Laurène Barnel, a 2018 graduate of the Beaux-Arts de Paris, is a member of the AIMS class of 2022.
AIMS is a diploma course"Artist intervening in the school environment" for primary and secondary school classes, in the cities of Aubervilliers (93), Gennevilliers (92), Montreuil (93), Saint-Denis (93) and Saint-Ouen-sur-Seine (93).
The new class is composed of seven students who graduated from the five national art schools in Paris
Dedicated to the work of the famous Venezuelan artist Carlos Cruz-Diez, this reprint in French of Reflexión sobre el color, published in Spanish in 1989 by the Juan March Foundation, offers an overview of the work of one of the most important artists in Latin America. Known for his research within the kinetic movement, his experiments have influenced ideas about color.
This collection delivers eighteen anthropological investigations carried out by the students of the Beaux-Arts de Paris in immersion in various environments: Afrodance dancers, markets, groups of bikers...
This approach was suggested to them by their anthropology professor Monique Jeudy-Ballini.
This coloring book is made from 24 photographs by Patrick Faigenbaum, professor at the Beaux-Arts de Paris.
Patrick Faigenbaum's first images date from the early 1970s. He quickly became a portraitist of humans, but also of objects and places.
Following a call for applications to develop cooperation with the Balkan countries, launched by the Ministry of Europe and Foreign Affairs and supported by the Solidarity Fund for Innovative Projects, the Beaux-Arts de Paris proposed a project with the University of Arts of Tirana.
From thursday 23 september 2021 to saturday 25 september 2021
September 23 from 6 to 8 p.m. and September 24 and 25 from 2 to 5 p.m.
Atelier de Dessin
14 rue Bonaparte, 75006 Paris
Exhibition of the four candidates and the winner of the 2021 Contemporary Drawing Prize, awarded by the association Le Cabinet des amateurs de dessin des Beaux-Arts de Paris. The winning artist will receive €4,500 and one or more of his or her works will be acquired by the Cabinet Bonna to enrich its collections.
Thursday, September 23 from 6 to 8 pm
Friday, September 24 from 2 to 5 pm
Saturday September 25 from 2pm to 5pm
Cassius Beau Baron, 4th year student James Rielly workshop
Tiziano Foucault-Gini, 4th year student Julien Sirjacq workshop
Daniel Galicia, 4th year student James Rielly and Emmanuelle Huynh workshops
Ludovic Lalliat, 5th year student Joann Sfar workshop
Anna Oarda, 4th year student Stéphane Calais workshop
Drawing workshop - 14 rue Bonaparte, Paris 6e
The bas-relief "Crucifixion" by François Marchand is absent to make way for a suspended wax drape made by Juliette Minchin. The crucified man has disappeared: all that remains is the cloth that hid his nakedness. Echoing the loincloth worn by Jesus - the Perizonium - very present in the imagery of the crucifixion, the work appears as a sacred cloth.
This fabric also refers to the "Descent from the Cross" where a sheet helps the characters to support and carry the body of Christ and then serves as a shroud.
Relique, 2021, 79 x 55 x 14 cm, cire et laiton patinés
Madeleine Planeix-Crocker is a Franco-American curator, researcher, practitioner and teacher based in Paris. She has practised dance and theatre since childhood. A graduate of Princeton University in Cultural Studies, she obtained a Masters specialising in Media, Art and Creation at HEC Paris and a Masters 2 at EHESS. There she led a research-creation project with the Women Safe association, where she now runs a theatre and creative writing workshop. Madeleine is currently pursuing a thesis at EHESS (CRAL) on contemporary communal performance in France.
Since 2018, Madeleine has been an associate curator at Lafayette Anticipations. She programmes performances, meetings with artists and researchers, and public workshops. Her interests lie at the crossroads of research and the curation of performances with intersectional commitments.
She is also a permanent member of the Scientific Research Council of ESAD Reims.
