As a public institution under the authority of the Ministry of Culture, the Beaux-Arts de Paris is taking part in the Services Publics + programme, a programme for the continuous improvement of relations with users, steered and led by the Interministerial Delegation for Public Transformation (DITP). The programme comprises nine commitments with three objectives.
Closer to you
Saturday 3 February 2024
10:00am - 5:00pm
Beaux-Arts de Paris
14 rue Bonaparte, 75006 Paris
Interested in joining the Beaux-Arts de Paris?
Come along to our Open Day on Saturday 3 February 2024
Free admission from 10am to 5pm
A regular event since 2020 for those wishing to join the School and find out all about the training on offer at Beaux-Arts de Paris - the social preparatory class (Via Ferrata), the 1st cycle diploma (Bachelor's level) and the Higher National Diploma of Plastic Arts (DNSAP, Master's level).
A unique opportunity to talk to the staff, teachers, students and graduates.
Affiche Journée portes ouvertes 2024, réalisée par Margot Bernard, étudiante Atelier Sirjacq
Friday 26 January 2024
2:00pm - 4:00pm
INHA
2 Rue Vivienne, 75002 Paris
Speakers: Éva Belgherbi (doctoral student in art history), Catherine Gonnard (INA)
This session will examine the place of women artists in the ranks of students at the Beaux-Arts in Paris. More broadly, it will look at the way in which gender and its non-binarity are dealt with and represented by educational bodies and through the social norms in force in the micro-society that is the School.
INHA - salle Vasari
2 Rue Vivienne, 75002 Paris
Free admission subject to availability
Photo credits: © All rights reserved
Thursday 25 January 2024
7:00pm - 8:30pm
Amphithéâtre des Loges
14 rue Bonaparte, 75006 Paris
Paul Thek (1933-1988), one of the most singular American artists of the second half of the 20th century, always refused to belong to mainstream art.
During the 1960s, his work developed on the fringes of Pop art and minimal art, taking the body as its subject in its most carnal representation.
A free-spirited, well-travelled artist, he spent fifteen years travelling around Europe and living in Italy, where his art and culture profoundly influenced some of his work.
Couverture de Paul Thek en Italie / Paul Thek in Italy 1962-1976
Thursday 18 January 2024
7:00pm - 8:30pm
Amphithéâtre des Loges
14 rue Bonaparte, 75006 Paris
"The end of the world is a concept without a future".
Paul Virilio, the great architect and philosopher who died in 2018, was the originator of dromology, the study of the role played by speed in modern societies. To mark the publication of 22 of his essays (published by Seuil), his daughter Sophie Virilio, architect Jean Richer, publisher Maria Vlachou and art historian Christian Joschke discuss accelerationist thinking.
Dunkerque et dessus, Virilio 5-7 juin 1969 © Michel Pamart, photo Fonds S. Virilio
10 years ago, the Prix du Dessin Contemporain was created by the association Le Cabinet des Amateurs de Dessins des Beaux-Arts de Paris, which plays an active role in enriching the collections of the Beaux-Arts de Paris, with a view to encouraging young artists.
Mathieu Bonardet - Prix 2013 - Endless Road V, 2013 Mine graphite 35,3 x 50 cm Inv. EBA 8449 Don de l’association Le Cabinet des amateurs de dessins des Beaux-Arts en 2013
Elvire Caillon - Prix 2014 - Cinq cents euros, série de dix dessins, 2014 Crayons de couleur sur papier gris, 50 x 70 cm chaque. Inv. EBA 8544-1 à 8544-10 Don de l’association Le Cabinet des amateurs de dessins des Beaux-Arts en 2014
Marcella Barceló - Prix 2015 - Sans titre, 2015 Technique mixte sur papier 145 x 140 cm, Inv. EBA 9261 Don de l’association Le Cabinet des amateurs de dessins des Beaux-Arts en 2015
César Bardoux - Prix 2017 - Composition #1, 2017 Encre de Chine sur papier 65 x 49,5 cm. Inv. EBA 10998 Don de l’artiste en 2017
Bianca Argimón - Prix 2016 - Sans titre 2 (G20), Graphite, crayons de couleur, feutres et collages sur papier 38,3 x 28,7 cm. Inv. EBA 10721 Inscription : signé en bas à droite, Bianca Argimon XIV. Don de l’artiste en 2016
Lenny Rébéré - Prix 2018 - Sans titre, Graphite et fusain 40 x 60 cm. Inv. EBA 11026 Don de l’association Le Cabinet des amateurs de dessins des Beaux-Arts en 2018
Katarzyna Wiesiołek - Prix 2018 - Echo II, 2023 Pigment pur en poudre et pastel sec sur papier 215 x 150 cm
Solène Rigou - Prix 2019 - Sans titre : triptyque (3 dessins), Graphite 63 x 78 cm. Inv. EBA 11172 Don de l’association Le Cabinet des amateurs de dessins des Beaux-Arts en 2019
Manon Gignoux - Prix 2020 - Corps, ombres et légumes, 2019 Aquarelle, encre, graphite, empreinte 120 x 80 cm. Inv. 2021.17.3 Don de l’association Le Cabinet des amateurs de dessins des Beaux-Arts en 2021
Tiziano Foucault-Gini - Prix 2021 - Abandon, numéro 4, 2018 Graphite 60 x 69 cm. Inv. 2021.18.1 Don de l’artiste en 2021
Cassius Beau Baron - Prix 2022 - Sans titre, 2022 Graphite 60 x 90 cm. Inv. 2022.24.4 Don de l’association Le Cabinet des amateurs de dessins des Beaux-Arts en 2022
Timothée Gruel - Prix 2023 - Dédain, Portrait de ma soeur avec un couple en short, 2023 Fusain sur papier 94,7 x 60 cm Don de l’association Le Cabinet des amateurs de dessins des Beaux-Arts en 2023
Wednesday 10 January 2024
7:00pm - 8:30pm
Amphithéâtre des Loges
14 rue Bonaparte, 75006 Paris
The École d'architecture Paris-Malaquais and the École des Beaux-arts de Paris invite Chris Dercon, Managing Director of the Fondation Cartier pour l'Art Contemporain, in connection with the "L'entour" course. The conference will be moderated by Yann Rocher (Paris-Malaquais) and Alain Berland (Beaux-arts).
From wednesday 24 january 2024 to sunday 17 march 2024
Wednesday to Sunday 1pm - 7pm, Thursday night until 9pm
Palais des Beaux-Arts
13 quai Malaquais, 75006 Paris
Des lignes de désir presents the twenty-eight artists who graduated from the Beaux-Arts de Paris with a Diplôme National Supérieur d'Arts Plastiques and a Congratulations from the Jury in 2023.
The exhibition, curated by Emilie Villez, reflects the diversity of the artistic proposals that have emerged from the School. Paintings, sculptures, installations and videos coexist with performance and publishing practices, presented through a weekly programme.
Lines of desire, also known as paths of free will, are gentle challenges to the system, traced out in the landscape by the erosion of humans or animals as they walk. Criticism of the excesses of modernity is a subtext for the artists presented.
Getting off the beaten track, while finding one's place in the art ecosystem: the aim of the exhibition is above all to present the public with a panorama of contemporary artistic practices, opening up avenues of resonance and reflection on art and the world today.
Events will be held every week, with details of the programme to follow on beauxartsparis.fr.
To coincide with the opening on 23 January, Rose Bourdon will be presenting an inaugural performance: DIPLÔMÉ.ES is a collective play in which five École Centrale Paris students play the first-person roles of alumni whose lives and testimonies have been collected during telephone calls over the past few months. The actors each wear an 'alloro trionfale' laurel wreath that distinguishes them from the rest of the audience, a popular symbol of the graduation rite. The testimonies are documented and archived in an edition produced by Margot Bernard.
A publication accompanies the exhibition.
Of the 96 students graduating in 2023, 28 were awarded Congratulations by the jury made up of Eva Barois de Caevel,
exhibition curator, Sébastien Gökalp, director of the Musée national de l'histoire de l'immigration, Claire Le Restif,
director of the Centre d'art contemporain d'Ivry - Le Crédac, Mélanie Matranga, artist, Elena Sorokina, curator and art historian
and art historian, Stéphane Thidet, artist, and Emilie Villez, curator.
Carl AMIARD, Raphaëlle BENZIMRA, Joséphine BERTHOU, Thomas BESSET, Rose BOURDON, Marion CHAILLOU, Béryl COULOMBIÉ, Arthur DUJOLS-LUQUET, Yanma FOFANA, Milana GABRIEL, Thibault HISS, Nina JAYASURIYA, Louis LANNE, Louise LE PAPE, Sehyoung LEE, Marc LOHNER, Amandine MASSÉ, Pierre MÉRIGOT, Elise NGUYEN QUOC, Théo PALL, Océane PILASTRE, Margot POISSON, Victor PUŠ-PERCHAUD, Valentin RANGER, Sofia SALAZAR ROSALES, Gabrielle SIMONPIETRI, Anna STELLITTANO, Antonia TIETZE
Emilie Villez is an exhibition curator. She is interested in artistic and curatorial methodologies, the construction of institutions and their ecosystems. Her practice creates relationships between practitioners of different generations and geographies, using various media and adopting decentralisation as a method.
Director of the KADIST foundation in Paris from 2013 to 2023, she has developed a programme of solo and group exhibitions in Paris and in international partner institutions, with guest artists and curators from all regions. She has also contributed and continues to enrich the foundation's collection by acquiring works by emerging and established artists.
The exhibition is accompanied by the publication of a catalogue.
Forewords by Alexia Fabre and Emilie Villez.
Interviews with each of the artists by art critics Marjorie Bertin, Aurore Forray, Henri Guette, Emmanuelle Luciani, Camille Paulhan and Anne-Laure Péressin, with 4 pages devoted to each Félicité-e.
Programme around the exhibition
Les Inrocks "28 young artists weave their web at the Beaux-Arts de Paris"
Libération "Félicités 2023": graduates of the Beaux-Arts de Paris show off their fine designs"
Beaux Arts Mag 5 Paris Beaux-Arts graduates who blew us away
Affiche - Des lignes de désir - Exposition Félicités 2023
2, 5 or 10 €, the choice is yours!
The ticket office in charge invites each visitor coming to discover an exhibition at the Beaux-Arts de Paris to choose his or her entrance ticket from among 3 proposed rates: 2 €, 5 € or 10 €. Contribute according to your means, your passion and your desire for commitment!
Free of charge (on presentation of a valid receipt):
• under 26 years old
• students and teachers of the National Higher Schools of Art and Architecture of the Ministère de la Culture
• students from member institutions of the University of Paris-Sciences-et- Lettres (PSL)
• students of the École du Louvre
• holders of the Ministère de la Culture card
• Amis des Beaux-Arts de Paris
• card holder : Maison des Artistes, ICOM, ICOMOS, Association française des commissaires d’exposition (CEA)
• journalists
• jobseekers, recipients of minimum social benefits
• civilian disabled and war-disabled (with an attendant)
Japan and the Beaux-Arts de Paris have a very strong bond, and are emblematic of the School's international strategy, with partnerships spanning more than 30 years. Nearly a dozen students exchange ideas every year, and joint educational and artistic projects are organised.
Juliette Corne mixes video, documentary film and installation. Her work responds to contemporary news stories, exploring the complexity of the narratives told by those most affected. She is interested in points of passage and stages of transition. She looks at the duality of exile by interviewing those around her.
Juliette Corne - En Cours, triptyque vidéo, 18 min, 2022
Clément Courgeon - Archive photographique de la performance « une cabane de salive », dans le cadre du 72 -ème festival de Jeune Création, Fondation Fiminco, Romainville (FR) 2022
Naya danse - But I'm a Cheerleader ©Sacha Rey
