White, history of a colour.
Wednesday 18 January 2023
7:00pm - 8:30pm
Amphithéâtre des Loges
14 rue Bonaparte, 75006 Paris
White, history of a colour.
Wednesday 25 January 2023
7:00pm - 8:30pm
Amphithéâtre des Loges
14 rue Bonaparte, 75006 Paris
Colonial framing: What equivocal relationships has modern photography had with past or contemporary 'other' cultures?
Thursday 12 January 2023
7:00pm - 8:30pm
Amphithéâtre des Loges
14 rue Bonaparte, 75006 Paris
Slow down or perish, the economics of degrowth.
Timothée Parrique is a researcher in ecological economics at Lund University in Sweden. A specialist in degrowth, he is the author of Ralentir ou périr, l'économie de la décroissance (2022), a book based on his doctoral thesis, The political economy of degrowth (2019).
Wednesday 4 January 2023
7:00pm - 8:30pm
Amphithéâtre des Loges
14 rue Bonaparte, 75006 Paris
From vernacular photography to the museum.
Clément Chéroux is currently Director of the Henri Cartier-Bresson Foundation in Paris.
Chief Curator of the Department of Photography at MoMA, New York between 2020 and 2022, he was previously Curator at the Department of Photography at SFMOMA, San Francisco (2017-2020) and Curator and Head of the Cabinet of Photography at Centre Pompidou, Musée National d'Art Moderne, Paris (2013-2016).
Clément Chéroux dialogues with Christian Joschke, art historian and professor at the Beaux-Arts de Paris.
Sunday 15 January 2023
2:00pm - 5:00pm
Amphithéâtre de morphologie
14 rue Bonaparte, 75006 Paris
Meet Andrea Weber to discover her project Weahtertranscription, a work around the observation of the sky and its changing colour. Her transcriptions are like a diary of colours that change over time, one colour line after another. The result is both a horizontal and vertical interpretation of time, sky and earth, up and down, lightness and gravity, letting go and capturing.
Julien Creuzet, a visual artist and studio head at the Beaux-Arts de Paris, will represent France at the 60th edition of the Venice Biennale in 2024, the French Institute, organiser of the French Pavilion, has announced.
Proposed by a selection committee chaired by Chiara Parisi, and chosen by the Ministers of Culture Rima Abdul Malak and Europe and Foreign Affairs and Catherine Colonna, the work of the 36-year-old artist is emblematic of the practices and horizons explored by the young generation in France.
The defence will take place on Monday 19 December 2022, from 2pm onwards by videoconference.
To attend the videoconference, please register in advance:
https://forms.gle/RryWgPs2YrmFLkTV8
Saturday 28 January 2023
10:00am - 5:00pm
Beaux-Arts de Paris
14 rue Bonaparte, 75006 Paris
An information day for potential candidates for the entrance exams and their families to find out all about the training offered - the public social preparatory class (Via Ferrata), the Beaux-Arts de Paris undergraduate diploma (Bachelor's level) and the National Superior Diploma of Plastic Arts (DNSAP, Master's level).
From wednesday 8 february 2023 to sunday 30 april 2023
Wednesday to Sunday 1pm - 7pm, Thursday night until 9pm
Palais des Beaux-Arts
13 quai Malaquais, 75006 Paris
Exhibition conceived by the French Academy in Rome - Villa Medici and the Beaux-Arts de Paris, with the support of the Musée national d'art moderne - Centre Pompidou, Paris. A first part, including a selection of ancient works from Italian collections, was presented in Rome from March to May 2022. This second Parisian part was established on the basis of the collections of the Beaux-Arts de Paris and other French and European institutions.
Bringing together more than one hundred and fifty original works from the Renaissance to the contemporary period, Gribouillage / Scarabocchio highlights one of the most repressed and least controlled aspects of drawing practice. By addressing the multiple facets of "scribbling",
the exhibition reveals how these experimental, transgressive, regressive or unintentional graphic gestures can be used to
transgressive, regressive or liberating, which seem to obey no law, have always punctuated the history of artistic creation.
By proposing new comparisons between the works of the masters of early modernity - Leonardo da Vinci, Raphael, Michelangelo, Bernini... - and those of major modern and contemporary artists - Jean Dubuffet, Henri Michaux, Helen Levitt, Cy Twombly, Jean-Michel Basquiat, Luigi Pericle... - the exhibition blurs chronological classifications and traditional categories (margin and centre, official and unofficial, classic and contemporary, work and document) and places the practice of doodling at the heart of artistic making.
Curators: Francesca Alberti, Director of the Department of Art History at the French Academy of Rome - Villa Medici, Associate Professor at the University of Tours, CESR
Diane Bodart, Professor of Art History at Columbia University (David Rosand Chair in the History of Italian Renaissance Art)
Associate curators: Anne-Marie Garcia, heritage curator, responsible for the collections of the Beaux-Arts de Paris and Philippe-Alain Michaud, art historian, heritage curator at the Musée national d'art moderne - Centre Pompidou.
Events and visits are organized every other Thursday night, find the program here
Set design: Isabelle Raymondo
Lighting design : Virginie Nicolas (Concepto)
Set design and furniture : Version Bronze
Exhibition with the support of the Association Orphée, Flos, RATP.
The exhibition catalogue, which brings together 300 of the works exhibited in Rome and Paris, is published in Italian and French versions, co-edited by Beaux-Arts de Paris éditions and the Villa Medici. This reference publication offers a richly documented synthesis of the two exhibitions.
Number of pages: 400
Price incl. VAT: €39.00
Directed and introduced by the curators of the exhibition, Francesca Alberti and Diane Bodart, it contains seven chapters and brings together unpublished contributions by numerous authors whose essays and notes shed light on the works and extend the research work.
Authors of the essays: Francesca Alberti, Diane Bodart, Emmanuelle Brugerolles, Baptiste Brun, Angela Cerasuolo, Hugo Daniel, Vincent Debaene, Dario Gamboni, Tim Ingold, Giorgio Marini, Philippe-Alain Michaud, Anne Monfort-Tanguy, Mauro Mussolin, Gabriella Pace, Maria Stavrinaki, Nicola Suthor, Alice Thomine-Berrada, Barbara Wittmann.
Authors of the notes: Marco Simone Bolzoni, Emmanuelle Brugerolles, Cristina Cilli, Anne Marie Garcia, Gloria Guida, Mauro Mussolin, Federica Rinaldi, Carla Subrizi, Meta Valiusaityte.
Graphic designer: Mauro Bubbico.
Affiche GRIBOUILLAGE / SCARABOCCHIO De Léonard de Vinci à Cy Twombly
Cy Twombly, Delian Ode n°19, août 1961 Craie grasse, crayon, crayon de couleur et stylo à bille sur papier, 33,3 x 35,3 cm Collection privée, Paris / Dépôt à la Collection Lambert, Avignon © Cy Twombly Foundation
Giovanni Francesco Caroto, Portrait d’enfant montrant un dessin, 1515-1520 Huile sur toile, Vérone, Museo di Castelvecchio © Archivio Fotografico dei Musei Civici, Verona (Gardaphoto, Salò)
Jean Dubuffet, Henri Calet, 1947 Encre de Chine (plume) sur papier Paris, Fondation Dubuffet © Fondation Dubuffet / ADAGP, Paris
Rembrandt, Griffonnements avec la tête de Rembrandt, Portrait, 1632 Gravure sur cuivre © Beaux-Arts de Paris
Inge Morath, Alberto Giacometti encadrant un graffiti sur le mur de son atelier parisien au 46 rue Hippolyte-Maindron, 1958 Tirage gélatino-argentique, New York, Inge Morath Estate © Inge Morath / Magnum Photos
Asger Jorn, L’Avangarde se rend pas (détail), 1962, Paris, Centre Pompidou / MNAM-CCI © Donation Jorn, Silkeborg / Adagp, Paris, 2022 / Centre Pompidou, MNAM-CCI, Dist. RMN-Grand Palais, photo : Georges Meguerditchian
Niels Cibois, a 2021 graduate of the Beaux-Arts de Paris, is the winner of a call for projects organised with RM Yachts, designer of traditional wooden racing yachts
His ephemeral artistic creation on the hull of a brand new RM yacht can be seen outside at the entrance to the Paris Boat Show, Porte de Versailles, from 3 to 10 December.
His project is inspired by various ancient cultures in relation to the sea, both the Greek Mediterranean culture and the Maori culture, which had managed to capture the communion between man and the sea through their art.