It is with sadness and emotion that we learned of the passing of Alain Bonfand.
Born in 1957, Alain Bonfand taught art history and theory at Beaux-Arts de Paris for over thirty years, from 1986 to 2017. He was appointed professor emeritus in 2022.
Beaux-Arts de Paris is taking part in the Journées européennes du patrimoine 2025. Come and discover our listed buildings and the treasures they contain!
An exceptional day to discover the School's emblematic sites on a guided or self-guided tour: Cour d'Honneur, Chapelle des Petits-Augustins, Cour du mûrier, Amphithéâtre d'Honneur and the Library.
Wolfgang
Tillmans
Guest professor
Since the beginning of his career, Wolfgang Tillmans has questioned the possibility of producing images and has infused photography with a new subjectivity. He explores traditional genres such as portraiture, still life, and landscape with a constant interest in the limits of the visible. Issues of existing values and hierarchies are thus raised through a play of associations combining intimacy and social criticism. Through the use of various genres, subjects, techniques, and exhibition concepts, Tillmans broadens conventional approaches to photography and raises fundamental questions related to image creation in an increasingly visually saturated world.
From Saturday 20 September 2025 to Sunday 21 September 2025
10:30am - 5:30pm
Beaux-Arts de Paris
14 rue Bonaparte, 75006 Paris
ENTRÉE LIBRE
Beaux-Arts de Paris is taking part in the Journées européennes du patrimoine 2025. Come and discover our listed buildings and the treasures they contain!
An exceptional day to discover the School's emblematic sites on a guided or self-guided tour: Cour d'Honneur, Chapelle des Petits-Augustins, Cour du mûrier, Amphithéâtre d'Honneur and the Library.
From tuesday 21 october 2025 to sunday 1 february 2026
Wednesday to Sunday 1pm - 7pm
Cabinet d'arts graphiques
14 rue Bonaparte, 75006 Paris
The exhibition will close exceptionally at 5 p.m. on Saturday 31 January.
“The exhibition highlights the two major artists invited to France by Francis I - the Florentine Rosso and the Bolognese Primatice - but differs from exhibitions devoted to their drawings or to the Fontainebleau worksite in its focus on the engravers who were associated with them on site, and who were not only skilful interpreters of the compositions of these two masters, but also inventors of forms and experimenters with the new etching technique, which they profoundly renewed.”
Éric de Chassey, Directeur des Beaux-Arts de Paris
Through a selection of some 50 works, this exhibition highlights the exceptional collection of drawings and prints by École de Fontainebleau held by Beaux-Arts de Paris. It provides an opportunity to (re)discover the art of maniera that developed at the Château de Fontainebleau and then spread to France under the impetus of Rosso Fiorentino and Francesco Primatice, two Italian artists in the service of Francis I and then Henry II.
The works on display evoke the genesis of the château's painted and sculpted decorations, from the Galerie François I to the Galerie d'Ulysse, and are complemented by etchings produced at Fontainebleau in the 1540's. This innovative corpus, the result of an unprecedented project in France, raises numerous questions, notably concerning the distribution of models, material organization, formal research and the technical trials and tribulations of the artists.
Some of the works on show are previously unseen, and the vast majority have not been shown to the public for over 30 years. A rare drawing from Rosso's French period, Pandora Freeing the Plagues from her Box, is one of the major pieces in the exhibition. Beaux-Arts de Paris collection of drawings relating to 16th-century art in France is one of the largest and most remarkable in France, alongside those of the Musée du Louvre and the Bibliothèque nationale de France. With almost 400 works, Beaux-Arts de Paris holds the second largest collection of Bellifontaine prints in France after the Bibliothèque nationale de France, and one of the largest in the world alongside the British Museum. Beaux-Arts de Paris owes this wealth to the contributions of passionate collectors from the 19th and 20th centuries, as well as to the generosity of contemporary patrons, in particular the Association des Amateurs de Dessins des Beaux-Arts de Paris.
The Fontainebleau project is an example of artistic ferment and effervescence, a symbol of transnational artistic collaboration whose modernity has marked the history of art in Europe. Today, this exceptional moment is reflected in the activities of Beaux-Arts de Paris, where the conservation, study and transmission of heritage play a central role in contemporary teaching.
CURATORS
Hélène Gasnault and Giulia Longo, respectively curator of drawings and curator of prints and photographs at Beaux-Arts de Paris.
PRACTICAL INFOS
Exhibition from Tuesday, October 21, 2025 to Sunday, February 1, 2026
Wednesday to Sunday, 1pm-7pm
€2, €5 or €10 - the choice is yours!
CLOSURES
The exhibition will be closed from Saturday 20 December 2025 to Tuesday 6 January 2026 inclusive.
“The exhibition highlights the two major artists invited to France by Francis I - the Florentine Rosso and the Bolognese Primatice - but differs from exhibitions devoted to their drawings or to the Fontainebleau worksite in its focus on the engravers who were associated with them on site, and who were not only skilful interpreters of the compositions of these two masters, but also inventors of forms and experimenters with the new etching technique, which they profoundly renewed.”
It is with great sadness and emotion that we learned of the passing of Jean-François Debord.
Born in Évreux in 1938, Jean-François Debord taught at Beaux-Arts de Paris from 1969, as assistant to Professor Pol Le Cœur, before being appointed Professor in charge of the morphology department in 1978, a position he held for 25 years until 2003. An emblematic figure at the school, his teaching has had a lasting impact on generations of students.
Morphology at the Beaux-Arts de Paris, by Jean-François Debord
The Nouvelle Académie des Amateurs (NABA) offers you an original and range of activities to develop your artistic skills in an emblematic school and venue, for ages 16 and up!
Whether for beginners or advanced students, the courses on offer, both theoretical and practical, enable you to acquire an artistic technique, complete or perfect your training and refine your personal culture. Accompanied by qualified artists, come and learn or perfect your skills in life drawing, painting, morphology... and much more!
From Wednesday 2 July 2025 to Saturday 19 July 2025
2:00pm - 6:00pm
La Supérette
28 Bd de Stalingrad, 92240 Malakoff
ENTRÉE LIBRE
Ilaria Andreotti, Maëlle Lucas-Le Garrec, Oskar Fougeirol Lété, Liselor Perez, Lou Rappeneau, Apolline Regent, Emilia Shine and Pierre Sérot, students at the Figarella studio, are exhibiting their work as part of a Beaux-Arts de Paris partnership with Sorbonne Université and École des Arts Décoratifs-PSL.
La terre retombe au soleil is the first exhibition by the Clome collective, which brings together twelve young artists from the École nationale supérieure des Beaux-Arts de Paris and the École des Arts Décoratifs-PSL: Ilaria Andreotti, Paola Bazelaire--Ferré, Alice Coquelle, Oska
Éric de Chassey, the new Director of Beaux-Arts de Paris, takes up his post on July 1. We wish him a warm welcome!
Professor of art history at the École normale supérieure de Lyon since 2012, Éric de Chassey was director of the Académie de France à Rome - Villa Médicis from 2009 to 2015, before becoming director of the Institut national d'histoire de l'art (INHA) in 2016. He is the author of numerous books, essays and articles on contemporary art and artists, and has curated over fifty exhibitions in France and abroad.
