As part of a partnership, POUSH welcomes 12 young artists graduating from Beaux-Arts de Paris as part of the Vie Professionnelle post-graduate program. 

From February to April 2025, these artists will benefit from a shared workspace of over 200 m² to develop their research and productions. This residency, supported by the French Ministry of Culture via the CulturePro program, will also help them find employment. The 12 graduates are coached throughout the year by Anne-Laure Peressin and Elsa Vettier.

Wednesday 26 March 2025

7:00pm - 8:30pm

Amphithéâtre des Loges

14 rue Bonaparte, 75006 Paris

ENTRÉE LIBRE

Dragons beneath the earth.
Art, the invisible and philosophy today 

This conference explores the relationship between art and philosophy at a time of environmental change in the humanities. Philosopher Mohamed Amer Meziane will draw on his two books Au bord des mondes and Des empires sous la terre. He will highlight some of their resonances with the current practices of several artists and curators in contemporary art worlds, between Europe and America, Africa and Asia.

Wednesday 5 March 2025

6:30pm - 8:00pm

Palais des Beaux-Arts

13 quai Malaquais, 75006 Paris

ENTRÉE LIBRE

Round-table discussion on Baudrillard Spirit with author Ludovic Leonelli, journalist Frédéric Taddeï and Pascale Le Thorel, director of Editions des Beaux-Arts de Paris.

Thursday 27 March 2025

7:00pm - 8:30pm

Amphithéâtre d'Honneur

14 rue Bonaparte, 75006 Paris

ENTRÉE LIBRE

Michel Poivert describes as “neo-analog” photographic practices involving creative processes that assert the role of materiality and experimentation over the production of an image. It thus opens onto the global notion of “analog culture”, defined as the counterpart to “digital culture”. Analog no longer designates a technical fact, but a cultural one. What characterizes the neoanalogue is a strong “ecosophical” awareness, i.e. a perception of the Anthropocene era as a general historical framework. In this respect, the analogical turn marks a political project.

Friday 14 March 2025

7:00pm - 8:30pm

Amphithéâtre des Loges (SUR PLACE UNIQUEMENT)

14 rue Bonaparte, 75006 Paris

ENTRÉE LIBRE

Baptiste Morizot recounts the story of how modern people monospecifically confiscated the privilege of developing environments, and explores how certain contemporary environmental restoration practices, carried out by the heirs of this confiscation, now envisage sharing this monopoly with non-human, animal and ecosystem entities. What are the philosophical and political implications of this local shift?

Tuesday 4 March 2025

7:00pm - 8:30pm

Bibliothèque des Beaux-Arts de Paris

14 rue Bonaparte, 75006 Paris

ENTRÉE LIBRE

“Image, sound and meaning played musical chairs”

As an extension of the exhibition Pierre Alferi - Dessins, 2006-2021 currently on view at the Beaux-Arts de Paris, this evening is devoted to Pierre Alferi and his accomplices, through a number of creative experiences arising from these friendships. It will be an opportunity to see and hear several facets of his work, presented or replayed by Rodolphe Burger, Fanny de Chaillé and Grégoire Monsaingeon, Suzanne Doppelt and Paul Sztulman, Jacques Julien and Anne Portugal. 

In 2025, Beaux-Arts de Paris presents the 5th edition of Crush.

For this new edition, 79 4th and 5th year students at Beaux-Arts de Paris are presenting their work in the cour vitrée. For this exhibition, they were assisted by three curators: Chris CYRILLE-ISAAC, poet, art critic and independent exhibition storyteller; Horya MAKHLOUF, art critic and curator; and Julia MARCHAND, curator.

Release April 2025

Thomas Lévy-Lasne’s monograph covers twenty years of artistic creation, with one hundred and eighty-eight reproductions showing the richness of his repertoire and the different themes he has dealt with since the 2000s.

Watercolors of celebrations, charcoals of events and shows, oil paintings of urban solitude or the invasion of intimacy by technology, animals, landscapes, portraits - he tackles the most diverse and contemporary subjects in a way that is both classic and highly personal.

 

This exhibition, dear to Beaux-Arts de Paris, where he had been teaching since 2015, presents to the public for the first time a substantial body of some fifty drawings, produced between 2006 and 2021.

 

L'art et la vie et inversement presents the 26 artists who received the Diplôme National Supérieur d'Arts Plastiques from the Beaux-Arts de Paris with the Congratulations of the Jury in 2024.


Their works present a wide diversity of subjects, materials and intentions. The challenge of showing them together is to question what they express about a generation, and what they say about today's world.

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