Students from Julien Sirjacq's studio at the Beaux-Arts de Paris are invited to take over the space of the Gallery as part of the exhibition cycle "La Construction du Champ".

 

For part #4 of this cycle, the artists question our relationship to the world and to others, the way we show ourselves and our modes of relationship. From their own identities and experiences, biographies and fictions intersect to construct new narratives of reality and update, in this sense, the link between the individual and the collective.

 

The Pernod Ricard Foundation and the Beaux-Arts de Paris renew their collaboration for 2022-2023. Clédia Fourniau, 2021 graduate, inaugurates the second season of the "L'Avancée" program with her paintings in the heart of the café-library.

 

Located in the heart of the café-library of the new Pernod Ricard Foundation, l'Avancée is a hanging space dedicated to emerging artists, a way to extend the exhibition space into the living space.

The Cercle Chromatique, the alumni association of the Beaux-Arts de Paris, invites Cyprien Chabert to present his project Le théâtre des formes. 
The amphitheater, a place of learning about human morphology, will host a vast wall drawing.
It is a kinesis of vegetal and organic forms that combines performance and the realization of a painting on the scale of architecture, the basis of this work presented as a memory of gesture.  

 

Amphitheater of morphology
14 rue Bonaparte, Paris 6e

Free admission subject to availability

On the occasion of the publication of John Giorno's Memoirs by the Editions des Beaux-Arts de Paris, a reading is organized at the Maison de la Poésie in the presence of the artist Ugo Rondinone and Jean-Jacques Lebel, artist and specialist of sound poetry.

 

Reservation

Practical information

Maison de la Poésie
157 rue Saint-Martin, Paris 3e

Admission by reservation, subject to availability

The Beaux-Arts de Paris has just completed the restoration of one of the most precious works in its collections: the Trinité aux Chanoines, painted for the canons of Notre-Dame de Paris by the Master of Dunois in the first half of the 15th century. This exceptional work is today one of the three rare surviving examples of Parisian painting from the first half of the 15th century, along with the Last Judgment in the Musée des Arts Décoratifs and the Jouvenel des Ursins Family in the Musée de Cluny.

Thibault Boulvain defended his dissertation in 2017 at the University of Paris 1 Panthéon-Sorbonne on visual representations of HIV-positive status and AIDS in Europe and the United States between 1981 and 1997. The resulting book, L'art en sida. 1981-1997, was published in June 2021 by Presses du réel (collection "Œuvres en sociétés").

 

The artist Haegue Yang creates installations composed of photographs, videos and sculptural elements from her philosophical and political research. Responding to the places where she exhibits, she creates new in-situ installations integrating both the architecture of the exhibition space and the materials collected around it. Her refined yet singular vision of materiality, combined with an elegant sense of space and atmosphere, contribute to the development of enveloping and resonant installations.

 

"With Isadora Duncan, Jérôme Bel drew up for the first time the danced portrait of a choreographer, after having concentrated exclusively on the life of the dancers. For this new creation, which he describes as "auto-bio-choreo-graphic", he lends himself to his own exercise and delivers his personal account of a life of dance.

Subscribe to