Radiobal, the radio station of the Beaux-Arts de Paris Aka the best radio in the world! will be present for 1h30 of live music.

Programme devised by 

Radio Bal 

Choral singing workshop with Pablo Altar and Louise Calzada.

Artist Apolonia Sokol, a graduate of the Beaux-Arts in Paris, is known for her political stance on portraiture. During this meeting, she will talk about the film portrait - Apolonia, Apolonia - recently released in cinemas, which director Léa Golb devoted to her over a period of thirteen years. 

From her studies at the Beaux-Arts in Paris to the recognition of her work, the destinies of Oksana Shachko, one of the founders of Femen, and of the director, are also mirrored in Apolonia. A sorority with three faces, facing the test of today's world.

Mohamed Amer Meziane The desert and the underground, The environmental history of Orientalism

In many ways, the critique of Orientalism is the founding act of postcolonial studies. Criticised as a colonial system of representation, the question of the contribution of this discourse to the current climate crisis has been less frequently raised. This is what philosopher Mohamed Amer Meziane proposes in this lecture by analysing two non-human figures: the desert and the underground.

Artist Vincent Barré talks to his guests - François Barré, Gabrielle Conilh de Beyssac, Sylvain Dubuisson, Gérard Dupaty, Cyril Neyrat and Mathieu Pilaud - about the notebooks he donated to the Beaux-Arts collection in Paris in 2023. 

As part of the exhibition L'amitié : ce tremble (Friendship: this trembles), taking place at the CRAC Alsace in Altkirch until 12 May, and at the Crédac in Ivry from 28 April to 13 July 2024.

Norwegian artist Marthe Ramm Fortun (born 1978 in Oslo) creates empathetic and meaningful links with her audience through a series of distinct performances and specific sculptural environments.

Reading of the correspondence between Unica Zürn and Hessie 
Copyright: library of the Musée d'art Moderne de Paris 

Estelle Coppolani is a poet, playwright and editor. She works on the literary backgrounds of the Indian Ocean and on the phenomena of poetic recomposition engendered by situations of migration. She writes alone (Couronnées d'oiseaux) or with others (Mais le monde est une mangrovité). She is a member of the Scientific Committee of the Edouard Glissant Art Fund and of the publishing house Les Prouesses.