The work of the artist Leonor Antunes takes its point of departure in a history of modernity of which she privileges the shadowy zones, those in particular where many women designers, architects or artists have been relegated.
The relationship between text and image has never been so present in contemporary art (Basquiat, Cy Twombly, Street Art, etc.). It is particularly evident in the field of drawing, which is similar to writing by its literal graphic character, but also by its privileged medium, paper.
The Beaux-Arts de Paris was pleased to welcome more than 5 300 visitors during this weekend for the 38th edition of the European Heritage Days. Thank you for coming in great numbers, for your curiosity and good mood and thank you to all the teams who were mobilized.
We are happy to have been able to finally open our doors this year and we look forward to seeing you in 2022.
Laurène Barnel, a 2018 graduate of the Beaux-Arts de Paris, is a member of the AIMS class of 2022.
AIMS is a diploma course"Artist intervening in the school environment" for primary and secondary school classes, in the cities of Aubervilliers (93), Gennevilliers (92), Montreuil (93), Saint-Denis (93) and Saint-Ouen-sur-Seine (93).
The new class is composed of seven students who graduated from the five national art schools in Paris
Dedicated to the work of the famous Venezuelan artist Carlos Cruz-Diez, this reprint in French of Reflexión sobre el color, published in Spanish in 1989 by the Juan March Foundation, offers an overview of the work of one of the most important artists in Latin America. Known for his research within the kinetic movement, his experiments have influenced ideas about color.
This collection delivers eighteen anthropological investigations carried out by the students of the Beaux-Arts de Paris in immersion in various environments: Afrodance dancers, markets, groups of bikers...
This approach was suggested to them by their anthropology professor Monique Jeudy-Ballini.
This coloring book is made from 24 photographs by Patrick Faigenbaum, professor at the Beaux-Arts de Paris.
Patrick Faigenbaum's first images date from the early 1970s. He quickly became a portraitist of humans, but also of objects and places.
Following a call for applications to develop cooperation with the Balkan countries, launched by the Ministry of Europe and Foreign Affairs and supported by the Solidarity Fund for Innovative Projects, the Beaux-Arts de Paris proposed a project with the University of Arts of Tirana.
