From Thursday 21 March 2024 to Monday 25 March 2024
5:00pm - 6:00pm
Bibliothèque des Beaux-Arts de Paris
14 rue Bonaparte, 75006 Paris
ÉTUDIANTES / ÉTUDIANTS
Short film festival at the library
This year, for the first time, the library is taking part in the Short Film Festival! A selection of short films made in stop-motion or pixilation will be screened at the library during 2 sessions:
Thursday 21 and Monday 25 March at 5pm
Programme
LE DÉSHABILLAGE IMPOSSIBLE By Georges Méliès - 1900 1:54 - France - Fiction Production: Lobster Films, Star Film
Before going to bed, a man undresses, but new clothes appear on top of the old ones.
To mark the publication of her latest book, La vraie histoire de l'impressionnisme. Manet, Morisot et les autres (Vrin, 2024), philosopher Fabienne Brugère and artist Agnès Thurnauer discuss the feminist legacies of the Impressionists and the erased modernities.
As part of the "Troubles, alliances and aesthetics" chair, coordinated by Fabrice Bourlez and Madeleine Planeix-Crocker.
La Villette is inviting young artists to take over the Grande Halle and the park as part of the 6th edition of the 100% festival. In collaboration with internationally renowned French schools, 100% L'EXPO presents a selection of recently graduated talent. Whether in the plastic and digital arts, film, design, fashion design or photography, the exhibition offers a wide range of practices and aims to shed light on the issues involved in starting a career. The weekends will feature meetings, performances and clubbing.
What drives artists when they leave school? Do artists born in the 3rd millennium see their role in society differently? What are the challenges facing artists at the start of their careers? These are just some of the questions raised by the exhibition.
From 27 March to 28 April, 100% L'EXPO welcomes two new schools, the Beaux-Arts Nantes Saint-Nazaire and the Ecole nationale supérieure d'Arts de Paris-Cergy, joining the Beaux-Arts de Paris, the École des Arts Décoratifs, the Beaux-Arts de Marseille - INSEAMM and the Villa Arson.
La Villette is also collaborating with the Fondation Culture & Diversité on this occasion.
Artists from the Beaux-Arts de Paris: Solveig Burkhard, Marion Chaillou, Louise-Margot Décombas, Côme Ferrasse, Maïa Lacoustille, Elise Nguyen Quoc, Lyz Parayzo, Sofia Salazar Rosales.
Practical info
La Villette
211 avenue Jean Jaurès, Paris 19th arrondissement
Free
From 27 March to 28 April
Wednesday to Sunday, 2pm-7pm
Lucie Antoinette, Joséphine Berthou, Thibault Hiss, Nina Jayasuriya, Nicolas Kyrillou and Sehyoung Lee, winners of the first edition of "Mennour Emergence".
"Mennour Emergence" is a new programme launched by the Institut Mennour to support young artists at the start of their careers.
For this first edition, the call for applications was addressed to 2023 graduates of the Beaux-Arts de Paris. It was enthusiastically received, with around fifty applications received.
Having trained in music rather than dance, Pol Pi still feels that what he does has more to do with time than space. What he creates is above all a matter of listening: intuitive, memorial, affective. What is already there. It is this musicality that calls and questions him. He will attempt to revisit his dance career in order to reflect on his relationship with listening.
Come and see a performance that plays with the worst to think about the present, and invites us, not without humour, to question ourselves about freedom, the frameworks we need and those we are victims of, revolutionary history and, more broadly, national identity.
Ali Arkady, Nge Lay, Randa Maddah, May Murad and Misha Zavalniy
Five artists to be discovered at the group exhibition "Dislocations" at the Palais de Tokyo.
Ali ARKADY, Iraqi photojournalist and artist completed the Herodote programme in 2018, and then joined the School from which he graduated in 2022. Nge LAY, a contemporary Burmese artist, completed the Hérodote programme in 2022 and is a student at the Beaux-Arts de Paris.
Nge Lay, Beautiful thorned path, 2023, courtesy de l’artiste & A2Z Art Gallery (Paris) Vue de l’exposition « Dislocations », Palais de Tokyo, 16.02-30.06.2024 Crédit photo: Aurélien Mole
Ali Arkady, Mossoul, monolythographie sur pierre, 90 x 55 cm, 2021 Courtesy de l’artiste / Adagp, Paris, 2023
Randa Maddah, Remanence Retour (détail), leporello, linogravure, 32,5 x 526 cm, 2021
May Murad, Disparition, série « Human Error », 2022-2023, courtesy de l’artiste Vue de l’exposition « Dislocations », Palais de Tokyo, 16.02-30.06.2024 Crédit photo : Aurélien Mole
Misha Zavalniy, Série Gorenka chronicle, impression manuelle sur presse, dimensions variables, 2022. Courtesy de l’artiste
The Tiepolo exhibition will be closed until Sunday 2 June. We apologise for any inconvenience caused.
"Exceptional exhibition" Les Echos
"At the Beaux-Arts in Paris, a luminous tribute to the Tiepolo family" La Croix
"Tiepolo & Cie, une famille en or" Connaissance des arts
"An exceptional collection of drawings and etchings celebrating the artistic genius of 18th-century Venice" Sortir à Paris
This exceptional exhibition brings together drawings and etchings by Giambattista Tiepolo and his two sons, Giandomenico and Lorenzo Tiepolo, a family of virtuoso artists in 18th-century Venice.
The Beaux-Arts de Paris owns a remarkable collection of ten works by Giambattista Tiepolo (1696-1770), making it the second-largest public collection of the artist's drawings in France. Above all, this collection is the only one in France to include drawings not only by Giambattista, but also by his two painter sons, Giandomenico (1727-1804) and Lorenzo (1736-1776), as well as another of Tiepolo's assistants in the 1730s, Giovanni Raggi. This collection alone provides an overview of graphic practices within the family and the studio.
The study of these sheets and prints, combined with works by other artists - sources of inspiration such as Rembrandt, masters such as Piazzetta, and contemporaries such as Canaletto, Guardi and Novelli - highlights the great modernity of their art. This is particularly evident in their ability to produce variations on the same theme, both in traditional religious and mythological subjects and in figure studies, particularly caricatures, as well as scenes from Venetian life. The exhibition also explores the relationship between the father and his sons, and the work within a family of artists.
The tour begins with a series of studies of heads and faces that raise the question of training in the Tiepolo studio. It then moves on to religious paintings and large-scale secular decors produced by the Tiepolos and their contemporaries in Venice, followed by autonomous graphic works conceived outside of any painted project, as pure graphic exercises or pleasures, based on iconographic themes repeated almost obsessively, in multiple variants.
It is the exceptional inventiveness of Giambattista and Giandomenico Tiepolo, one of the most fascinating facets of their artistic personalities, that these drawings and prints allow us to rediscover.
Curated by Hélène Gasnault, curator of drawings at Beaux-Arts de Paris, and Giulia Longo, curator of engravings and photos at Beaux-Arts de Paris.
The catalogue
A catalogue accompanies the exhibition, with texts by Catherine Loisel, honorary curator at the Musée du Louvre and a specialist in early Italian drawings, Hélène Gasnault, curator of drawings, and Giulia Longo, curator of prints and photographs at the Beaux-Arts de Paris.
Carnet d'études n°58
112 pages
Price €25
Practical info
from Friday 22 March to Sunday 30 June 2024
(The exhibition will be closed on Wednesday 1 May 2024)
14 rue Bonaparte, Paris 6e
Wednesday to Sunday, 1pm-7pm
2€, 5€ or 10€ the choice is yours!
Giandomenico Tiepolo, Idee pittoresche sopra la fugga in Egitto, vers 1750-1753 Eau-forte
Giovanni Battista, dit Giambattista, Tiepolo, Faune et faunesse, vers 1740-1750, plume, encre brune, lavis brun sur esquisse à la pierre noire
Giovanni Battista, dit Giambattista, Tiepolo, Les Polichinelles faisant la cuisine, vers 1735, plume, encre brune et lavis brun
Francesco Guardi, Projet de plafond, vers 1770-1780 Plume, encre brune, lavis brun et aquarelle
RESPONSIBLE TICKETING
2, 5 or 10 €, the choice is yours!
The ticket office in charge invites each visitor coming to discover an exhibition at the Beaux-Arts de Paris to choose his or her entrance ticket from among 3 proposed rates: 2 €, 5 € or 10 €. Contribute according to your means, your passion and your desire for commitment!
Free of charge (on presentation of a valid receipt):
• under 26 years old
• students and teachers of the National Higher Schools of Art and Architecture of the Ministère de la Culture
• students from member institutions of the University of Paris-Sciences-et- Lettres (PSL)
• students of the École du Louvre
• holders of the Ministère de la Culture card
• Amis des Beaux-Arts de Paris
• card holder : Maison des Artistes, ICOM, ICOMOS, Association française des commissaires d’exposition (CEA), Section française de l'Association internationale des critiques d'art (AICA France)
• journalists (current year press card)
• jobseekers, recipients of minimum social benefits
• civilian disabled and war-disabled (with an attendant)
From Monday 19 February 2024 to Tuesday 20 February 2024
7:00pm - 8:30pm
Galeries droite et gauche
14 rue Bonaparte, 75006 Paris
ENTRÉE LIBRE
Atravessemos! - Portrait de la ville de São Paulo was created following a study trip to São Paulo in September 2022 by the Atelier danse performance of the Beaux-Arts de Paris, directed by Emmanuelle Huynh. She then invited visual artist Jocelyn Cottencin to continue the collaboration they had begun in 2016 around city portraits.
Nine students from the Beaux-Arts de Paris met with ten student artists from the Pontifical University of São Paulo to share their daily lives, memories, history and fiction.