Friday 4 March 2022

5:00pm - 6:00pm

Amphithéâtre d'Honneur

14 rue Bonaparte, 75006 Paris

ENTRÉE LIBRE

William Kentridge is one of today's most prominent contemporary artists. He works in a multitude of media: drawing, writing, film, performance, music, theater, and collaborative practices, to create artworks that are rooted in politics, science, literature, and history, while maintaining space for contradiction and uncertainty. 

Removal of the Cornice of the Constable of Montmorency

This important remnant of the French Renaissance, due to the architect Jean Bullant and from the Musée des Monuments Français, had been arranged since the second half of the nineteenth century in the Lenoir garden.

 

His removal is essential so that companies can access the Torpanne arch, which must be dismantled for restoration.

 

Wednesday 23 February 2022

6:00pm - 8:00pm

Palais des Beaux-Arts

13 quai Malaquais, 75006 Paris

BILLETTERIE RESPONSABLE

As part of the Exhibition Theater - Season 2, Act 3, come and attend an exceptional evening during your visit to the exhibition.

Come for a real ♥ Speed Dating ♥ meet art, love, and more if you like...

 

The exhibition Speed Dating is the result of pictorial encounters framed by a protocol imagined between the students of the Nina Childress studio at the Beaux-Arts de Paris and the Beaux-Arts de Dresden.

RESPONSIBLE TICKETING 

 

 

2, 5 or 10 €, the choice is yours!

The ticket office in charge invites each visitor coming to discover an exhibition at the Beaux-Arts de Paris to choose his or her entrance ticket from among 3 proposed rates: 2 €, 5 € or 10 €. Contribute according to your means, your passion and your desire for commitment!

Free of charge (on presentation of a valid receipt):

• under 18 years old

• students and teachers of the National Higher Schools of Art and Architecture of the Ministère de la Culture

• students from member institutions of the University of Paris-Sciences-et- Lettres (PSL)

• students of the École du Louvre

• holders of the Ministère de la Culture card

• Amis des Beaux-Arts de Paris

• card holder : Maison des Artistes, ICOM, ICOMOS, Association française des commissaires d’exposition (CEA)

• journalists

• jobseekers, recipients of minimum social benefits

• civilian disabled and war-disabled (with an attendant)

 

Postponed

Thursday 3 March 2022

7:00pm - 8:00pm

Amphithéâtre des Loges

14 rue Bonaparte, 75006 Paris

ENTRÉE LIBRE

Due to scheduling reasons, Penser le Présent with Édouard Louis has been postponed to a later date.
We will inform you as soon as possible. Thank you for your understanding 

 

Cette classe préparatoire publique prépare, durant un an, des élèves issus de la diversité sociale, géographique et culturelle aux examens et concours d’entrée dans les établissements supérieurs d’enseignement artistique (95% taux de réussite).

VIA FERRATA, la classe préparatoire intégrée aux Beaux-Arts de Paris, double ses effectifs en septembre 2021 et accueille 50 nouveaux élèves.     Cette classe préparatoire publique prépare, durant un an, des élèves issus de la diversité sociale, géographique et culturelle aux examens et concours d’entrée dans les établissements supérieurs d’enseignement artistique (95% taux de réussite).

Are you interested in joining the Beaux-Arts de Paris?

Attend our Open Day on Saturday 12 February 2022
In person and via distance learning
Free admission from 9.30am to 5.30pm

 

From February 3 two new exhibitions open at the Beaux-Arts de Paris.

 

The Baroque in Rome presents 17th-century Rome. An exhibition that allows us to measure the importance of the Baroque breath around the most outstanding personalities of the century: the Bernini, Peter of Cortona, Salvator Rosa or Carlo Maratti. Thirty-four leaves selected among the masterpieces of the collection of the Beaux-Arts de Paris.
A catalogue is published for the occasion. A catalog is published on this occasion.

In 2022, the Beaux-Arts de Paris are offering the 2nd edition of CRUSH.

 

An exhibition aimed at art professionals revealing more than forty students selected by three guest curators: Alexia Fabre, chief curator and director of the MAC/VAL, museum of contemporary art in the Val de Marne, Audrey Illouz, art critic and independent curator and Cristiano Raimondi, independent curator.

 

Roselyne Bachelot-Narquin, Minister of Culture, has decided to appoint Alexia Fabre as director of the École nationale supérieure des Beaux-Arts de Paris, after a selection procedure conducted in close consultation with the institution's board of directors.

 

Chief curator of heritage, Alexia Fabre previously directed the MAC VAL, the museum of contemporary art in Val-de-Marne.