To mark the publication of his new monograph by Gallimard, Dominique Perrault – architect of the Bibliothèque nationale de France, urban planner, member of the Académie des Beaux-Arts and winner of the Praemium Imperiale – talks to Éric de Chassey, director of Beaux-Arts de Paris, Barry Bergdoll, professor of art history at Columbia University, and Nina Léger, writer and professor of art history at Beaux-Arts de Marseille.
Thursday 29 January 2026
7:00pm - 8:30pm
Amphithéâtre d'Honneur
14 rue Bonaparte, 75006 Paris
ENTRÉE LIBRE
Tuesday 27 January 2026
7:00pm - 8:30pm
Amphithéâtre d'Honneur
14 rue Bonaparte, 75006 Paris
ENTRÉE LIBRE
Beaux-Arts de Paris collections hold a print of Hokusai's famous series of eight woodblock prints depicting waterfalls in different provinces. Produced around 1830, this visionary and synthetic series is an essential milestone in Japanese art from the Edo period and beyond, and has been the subject of numerous ramifications and reinterpretations that are still alive today. During this "spoken collection," designed as a sensitive encounter with the work, four specialists will offer complementary readings and contemporary insights.
Tuesday 13 January 2026
7:00pm - 8:30pm
Amphithéâtre des Loges
14 rue Bonaparte, 75006 Paris
ENTRÉE LIBRE
Filmmakers and artists from around the world have formed Some Strings, a collection of original filmic gestures that originated in Palestine, where poet and professor Refaat Alareer was targeted by Israeli strikes, along with seven members of his family. In his last poem, If I Must Die, published five weeks before his assassination, Refaat Alareer asks those who must live to create a kite – a long-standing symbol of resistance – with pieces of string. Some Strings has inherited this legacy.
From Wednesday 10 December 2025 to Friday 19 December 2025
Chapelle des Petits-Augustins
14 rue Bonaparte, 75006 Paris
ENTRÉE LIBRE
Léandre Bernard-Brunel is exhibiting new pieces at Chapelle des Petits-Augustins in Beaux-Arts de Paris, created as part of his research-creation thesis with the SACRe laboratory under the supervision of Pascal Rousseau.
Here he presents four in situ proposals that engage in dialogue with the ghosts of René Daumal, Balkrishna V. Doshi, Francisco Goya and Jean-Jacques Lequeu.
Saturday 31 January 2026
10:00am - 5:00pm
Beaux-Arts de Paris
14 rue Bonaparte, 75006 Paris
ENTRÉE LIBRE
You wish to join Beaux-Arts de Paris ?
Take part in our Open Day
An unmissable event for anyone wishing to join the School and find out everything there is to know about the courses offered at the Beaux-Arts de Paris – the preparatory class with a social focus (Via Ferrata), the first-cycle diploma (bachelor's level) and the national higher diploma in plastic arts (DNSAP, master's level).
A unique opportunity to interact with teams, lecturers, students and graduates.
Tuesday 9 December 2025
9:30am - 5:00pm
Amphithéâtre des Loges
14 rue Bonaparte, 75006 Paris
ENTRÉE LIBRE
Places to create, places to heal
The global health crisis of 2019 brought the issue of the relationship between health, public and private spaces back to the forefront, renewing reflections on the personal and collective relationship to illness and care. This period seems to have accelerated a general awareness of the need to rethink the links between care environments and living spaces, between health and culture, reminding us that education and care are fundamental relational acts in our society.
Thursday 4 December 2025
7:00pm - 8:30pm
Amphithéâtre des Loges
14 rue Bonaparte, 75006 Paris
ENTRÉE LIBRE
During this conference, the German philosopher and sociologist Hartmut Rosa revisits the concepts of the acceleration of our pace of life and resonance, which he has developed throughout his work (notably in Acceleration: A Social Critique of Time and Resonance: A Sociology of Our Relationship to the World, both published in French translation by La Découverte). If acceleration constitutes the central problem of our time, resonance may be the solution. Hartmut Rosa has renewed the analyses of the first generation of the Frankfurt School by considering alienation as acceleration.
From Thursday 11 December 2025 to Tuesday 30 December 2025
1:00pm - 7:00pm
Librairie des Beaux-Arts de Paris
13 quai Malaquais, 75006 Paris
ENTRÉE LIBRE
Christmas private sale at Beaux-Arts de Paris bookshop
Fine books and art books, engravings, posters, gift items, original creations by artists at exceptional prices.
Among the latest publications: Bernard Moninot, Le Fil d’alerte (The Warning Thread); the graduate catalogue and Félicités: Felicità 2025; The Bells Angels, Monochrome; the colouring book by Frédérique Loutz, Sonia Steinsapir, Une vie intranquille; the Manuel de la Forge by Carole Leroy; the monograph by James Rielly; the exhibition catalogue Rosso et Primatice: Renaissance à Fontainebleau...
Wednesday 3 December 2025
5:00pm - 7:00pm
à définir
14 rue Bonaparte, 75006 Paris
ENTRÉE LIBRE
Supported by Cercle Chromatique, the Arts division of the Arborescences association supports long-term artistic projects created in collaboration with trees and other species, based on the discovery of different environments.
Tuesday 9 December 2025
7:00pm - 8:30pm
Amphithéâtre des Loges
14 rue Bonaparte, 75006 Paris
ENTRÉE LIBRE
The artist, filmmaker and researcher reflects on her approach to computational capitalism and the new modes of subjectivation it produces. In her films, she immerses herself in digital communities. Her first documentary film, La mécanique des fluides (The Mechanics of Fluids), is an investigation that takes as its starting point a suicide note posted by an incel (an involuntary celibate) on the Reddit platform entitled "America is responsible for my death". The investigation takes the form of a virtual drift across the internet in search of his digital traces.
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