane

Calais

Studio professor

After studying at the Beaux-Arts in Nîmes and the Institut des Hautes Études en Arts Plastiques in Paris, Stéphane Calais was nominated for the Ricard Foundation Prize in 2008 and the Marcel Duchamp Prize in 2009.

His work can be found in a number of private collections in France, the United States, Belgium and Japan, as well as in various museums, including the Centre Pompidou. He is also an occasional curator and art critic. He has taught at the Rijksakademie, Amsterdam, since 2008. Primarily a painter, his work deals with forms and how to play with them.

 

© M.Taureilles

 

 

Thursday 5 November 2020

6:00pm - 7:00pm

Live

Instagram Beaux-Arts de Paris

Gaël Charbau

An artistic director and independent curator, Gaël Charbau founded Particules in 2003, a free independent art journal that he ran until 2010. In 2014, together with Laurent Dumas and Angélique Aubert, he created the "Bourse Révélations Emerige", dedicated to the promotion of young French artists.

Postponed

Wednesday 18 November 2020

6:00pm - 7:30pm

Amphithéâtre des Loges

14 rue Bonaparte, 75006

As part of the exhibition Critical Zones at the ZKM in Karlsruhe, Germany, which he curated, Bruno Latour talks about the critical zone, this unsuspected territory that we must get to know and inhabit, in order to finally terrestrialize ourselves.

 

Invited as part of the chair "Inhabiting the landscape: where art meets the living world", coordinated by Estelle Zhong Mengual.

 

Congratulations to all 2020 graduate and congratulated Beaux-Arts de Paris students!

 

For this session 2020, the DNSAP jury was composed of: Marc Bembekoff, curator and director of the Galerie Noisy-le-Sec, Mohammed Bourouissa, artist, Béatrice Gross, curator and art critic, and Emilie Renard, curator and art critic.

 

Almaraz Kenia *Congratulated

Aparicio Ugalde Bertha Daniela

Audoire Théo

Ausset Balthazar

Barouh Amie-Sarah *Congratulated

Barras Anaïs

Bertran Raphaëlle

Bikard Marine

Postponed

Saturday 14 November 2020

4:00pm - 7:00pm

Amphi de Morphologie

14 rue Bonaparte, 75006 Paris

Cercle Chromatique - Béatrice Duport and Stéphane Pichard

New "Cercle s'Ouvre" carried by Stéphane Pichard, a former student of Beaux-Arts de Paris, with the artist Béatrice Duport. They will perform the conversation in images that they have been maintaining since 2012.

 

Performance followed by a round table moderated by Magali Nachtergael,an art critic and curator of exhibitions, including « Cartes postales, nouvelles d’un monde rêvé » in Arles in 2019.


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Congratulations to Kapwani Kiwanga who wins the 20th Prix Marcel Duchamp, and to the finalists Alice Anderson and Hicham Berrada, three artists from Beaux-Arts de Paris.


On October 19, 2020, the prestigious Prix Marcel Duchamp for Contemporary Art was unveiled.

 

 

L'apes, the cultural and urban social development operator of Groupe Action Logement, a key player in social housing in France, has joined forces with Beaux-Arts de Paris in order to entrust the production of artistic creations in an urban environment to artists who are students or recent graduates of the School.

 

Postponed

Thursday 26 November 2020

7:00pm - 8:30pm

Amphithéâtre des Loges

14 rue Bonaparte, 75006 Paris

ÉTUDIANTES / ÉTUDIANTS

Patrick Boucheron has been a professor at the Collège de France on the "History of Powers in Western Europe, 13th-16th century" chair since 2015. While his work focuses primarily on the urban history of medieval Italy, he is also interested in the writing and epistemology of history, attempting to re-articulate literature and the social sciences. He is involved in several projects, both editorial and audiovisual, which aim to defend the voice of a committed and scholarly discourse at the heart of the public uses of history.

Postponed

Thursday 19 November 2020

7:00pm - 8:30pm

Amphithéâtre des Loges

14 rue Bonaparte, 75006 Paris

ÉTUDIANTES / ÉTUDIANTS

Since the late 1960s, Bertrand Lavier's work has continued to subvert the traditional categories that compartmentalize artistic creation, with the artist exploring the relationships between painting and sculpture, representation and abstraction, life and art. Passing with ease from one medium to another, he continually develops and experiments with strategies of translation, transposition and conversion, ultimately disrupting our familiar ways of perceiving and conceiving art.