From friday 22 march 2024 to sunday 30 june 2024

Du mercredi au dimanche, 13h-19h

Cabinet des dessins et des estampes – Jean Bonna 

14 rue Bonaparte, 75006 Paris

The Tiepolo exhibition will be closed until Sunday 2 June. We apologise for any inconvenience caused.


"Exceptional exhibition" Les Echos

"At the Beaux-Arts in Paris, a luminous tribute to the Tiepolo family" La Croix

"Tiepolo & Cie, une famille en or" Connaissance des arts

"An exceptional collection of drawings and etchings celebrating the artistic genius of 18th-century Venice" Sortir à Paris



This exceptional exhibition brings together drawings and etchings by Giambattista Tiepolo and his two sons, Giandomenico and Lorenzo Tiepolo, a family of virtuoso artists in 18th-century Venice.

The Beaux-Arts de Paris owns a remarkable collection of ten works by Giambattista Tiepolo (1696-1770), making it the second-largest public collection of the artist's drawings in France. Above all, this collection is the only one in France to include drawings not only by Giambattista, but also by his two painter sons, Giandomenico (1727-1804) and Lorenzo (1736-1776), as well as another of Tiepolo's assistants in the 1730s, Giovanni Raggi. This collection alone provides an overview of graphic practices within the family and the studio.

The study of these sheets and prints, combined with works by other artists - sources of inspiration such as Rembrandt, masters such as Piazzetta, and contemporaries such as Canaletto, Guardi and Novelli - highlights the great modernity of their art. This is particularly evident in their ability to produce variations on the same theme, both in traditional religious and mythological subjects and in figure studies, particularly caricatures, as well as scenes from Venetian life. The exhibition also explores the relationship between the father and his sons, and the work within a family of artists.

The tour begins with a series of studies of heads and faces that raise the question of training in the Tiepolo studio. It then moves on to religious paintings and large-scale secular decors produced by the Tiepolos and their contemporaries in Venice, followed by autonomous graphic works conceived outside of any painted project, as pure graphic exercises or pleasures, based on iconographic themes repeated almost obsessively, in multiple variants.

It is the exceptional inventiveness of Giambattista and Giandomenico Tiepolo, one of the most fascinating facets of their artistic personalities, that these drawings and prints allow us to rediscover.


Curated by Hélène Gasnault, curator of drawings at Beaux-Arts de Paris, and Giulia Longo, curator of engravings and photos at Beaux-Arts de Paris.

The catalogue

A catalogue accompanies the exhibition, with texts by Catherine Loisel, honorary curator at the Musée du Louvre and a specialist in early Italian drawings, Hélène Gasnault, curator of drawings, and Giulia Longo, curator of prints and photographs at the Beaux-Arts de Paris.

Carnet d'études n°58
112 pages
Price €25

Practical info

from Friday 22 March to Sunday 30 June 2024
(The exhibition will be closed on Wednesday 1 May 2024)

14 rue Bonaparte, Paris 6e
Wednesday to Sunday, 1pm-7pm
2€, 5€ or 10€ the choice is yours!

RESPONSIBLE TICKETING 

 

 

2, 5 or 10 €, the choice is yours!

The ticket office in charge invites each visitor coming to discover an exhibition at the Beaux-Arts de Paris to choose his or her entrance ticket from among 3 proposed rates: 2 €, 5 € or 10 €. Contribute according to your means, your passion and your desire for commitment!

Free of charge (on presentation of a valid receipt):

• under 26 years old

• students and teachers of the National Higher Schools of Art and Architecture of the Ministère de la Culture

• students from member institutions of the University of Paris-Sciences-et- Lettres (PSL)

• students of the École du Louvre

• holders of the Ministère de la Culture card

• Amis des Beaux-Arts de Paris

• card holder : Maison des Artistes, ICOM, ICOMOS, Association française des commissaires d’exposition (CEA), Section française de l'Association internationale des critiques d'art (AICA France) 

• journalists (current year press card) 

• jobseekers, recipients of minimum social benefits

• civilian disabled and war-disabled (with an attendant)

 

From Monday 19 February 2024 to Tuesday 20 February 2024

7:00pm - 8:30pm

Galeries droite et gauche

14 rue Bonaparte, 75006 Paris

ENTRÉE LIBRE

Atravessemos! - Portrait de la ville de São Paulo was created following a study trip to São Paulo in September 2022 by the Atelier danse performance of the Beaux-Arts de Paris, directed by Emmanuelle Huynh.  She then invited visual artist Jocelyn Cottencin to continue the collaboration they had begun in 2016 around city portraits.
Nine students from the Beaux-Arts de Paris met with ten student artists from the Pontifical University of São Paulo to share their daily lives, memories, history and fiction.

In 2024, the Beaux-Arts de Paris are staging the 4th edition of Crush. For this new edition, 80 4th and 5th year students from the Beaux-Arts de Paris are presenting their work in the glass courtyard.

For this exhibition, they were assisted by three curators: Louise NICOLAS DE LAMBALLERIE, researcher, production manager and curator, Tadeo KOHAN, curator and Emilie VILLEZ, curator.


If you are a professional, you can register here

Des lignes de désir presents the twenty-eight artists who graduated from the Beaux-Arts de Paris with a Diplôme National Supérieur d'Arts Plastiques and a Congratulations from the Jury in 2023.

The exhibition, curated by Emilie Villez, reflects the diversity of the artistic proposals that have emerged from the School. Paintings, sculptures, installations and videos coexist with performance and publishing practices, presented through a weekly programme.

Friday 16 February 2024

2:00pm - 4:00pm

Amphithéâtre d'Honneur

14 rue Bonaparte, 75006 Paris

ENTRÉE LIBRE

Gilles Clément in dialogue with Michel Blazy and Patricia Ribault

As part of the Michel Blazy workshop and Patricia Ribault's diploma seminar on "Ruse, bricolage et savoir-faire: formes de l'ingéniosité", we will be welcoming the gardener, landscape gardener, botanist, entomologist, biologist, writer and teacher Gilles Clément for a special lecture.

Venice Biennale 2024 - French Pavilion: Julien Creuzet 

Artist and studio head Julien Creuzet has been chosen by an international jury to represent France.
The Beaux-Arts de Paris publishing department will be publishing the exhibition catalogue to mark the occasion.


More details on this project, which draws on the imagination of the Caribbean and the intersection of African, Indian and European cultures, will be given at a press conference.

2019 graduate Manon Gignoux creates a monumental work for a building lobby 

For the 5th year running, the law firm Gide has invited students and recent graduates of the School to design a series of 3 short films to be shown throughout the year on the very large LED screens located at the firm's head office in Paris. 43 candidates responded to this call for projects, which were studied by a jury made up of representatives from the Beaux-Arts de Paris and partners from the Gide law firm, who met on 8 December to finalise a selection of projects reflecting the different image practices within the School.

Thursday 29 February 2024

6:00pm - 8:00pm

Amphithéâtre du mûrier

14 rue Bonaparte, 75006 Paris

ENTRÉE LIBRE

Artist Julieta Hanono presents her work on the Cosmology of the Aubervilliers Aquarium at the La Débrouille workshop, with Adria Bentamate and the support of the Bureau des Heures Invisibles. She is in dialogue with the philosophers Fabienne Brugère and Mara Montanaro, on the relationship between cosmology and the philosophy of care, and on the interweaving of cosmology with the pacha mama and Latin American feminisms.
 

Advanced

Wednesday 14 February 2024

7:00pm - 8:30pm

Amphithéâtre des Loges

14 rue Bonaparte, 75006 Paris

ENTRÉE LIBRE

Artist and performer Jocelyn Cottencin uses a wide variety of media to question the place and status of the sign. In the form of installations, films and performances, he explores the way in which images inhabit us, as in the performance Monumental, a score of gestures that activates the memory of certain places or monuments. His work focuses in particular on notions of community, group and the end of modernity.