At the invitation of WE LOVE GREEN and as part of a workshop with the artist Elsa TOMKOWIAK, students in the new 'Fresco & Art in Situation' course at the Beaux-Arts de Paris worked on the idea of a vanished place, a fragment of a fictitious road, a relic of a ghost town or a mirage in the Parc de Vincennes.

 

If reading is a practice perceived as solitary, the way in which the book is made implies the collective.
If the reader appears alone, the edition is multiple.
If the art object has an aura, the printing proposes routes. The multiple is at the same time companion, wedge and support. The multiple is a magic object. Let us recall that it allows the human being to leave his body, to meet unknown beings, to skip censorship, to speak to anonymous people.

Le grand livre de Mondes nouveaux (The big book of New Worlds) lists the 260 artistic projects carried out by visual and performing artists, researchers, dancers, designers, writers, musicians, performers, photographers, etc., within the framework of Mondes nouveaux, a support programme for contemporary artistic creation launched by the government in the context of the France Relance plan.

Le Cercle s'Ouvre Act 2 :

5 July at 5.30pm / conversation between René-Jacques Mayer, Caroline Naphegyi and artists Sara Favriau, Vincent Lamouroux, Nicolas Momein, Morgane Tschiember and Aurélie Sarallier, founder of ColAAb-édition

 

Screening of short films by six student artists or graduates of the School: Joon Yoo, Valentin Ranger, Elfie Mahé, Enzo Perrier, Jérémie Danon, Anaïs-Tohé Commaret.

The screenings will be followed by a discussion with the artists.
The programme has been devised and put together by Alice Narcy, curator and director of Premiers Films.

 

Born in 1962 in Philadelphia, Lisa Yuskavage received her BFA from the Tyler School of Art in 1984 and her MFA from the Yale School of Art in 1986. Since 2005, the artist’s work has been represented by David Zwirner. 

Vincent
LAMBERT

Photography

A freelance author in architectural and industrial photography since 2002, Vincent Lambert conducts parallel research in photo and video documentaries, backed by the notions of territory, threshold and the sacred. A graduate of ENS Louis Lumière and a Master's degree in photography and contemporary art, he is also the author of books with Eyrolles editions.


He has been involved for fifteen years at the Beaux-Arts de Paris, at the University of Paris 8, at the Nikon School, ICART Photo, as well as in BTS photography.